As surely as “I’ll Be There” is played at weddings and “Thriller” is a favorite at Halloween,  “Little Christmas Tree” directed by Sebastian Prooth, is poised to be an everlasting tribute to the life and work of Michael Jackson.

Written by George S. Clinton Jr and Artie Wayne, “LITTLE CHRISTMAS TREE” Originally released in 1973 on Motown Records,  as part of  “A MOTOWN CHRISTMAS”,  is currently is on the new “Ultimate Jackson 5″ Christmas album available now at http://over50music.com

THE STORY BEHIND MICHAEL JACKSON”S “LITTLE CHRISTMAS TREE” http://artiewayne.wordpress.com/2009/06/29/michael-jackson-and-the-story-behind-little-christmas-tree/

Copyright 2009 by Artie Wayne http://artiewayne.wordpress.com/2009/07/12/thank-you-for-one-million-hits/

To reach Sebastian Prooth http://tektrekgamer.wordpress.com/

BACK TO ARTIE WAYNE ON THE WEB! http://artiewayne.wordpress.com

I’m very fortunate to have reconnected with my old friend Songwriter and producer, Artie Kornfeld (“The Pied Piper”, “The Rain, The Park And Other Things”) on FACEBOOK during the last few months. I was able to share his joy in the celebration of the 40th anniversary of the most important cultural event of our generation, which he co – created…Woodstock 1969.

Everybody’s talking about Artie’s new book, “The Pied Piper Of Woodstock” with fascinating anecdotes about the festival. He also talks about writing songs like “Dead Man’s Curve” for Jan and Dean and “Tonight You’re Gonna” Fall In Love With Me” for the Shirrells.

“My memories of my most wonderful days were after three recording deals and managers while attending Queens College at night that, as I tell in my book “The Pied Piper of Woodstock” that I met Charles Koppelman and Don Rubin. With a 25$ demo I took the subway into Nevins Kirchner a/k/a Aldon Music and left with a 75$ a week advance against royalties and a $ 500 advance from BMI.The bread meant nothing as I was now a writer for what soon became Screen-Gems Music. I was accepted in a world of Goffin and King, Mann and Weil, Barry and Greenwich, Leiber and Stoller, Artie Kaplan, Artie Wayne, and so many others who I had only read about and got to learn with the whole Brill Building gang and was lucky enough to have hit songs with Toni Wine my first collaborator and then Steve Duboff and Jan Berry and Brian Wilson. Even my idol Steve Allan, I thought I was in heaven and I was. That is why when I got into position my door was always open. Although we all competed we all were happy at our friends successes.. It is this love of making music and affecting others through song that the seeds for Woodstock 69 were born, I used all my knowledge of music, I actually made a living out of while learning.”

EXTRA! Check out Artie’s radio show every Tuesday 10 pm EST on http://artistfirst.com



***************************************


The only time I met Disc Jockey Clay Cole face to face was in 1963 during the Kennedy Assassination, when Joey Powers, sang my first hit as a writer and producer, “(Meet Me At) Midnight Mary”, on Clay’s WPIX – TV Show.

When I reconnected with him on FACEBOOK, I wasn’t surprised that we had a lot of mutual friends. His new book is filled with Rock and Roll Memories we all wish we could’ve been part of!

“The New York television host traces the roots of rock ‘n’ roll, Top 40 radio, the Golden Age of Television, the Brill Building songwriters, doo wop, girl groups, the twist, the shag/beach music, mom and pop record labels, and Beatlemania, all set against the background of a boozy, Mafia-run Manhattan .”

Editorial Reviews
“Back in the day, everybody in New York watched Clay Cole.” — Frankie Valli

“The Clay Cole Show was on of television’s greatest rock and roll shows. Clay had the whole music industry to draw on and watch him. Clay Cole imprinted a powerful image onto the memory of a few million teenagers.” — David Hinckley, New York Daily News

“Clay Cole. Saturday Night. Rock ‘n’ Roll. New York City. Glued to the tube. I should know; I was there.” – Dion DiMucci

“Clay lit up our Saturday Nights. Clay didn’t know it, but I had a secret crush on him.”                                                                                                                            — Connie Francis

