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“As a long time lover of pop music I’ve always been curious about the story behind the song. Knowing that many of you feel the same way, I’d like to share the story behind “I Lose it When I Hear “White Christmas”, A new song that I wrote with Toni Wine (“Groovy Kind of Love”, “Candida”) which is on the Tony Orlando and Dawn “Reunion” album.

In 1995, after 20 years of being in the music business as a singer, songwriter, producer, being an exec at April-Blackwood, Warner Brothers music, and running Irving/ Almo, I had become too weak to even hold a guitar. Finally, I could no longer work at Allan Rinde’s legendary Chinese restaurant in Hollywood, Genghis Cohen, [which I named and hosted off and on for ten years].

When I kept falling down in the street, I knew that something was seriously wrong with me! I was uninsured, and was facing this crisis all alone. My two closest friends, Allan Rinde, was spending more and more time in Nashville with his fiance, Toni Wine…and Patti Dahlstrom, had moved back to Houston, to teach music and critical thinking at the Art Institute of Houston. I had taken to wearing all black, as I stumbled around the back streets of Hollywood, hoping I wouldn’t see anybody that I knew. I felt, for the first time in my life, that I had reached the end of the road.

Fortunately, Patti was in town for a conference, and came over to visit. I didn’t want her to see me broke and broken…but now I’m glad I did. She convinced me to swallow my pride, and seek help from social services, which saved my life! I went to the USC medical center for 2 days of tests, and they kept me for 3 weeks.

It was a few days before Christmas, I was in a ward with many who were far worse off than me…and we did our best to keep each others’ spirits up. Somehow, I lost my phone book, and the only numbers that I could remember was my Mothers’, who had moved to West Virginia, and that my long time friend Alan O’Day, who was on his way out of town.

It’s a policy of most hospitals to send as many patients home for the holidays to be with their family and friends. Soon, I was the only one left in the ward, since I had nowhere else to go. One lonely night, as I sat feeling sorry for myself, I heard a group down the hall, singing Christmas carols. I followed the voices to the children’s ward…where I heard the joyous sounds of “Jingle Bells”. It was the Salvation Army, passing out toys and candy, and singing to the kids, who were confined to their beds. I joined in on “Silent Night”, “Jingle Bell Rock”, and “Rudolf the Red Nosed Reindeer”, but when they started singing “White Christmas” tears started running down my face, and I had to sit in another room to compose myself. This song, written by Irving Berlin, always brings back memories of family and friends in a snow covered New York City blanketing me with emotions.

10 years later, I told Toni Wine (whom I’ve known since she was 14…and showed her some lyrics I had written that night “I Lose it When I Hear “White Christmas”.

She loved it, but wanted to make the story more universal. Over two writing sessions, which we started on Irving Berlin’s piano Toni bought many years ago, we came up with….”

“I LOSE IT WHEN THEY HEAR “WHITE CHRISTMAS”
words and music by Toni Wine and Artie Wayne

They can play “Jingle Bells” all day
talk about Santa’s Sleigh
I’m alright on a very “Silent Night”
But then my tears begin
when they sing I can’t join in
‘Cause I Lose it When I Hear “White Christmas”

Being’ without you just ain’t no fun
what kind of thrill is cookin’ for one?
Can’t deny I wanna’ cry myself out
Here’s to Holiday spirit
don’t wanna’ be anywhere near it
‘Cause I Lose it When I Hear “White Christmas”

And Baby I know…You needed to go
But why did you have to leave me now?

[Instrumental]

Don’t feel like spreading good cheer
Just wanna’ sleep in the New Year
‘Cause I Lose it When I Hear “White Christmas”
‘Cause I Lose it When I Hear “White Christmas”

Copyright 2005-CasmoTwine

 

If you like it, please feel to share it with a friend…if you love it, however,  feel free to share it with your entire address book!

Merry Christmas, Happy Hanukkah and best of holidays, from Artie Wayne On The Web ENJOY TO THE WORLD!

