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Brian O’Neal and The Bus Boys, “It Must Be Saturday Night!”

The acomplishments of the Black architects of Rock and Roll, Little Richard, Chuck Berry, and Fats Domino have always been underappreciated and still largely remain underacknowledged. So tell me, what chance does an African-American Rocker have competing in today overwhelmingly “White” Rock and Roll World?

Every now and then a Black artist will make it through like Sly Stone, Rick James and Lenny Kravitz whose music has elements of early Rock and Roll…but actually is a fusion of Rock, Funk, R+B, punk, and/or Psychedelia which makes it easier to pigeonhole and fit into an acceptable radio format.

I’ve actually heard some white kids say, “What do Black people know about Rock and Roll?” What do they know? SHIT…We invented it! Although I enjoy groups like U2, All-American Rejects, Fall Out Boy, and Green Day, the Rock and Roll of today is more about angst, alienation, sexual obsession and other dark topics than it was at the beginning, when it celebrated the joy of life!

Brian O’Neil and the Bus Boys have brought that joy back and over the years have remained true to the original spirit of the genre! What I’ve heard, so far, of his “Future Retro” music has entertained me, made me smile and makes me want to hear more!

I first met Brian in 1982, when I was hosting Genghis Cohen, a top Hollywood restaurant. Brian was riding high with the hit single “The Boys Are Back In Town” from Eddie Murphy’s “48 Hours” (which will be out on DVD in April) and became a regular customer. When I started creating wearable art, he bought a hand-painted graffitti shirt for his girlfriend and asked me to add, “A Hard Man Is Good To Find!”. His sense of humor, is indicitive of what you’ll find in his music…but “That’s like tryin’ to tell a stranger bout Rock and Roll!” you can download “It Must Be Saturday Night!” from the forthcoming Bus Boy Album, FREE for the next two weeks! http://busboys.com

“Come On…Get On…The Bus Boy Bus! They’re servin’ up a real good time!”

Copyright 2007 by Artie Wayne

To go back to Artie Wayne On The Web http://artiewayne.wordpress.com

If you like video game violence…You’ll LOVE, “Album Cover Massacre”!  It’s a bloody tribute to Asia, Madonna, Depeche Mode, Pink Floyd, Weezer, Michael Jackson, Nirvana, Rush, Yes, Madness, Led Zeppelin, Beatles, Green Day, 50 Cents, David Lee Roth, Rolling Stones, Phil Collins, Jane’s Addiction, Roxy Music, Iron Maiden, Tom Petty, Beastie Boys, Dio, Billy Joel, Van Halen, Def Leppard, Rick James, Black flag, Quiet Riot, Lionel Ritchie, Shaun Cassidy, Ozzy Osborne, The Scorpions, B-52s, Night Ranger, Herman’s Hermits, Lou Reed and Metalica.

Thanks to Loni Spector for sending this fun clip by ugly pictures
http://motionographer.com/media/battle_adbands-w.mov

When I first went to London in 1965, Bess Coleman – one of the Beatles’ press officers and one of my co-writers – introduced me to Shel Talmy, a five star general in the British invasion of the pop culture. I was anxious to meet the legend who discovered, inspired and produced the Who, the Kinks, Chad & Jeremy and the Easybeats. About an hour before I met him, I was shocked to find out that he was a fellow American! When I knocked on his apartment door, in fashionable Knightsbridge, his beautiful assistant led me down a long hallway that was filled on both sides with more gold singles and albums than I’d ever seen in one place! As I sat sipping tea in his office, I heard someone playing a guitar and singing in the other room. The door opened, Shel introduced himself, as well as the singer I heard through the walls, Cat Stevens, who was there to play a couple of his new songs. Over the years Shel and I became good friends. He was one of the few people I could play a song for and get some good constructive criticism. Here he shares some stories and insights with me in this revealing Spectropop interview. Just click onto http://spectropop.com/sheltalmy/index.htm


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