BOTH BOOKS ARE AVAILABLE AT http://Over50music.com

To reach Artie Kornfeld http://www.artiekornfeld-woodstock.com/

For Clay Cole http://www.claycoleshow.com/

Copyright 2009 by Artie Wayne http://artiewayne.wordpress.com/2009/07/12/thank-you-for-one-million-hits/

EXTRA! FOR THE TOP 200 MICHAEL JACKSON AND BEATLE VIDEOS ON YOUTUBE…FREE!  http://over50music.com


I’m really tired of my friends bitching about how music isn’t as good as it was “back in the day”. I agree there’s not as much to choose from, but there are many contenders fighting their way into the soundtrack of our lives.

Here’ the hottest song from “NEW MOON” by Death Cab For Cutie – “MEET ME ON THE EQUINOX” http://www.youtube.com/watch?v=bjIErrcr75A

“WE WEREN’T BORN TO FOLLOW” by Bon Jovi http://www.youtube.com/watch?v=68Te8piQH70

“WHO SAYS” By John Mayer http://www.youtube.com/watch?v=FZwVjys2bQI

“FIREFLIES” by Owl City http://www.youtube.com/watch?v=aI4JLa0hbUw

“HAPPY” BY Leona Lewis http://www.youtube.com/watch?v=3D8POSR-kdo

“NOTHING HURTS LIKE LOVE” by Jimmy Demers http://www.youtube.com/watch?v=jMT0E_XtaNk

“LE PETIT TRAIN” by Rita Mitsouka http://www.youtube.com/watch?v=SHEwFoo_KA0&feature=player_embedded

Copyright 2009 by Artie Wayne http://artiewayne.wordpress.com/2009/07/12/thank-you-for-one-million-hits/

EXTRA! FOR THE TOP 200 MICHAEL JACKSON AND BEATLE VIDEOS ON YOUTUBE…FREE!  http://over50music.com

To reach Ken Schaffer http://tv2me.com

For Alan O’Day http://alanoday.com,

BACK TO ARTIE WAYNE ON THE WEB! http://artiewayne.wordpress.com

It was November 22, 1963 and I had been preparing to record the entire “Midnight Mary” album during the four day weekend. I’d been flying to Columbus, Ohio every week to rehearse Joey Powers, who was going for his Masters Degree at Ohio State.

That night, as Al Gorgoni put some finishing touches on the arrangements, and Jeannie Thomas polished the background parts for her and Lettie Hamblet. Our usual crew of musicians, augmented with Paul Simon and Roger McGuinn on 12 string guitars, was going over the charts for the first session, due to start in a half-hour.

Joey Powers and I were riding into the city from the airport, listening to a new record by the Beatles, “I Want To Hold Your Hand!” on the radio. Suddenly, the announcer interrupts with a terrible unconfirmed report from Washington. By the time we walk into the studio and see the tears in everybody’s eyes, we know it was true, “President Kennedy had been shot!

Joey Powers recalls, “You met me at LaGuardia and had a cab waiting to go to the city. You are very nervous and keep looking away from me. The cabdriver is listening to the news on his radio, but I’m preoccupied with studying the music and not paying much attention.

Then you finally say the President has been shot. It happened during my flight so I was completely in the dark. I’m in such shock up that I don’t think I can do the album!”

The mood in the entire nation is somber, and the collective grief in the studio over the next few days is overwhelming, but we have a deadline to meet. Al Gorgoni keeps the session moving, while Jeannie Thomas comforts us all. “What a sad day is. It takes the wind out of all of us and takes us a while to get back to working. Even when we do, it’s with a very heavy heart. but we finish the tracks over the next three days.”

Gorgoni recalls, “I guess concentrating on meeting the deadline was a good way for me to avoid the emotion evoked by such a tragedy. After one of the sessions I recall a conversation with Roger McGuinn about where Folk music was heading. He predicted the whole Electric Folk Rock thing that blossomed a while later when he formed The Byrds.

Imagine being in the studio with Roger McGuinn and Paul Simon, who had started to record the “Wednesday Morning 3AM album”. They were about to help establish a whole new stream of Pop music. Artie certainly could recognize talent. Even through all the sadness I was happy to be there.”