Copyright 2012 by Artie Wayne

WHILE FIGHTING LARGE CORPORATIONS WHO ARE TRYING TO KEEP ROYALTIES AWAY ME AND THOUSANDS OF OTHER ARTISTS, SONGWRITERS AND PUBLISHERSMY ONLY SOURCE OF INCOME IS FROM THE SALE OF MY BOOK. ” I DID IT FOR A SONG”, WITH OVER 100 STORIES FROM THE MUSIC BUSINESS OF THE ’60s, ’70s, and ’80s. I HOPE YOU’LL CONSIDER BUYING ONE DIRECTLY FROM ME THROUGH PAYPAL FOR ONLY $9.99 AT  artiewayne@gmail.com OR BY CHECK TO…ARTIE WAYNE  P.O. BOX 1105, DESERT HOT SPRINGS, CALIFORNIA 92240

THANKS AND REGARDS, ARTIE WAYNE https://artiewayne.wordpress.com/2012/04/10/celebrating-two-million-views-today-on-artie-wayne-on-the-web/

 

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For those of you who have asked me about the records I wrote, sang, produced or placed as a publisher, here is a nearly complete discography. just click onto http://artiewayne.com/discs.html Since Allan Rinde updated this list about a year ago my cyber-friends at Spectropop, one of the best music forums on the net, have discovered about 20 more songs of mine I never knew had even been recorded.

Although I’m physically limited, from a spinal operation, and can no longer form chords on the piano and guitar, I’m still writing! I put my latest song accapella (without music) on an mp3 and sent it to my friend Alan O’Day (“Undercover Angel”, “Angie Baby”) for an opinion. He surprised me by putting chords behind it. If you’d like to hear “I’m At My Best When I’m Down” (Wayne) just click onto http://artiewayne.com/best.html

You can reach Alan O’Day at http://alanoday.com

Spectropop at http://spectropop.com

You e-mail Artie Wayne at artie_wayne@yahoo.com

“If you believe in forever…Life is just a one night stand.

If there’s a Rock and Roll Heaven…You know they’ve got a hell of a band!”

Director and producer, Sebastian Prooth’s inspiring video of Alan O’Day’s brilliant update of his classic number one song, “Rock and Roll Heaven” (O’Day/ Stevenson) continues to rock the Internet. Just click on to hear Ronnie Kimball’s amazing demo! https://artiewayne.wordpress.com/2006/08/20/rock-and-roll-heaven/

You can reach Sebastian Prooth at http://sebrt.com

Alan O’Day at http://alanoday.com

Artie Wayne at http://artiewayne.com

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It was 1961…and it was my first day on the job at New York’s Lowe’s State Theater, yelling, “Immediate Seating for Gone With The Wind!” The most appealing part of the job was the location…it was only five blocks away from 1650 Broadway…the new Tin Pan Alley…the “hipper” Brill building! This was also the day that my Mother met me up at Aldon Music, where Al Nevins and Don Kirshner convinced her that I shouldn’t go to college but hang out in their offices , learn how to write songs and prepare myself to become a Rock and Roll Star!!!

Like Chuck Berry said, ” I studied hard hopin’to pass”. I took advantage of the chance to be around some up and coming talent who soon would become the most sucessful writers in music buisness history!

now As a wide-eyed 18 year old, I sat everyday in Aldon Music’s 1650 B’way office and became freindly with most of the writers who were signed…Neil Sedaka and Howie Greenfield (who helped me develop as a lyric writer), Cynthia Weil and Barry Mann (who taught me how to sing harmony), Gerry Goffin and Carole King (who showed me how to make demos), Jack Keller (who helped me with my chords), Larry Kolber (one of my first lyric partners), Russ Teitleman, Brooks Arthur, Billy Michelle, Al Gorgoni, Charles Koppleman, Don Rubin and a 14 year old Toni Wine.

I’d occasionally babysit for Carole King, while she was in the studio doing demos. In return she would play keyboards, arrange, and sing background when I had to put down my songs on tape. I remember one day she came in to play Don Kirshner her new song but he was still out to lunch. She asked me if I’d like to hear it while she was going over it.

She sat down at the old upright piano in the music room and started playing, “Tonight you’re mine completely…You give your love so sweetly…” I was spellbound, until the very last note of, “Will You Still Love Me Tomorrow”. I sat there as she played it a few more times, knowing I wouldn’t be able to write anything of my own for weeks!