Amy Records promotion man Freddie DeMann drops by, but even his usual “Shtick”, can’t lighten things up. Larry Uttal comes by as well, but he can’t even make it in to the studio and breaks down in the hall. He says just before he leaves, “I don’t know how you guys can do it.”


*************************************


In between the tracking and overdubbing sessions, Joey and I go down to WPIX TV, where Joey tapes the Clay Cole Dance show. Clay is old friend of Joeys’, who once worked with him as an NBC page. In between takes, the mood is dark and apprehensive, while we watch all the footage of the assassination as it comes into the newsroom unedited.

As we watch the surreal events unfold, I have images forever etched in my memory, including the entire 8mm Abraham Zapruder home movie clip of the Presidential Procession, in which the President is getting his head shot off! The entire staff keeps watching the tape over and over again, getting more and more depressed. I don’t know how they’re ever going to be able to show this to the public. Finally, we decide to call it a night, and arrange for Joey to come in the next day to finish up his segment with Clay.

It’s hard not to think about this history changing event, and stay positive the next day. As soon as Joey is finished lip synching “Midnight Mary”, and doing an interview with Clay, we all go into the control room. Everyone is crowded around a monitor and watch the assassination of alleged JFK killer, Lee Harvey Oswald, by Texas night club owner, Jack Ruby!

Stunned by another history altering day, everyone wondered what could happen next? Joey and I rush back to the studio to finish up his vocals before he has to catch a plane back to Ohio. Exhausted, I fall asleep in the cab on the way back home to the Bronx, while on the radio, Murray the K plays “This Boy” by The Beatles.”

Copyright 2009 by Artie Wayne  from his  forthcoming book, “I Did It For A Song” http://artiewayne.wordpress.com/about-artie-wayne/

After sending my friend Clay Cole my account of the events of 45 years ago, he e-mailed me back, “Damn, Artie! Thanks for the refresher. I blanked out on that memory….. that JFK nightmare dooms any good memories of that day”

FOR CLAY COLE http://www.claycoleshow.com/

FOR EVERY BEATLE MUSIC VIDEO AVAILABLE ON LINE FOR FREE! http://over50music.com/music-sale/top-michael-jackson-beatle-videos/

BACK TO ARTIE WAYNE ON THE WEB! http://artiewayne.wordpress.com

EXTRA! Just released here is the long awaited ADAM LAMBERT VIDEO “Time For Miracles”from the film “2012”plus the KRIS ALLEN VIDEO “Living Like We’re Dying” as seen on MTV…released 12 MINUTES AGO!

WHO WILL WIN THIS “AMERICAN IDOL” VIDEO FACE-OFF?

IN THIS CORNER WINNER OF “AMERICAN IDOL” 2009 KRIS LAMBERT! http://www.youtube.com/watch?v=yfi5ebaprqM

 

...AND IN THIS CORNER “AMERICAN IDOL” RUNNER-UP ADAM LAMBERT http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=64424781

Copyright 2009 by Artie Wayne  http://artiewayne.wordpress.com/2009/07/12/thank-you-for-one-million-hits/

EXTRA! A  GIFT FOR MICHAEL JACKSON FANS…30 of his top videos FOR FREE! http://over50music.com/music-sale/top-michael-jackson-beatle-videos/

THE MOTOWN VIDEO JUKEBOX

November 19, 2009

Here they are…FREE YOUTUBE VIDEOS of 89 #1 hits from MOTOWN Records, Diana, Marvin, Smokey, Michael, The J5, Temptations, Miracles, and Stevie, all engineered or mixed by the amazing Russ Terrana!

In 1971, I was living in Hollywood and working as the General Professional Manager for Warner Brothers Music, plugging songs. One of my objectives was to get more of our songs recorded by Motown Records, one of the most successful independent labels in the business, and one of the most secretive!

It took me months of hanging out in the Motown lobby and reception area, until I met and became friendly with songwriter/producers Norman Whitfield (“Cloud Nine”, “Papa Was A Rolling Stone”), Freddie Perren (“Say Goodbye To Yesterday) and Hal Davis (“I’ll Be There”). As they started to invite me into their sessions, I noticed that they all used the same engineer.

Russ Terrana is a name that you seldom read about, but who played one of the most important parts in the success of what is called “The Motown Sound”. If the Guinness Book of World Records listed recording engineers with the most number one records, Russ would top the list with 89 hits he did for Motown!

When New Media Joe, told me he was doing an on line article  with our mutual friend, I thought this would be a perfect time to post THE MOTOWN VIDEO JUKE BOX with the 89 HITS engineered by RUSS TERRANA! Thanks to New Media Joe and Christie Terrana Hunziker for helping to compile and organize this collection!

HERE IS A COMPLETE LIST OF THE 89 NUMBER ONE MOTOWN RECORDS THAT RUSS TERRANA ENGINEERED! Just click onto the name to see the video.

1966 The Supremes – You Can’t Hurry Love

1966 The Marvelettes – Don’t Mess With Bill

1967 The Supremes – Love Is Here and Now You’re Gone

1967 The Supremes – The Happening

1967 The Supremes -You Keep me Hanging On:

1967 The Supremes – In and Out of Love

1967 The Supremes – Reflections

1967 Marvin Gaye & Tammi Terrell – Ain’t No Mountain High Enough

1967 Stevie Wonder – I Was Made To Love Her

1967 The Four Tops – Standing In The Shadows Of Love

1967 Martha and the Vandellas – Jimmy Mack

1967 Martha and the Vandellas – Love Bug

1967 Four Tops – Seven Rooms of Gloom

1967 Gladys Knight and the Pips – I Heard It Through The Grapevine (Recorded Version)

1967 The Marvelettes – The Hunter Gets Captured By The Game

1968 The Supremes – Love Child (Nothing to the video but excellent sound quality)

1968 Marvin Gaye and Tammi Terrell – Ain’t Nothing Like The Real Thing

1968 The Temptations – I Wish It Would Rain

1968 The Supremes and The Temptations – I’m Gonna Make You Love Me

1969 Stevie Wonder – My Cherie Amour

1969 The Temptations – Run Away Child Running Wild

1969 Rare Earth – Get Ready (Studio Version)

1969 The Temptations – Can’t Get Next To You

1969 The Temptations – Cloud Nine

1969 Edwin Starr – War (Original video)

1969 The Supremes – Someday We’ll be Together

1969 Stevie Wonder – Yester Me Yester You Yesterday

1970 Jackson 5 – Medley (From Motown 25 Special)

1970 Funkadelic – I Bet You

1970 Smokey Robinson & The Miracles – Tears of a Clown

1970 Jackson 5 – I Want You Back/ABC/The Love You Save (Ed Sullivan Show)

1970 Jackson 5 – ABC (Recorded Version)

1970 The Temptations – Ball of Confusion

1970 The Temptations – Psychedelic Shack

1970 Diana Ross – Ain’t No Mountain High Enough (Live in Central Park 1983)

1970 Stevie Wonder – Signed, Sealed Delivered (I’m Yours)

1970 Rare Earth – Born To Wander

1970 The Four Tops – Still Waters

1970 The Supremes and Four Tops – River Deep, Mountain High

1970 The Four Tops – It’s All In The Game

1970 R. Dean Taylor – Indiana Wants Me

1970 Jackson 5 – Mama’s Pearl

1970 Freda Payne – Band of Gold

1970 Gladys Knight and the Pips – If I Were Your Woman

1970 The Supremes – Up The Ladder to the Roof

1970 The Supremes – Stoned Love

1970 Frijid Pink – House of the Rising Sun

1970 Rare Earth – I’m Losing You

1971 Rare Earth – Hey Big Brother

1971 Rare Earth – I Just Want To Celebrate

1971 The Temptations – Just my Imagination

1971 he Supremes – Nathan Jones

1971 Marvin Gaye – What’s Going On?

1971 Marvin Gaye – Mercy, Mercy Me (The Ecology Song)

1971 Stevie Wonder – We Can Work It Out

1970 The Undisputed Truth – Smiling Faces

1971 The Isley Brothers – Love The One You’re With

1972 Michael Jackson – Ben

1972 Diana Ross – Lady Sings The Blues

1972 The Four Tops – Bernadette

1972 The Temptations – Papa Was A Rolling Stone

1972 Gladys Knight and the Pips – Neither One of Us

1973 Stevie Wonder – You are the Sunshine of my Life (Recorded Version)

1973 Jackson 5- Get It Together

1973 Eddie Kendricks – Boogie Down

1973 Eddie Kendricks – Keep On Trucking Pt I

1973 The Temptations – Masterpiece

1974 Jackson 5 – Dancing Machine (Recorded Version)

1974 Jimmy Ruffin – What Becomes of the Broken Hearted? (Original Version

1975 Do You Know Where You’re Going To (Theme from Mahogany)

1975 The Miracles – Love Machine

1975 Smokey Robinson – Quiet Storm

1976 Diana Ross – Love Hangover

1976 Charlene – I’ve Never Been To Me

1977 Thelma Houston – Don’t Leave Me This Way (Extended Version – Recorded)

1979 Billy Preston and Syretta – I’m Born Again

1980 Diana Ross – Upside Down (Recorded Version)

1980 Diana Ross – I’m Coming Out

1980 Diana Ross – It’s My Turn

1980 Diana Ross – To Love Again

1983 DeBarge Family – All This Love

1985 DeBarge Family – Rhythm of the Night


Copyright 2009 by Artie Wayne  http://artiewayne.wordpress.com/2009/07/12/thank-you-for-one-million-hits/

PHOTO OF RUSS TERRANA
(c) Edward Wolfrum, All Rights Reserved
Used with permission

Copyright 2011 by Artie Wayne http://artiewayne.wordpress.com/about-artie-wayne/

EXTRA! EXTRA! YOU CAN BUY MY BOOK ,“I DID IT FOR A SONG” AT AMAZON or Barnes & Noble or from Smashwords

You can read read New Media Joe’s Blog at http://newmediacreative.com/blog/

You can follow New Media Joe on Twitter: www.twitter.com/newmediajoe

BACK TO ARTIE WAYNE ON THE WEB! http://artiewayne.wordpress.com

yes j n d

Long before he became known as the Father Of  Woodstock, Artie Kornfeld was a hit songwriter/producer (“The Pied Piper”, “The Rain, The Park, and Other Things”)

When I went to Los Angeles for the first time in 1968 there were three places I wanted to see Malibu Beach, MacArthur Park, and “Dead Man’s Curve”. Now 40 years later, I asked my longtime friend and sometime collaborator to tell me the story behind Jan and Dean’s  “Classic Hit”, and how he co -wrote “Dead Man’s Curve”, with Brian Wilson and Jan Berry.

One day, Brian and I were chilling and trying out this tiny Honda that the company had sent him as a thank you for writing the Hondells “Hey Little Honda.”  We were cruisin’ about 3 miles from his ex-wife, Marilyn’s mom’s house. Brian, as he was known to do, was pushing two hundred pounds way over what a 60 cc Honda could handle. I said Bry you should slow down, as in Santa Monica there is a lot of sand on the streets. We went over and the bike and were torn apart.  We carried half a Honda each 3 miles, bleeding like crazy, to an open door in an empty house.

bry pianoWe noticed a piece of blank paper on the piano and Bry sat down and I pulled up a chair and, I guess because of recent events I wrote down the words, “Dead Mans Curve”.

Brian started a two four piano rhythm but I don’t have any idea for the lyric…except I always envied Jan’s Corvette, sang to Brian’s chords” I was crusin’ in my Sting Ray late one night and an XKE pulled upon the right…” Bran repeated what I wrote down with the melody and I almost finished the lyric in about 30 minutes with me writing the words, some with Brian, as being a New Yorker after I put us on Sunset Blvd.

I had no idea what landmarks we would pass to that curve after Doheny where it turns right and heads into Beverly Hills.

We were laughing and Brian said, lets hear what we have, laughing at the whole trip and tripping on our wipeout still. I jumped up and said Brian stop, “I think we need an accident here”.  He responded “you are nuts Artie”, but stopped and hit a chord, for some reason at that moment I thought of Robert Frost Poem about two roads in the woods and went metaphoric putting in an accident.

In my mind symbolic with the point we make those decisions that may change or end our lives. I wrote something like it says on the record and Brian Started a Kick Ass chorus.korn

In walks the ever great loving talented Jan Berry who with Bry and a little me worked out the complete song. As Jan tightened up the song for a Jan and Dean Record, he was already hearing a finished product.

Jan sat down at a table, hardly touched the piano, except to find the changes and as only Jan with Brian there could do…wrote out the entire arrangement, that as I remember, and was not a note off when we went in with it to play for Lou Adler. It just seems like moments but it was really days later when we went in and recorded it. The reason we had to put DJ Roger Christians name on the song, Lou Adler would know more than I.

The musicians on the date included Glen Campbell, then a tough tee shirted ass kicker on guitar, and Leon Russell (wearing a suit). Then there was Earl Palmer and Hal Blaine, the only drummers you could put together, and it came out great.

Of course being about 19 or 20 I could not help but notice Lou’s Fiancée Shelly Faberes, in a very tight sweater. Dean did not show. I did stand behind Bry to get a falsetto sound that was a little different.

When the record came out it was the B side to “New Girl in School”

I guess I did my first promotion as for reasons so few know I reversed the Charts and “New Girl in School” stopped shooting up the charts and “DEAD MANS CURVE” RULED! Brian, Jan and I all lived “Dead Mans Curve” in our separate lives.

I’m really crying a little now as I write.  Love Brian and miss Jan so much still.

Artie Kornfeld

P.S. “69” was the only other time I let someone put their name on something I wrote.”

DEAD MAN’S CURVE

By Wilson, Kornfeld, Berry, and Christian

I was cruisin’ in my Stingray late one night
When an XKE pulled up on the right
And rolled down the window of his shiny new Jag
And challenged me then and there to a drag
I said, “You’re on, buddy, my mill’s runnin’ fine
Let’s come off the line now, at Sunset and Vine
But I’ll throw you one better if you’ve got the nerve
Let’s race all the way
To Dead Man’s Curve”

Dead Man’s Curve, it’s no place to play
Dead Man’s Curve, you best keep away
Dead Man’s Curve, I can hear ‘em say
Won’t come back from Dead Man’s Curve

The street was deserted late Friday night
We were buggin’ each other while we sat out the light
We both popped the clutch when the light turned green
You should of heard the whine from my screamin’ machine
I flew past LaBrea, Schwab’s, and Crescent Heights
And all the Jag could see were my six tail lights
He passed me at Doheny then I started to swerve
But I pulled her out and there we were
At Dead Man’s Curve

Dead Man’s Curve, it’s no place to play
Dead Man’s Curve

Well, the last thing I remember, Doc, I started to swerve
And then I saw the Jag slide into the curve
I know I’ll never forget that horrible sight
I guess I found out for myself that everyone was right
Won’t come back from Dead Man’s Curve

Dead Man’s Curve, it’s no place to play
Dead Man’s Curve, you best keep away
Dead Man’s Curve, I can hear ‘em say
Won’t come back from Dead Man’s Curve

Copyright by Screen Gems – Columbia

Copyright 2009 by Artie Wayne http://artiewayne.wordpress.com/about-artie-wayne/

HERE’S ARTIE KORNFELD’S OFFICIAL WEBSITE WHERE YOU CAN CHECK OUT HIS BOOK “THE PIED PIPER OF WOODSTOCK”! http://www.artiekornfeld-woodstock.com/

The-Pied-Piper-of-Woodstock_sm

HERE’S MY ARTICLE ON ARTIE KORNFELD BEFORE AND AFTER WOODSTOCK. http://artiewayne.wordpress.com/2009/11/05/artie-kornfeld-before-and-after-woodstock/

HERE”S THE ARTICLE ON MY INCREDIBLE, AMAZING, AND BIZARRE WOODSTOCK ADVENTURE! http://artiewayne.wordpress.com/2009/06/14/my-return-to-woodstock-1969/

MY BRIEF ENCOUNTERS WITH BRIAN WILSON! http://artiewayne.wordpress.com/2007/03/29/brief-encounters-with-brian-wilson/

Picture at top…Jan and Dean 1964

BACK TO ARTIE WAYNE ON THE WEB! http://artiewayne.wordpress.com


 

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