Then she was summoned to Don’s office. I think he liked it too…I kept hearing him yelling through the door, “It’s a Smash!…It’s a Fuckin’ Smash!”

Copyright 2011 by Artie Wayne- https://artiewayne.wordpress.com/about-artie-wayne/

CLICK HERE TO READ SALLY STEVENS EXCELLENT REVIEW OF “TROUBADOURS” featuring CAROLE KING AND JAMES TAYLOR ON PBS!  http://rockphiles.typepad.com/a_life_in_the_day/2011/03/troubadours-the-movie-review.html

BACK TO ARTIE WAYNE ON THE WEB! https://artiewayne.wordpress.com

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In 1974, on the day of my taking over as head of Irving-Almo music, A&M records publishing arm, Olivia Newton-John called me from London looking for material. I knew very little about the catalog, so I held a song casting meeting to take suggestions from everyone on the publishing staff. After listening to quite a few songs, one caught my attention, “I Honestly Love You” by Jeff Barry and the Late Peter Allen. I was late for an appointment so I had only a chance to hear one verse and barely scan the lyric. We shipped it to London as quickly as we could along along with an idea I had, Brian Wilson’s “God Only Knows”.

About a month later, Olivia calls me from Beverly Hills, to say she’s in town and she wants to come over and play me her recording of the two songs I sent, “God Only Knows” and “I Honestly Love You”. I put her on hold and ran through the offce yelling, ” What’s “I Honestly Love You”? Things at the publishing company had been moving so quickly, that I didn’t remember the song! When Olivia came over to my office with her producer John Farrar and played a dub for me…I was almost in tears. The first thing I said to them was, “This should the Record of the Year!” You can imagine my surprise when MCA records didn’t even want to put it out as a single because, “It was too slow!” That’s when Jerry Moss (the M in A&M) let me use his top record promotion staff to break it out of the album. Btw, it did become the Record of the Year!

Power Of The Psychic Vortex!

September 12, 2006

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What if there were a way to amplify every prayer we pray to an unlimited degree? What if we were able to focus and combine the power of our prayers with those of others? It would be like a snowball rolling down a hill…gaining mass and momentum…but instead of destroying everything in its path it would form a protective shield around everything it touches!

It may sound like science fiction, but it’s spiritual fact. Energy can neither be created nor destroyed, but this kind of power, with the help of God, can be harnessed.

I recently discovered the “Psychic Vortex “ by accident, during a meditation using deep relaxation techniques I was taught thirty years ago. I complained to my friend Patti Dahlstrom, who also learned this method from Dr. Henry Mundt, that after practicing it for so long, it had become un-interesting. She suggested that I alter the way I was taught to reach my deepest point of meditation. Instead of walking “down” a flight of stairs, I walk “up” or I go “sideways.” In the process I found a new tool.

One night, as I was flying through a dense fog over Houston, I started to pray and built a “Psychic Vortex” to protect our plane and all of its passengers. Suddenly, the plane drops a few hundred feet, narrowly avoiding a mid – air collision with another aircraft! A coincidence? I think not.

A few months later, while I was meditating in my Hollywood neighborhood, a series of earthquakes came disturbingly close, but bypassed my apartment complex. Further proof to me of the power I had discovered.

Today, as our troops enter the most dangerous aspects of the war in Iraq, we can help them, all U.S. citizens and all of our allies, by creating “Psychic Vortexes “ of protection. We can visualize our family and friends, pets, communities, even entire countries, and in Jesus name ask for healing, protection, and guidance.

I’ve written out, as simply as I can, the way to create and use this incredible gift that God has given us.

First…in a quiet, semi-darkened room with your eyes closed, lie down on your back on a bed or a couch or sit up in a straight chair with your feet flat on the floor, palms upward.

1. [Inhale] hold your breath for a count of Two………1…………….2………….[exhale]

[Inhale] hold your breath for a count of Two………1…………….2………….[exhale]

[Inhale] this time hold your breath for a count of Five
1………….2………..3…………4…………5

[Exhale] then repeat the sequence called “Two–Two–Five” again

[Inhale] 1…2 [Exhale]… [Inhale] 1…2 [Exhale]…
[Inhale] 1…2…3…4…5 [Exhale]

Ask God to protect you from negative forces as you start your journey.

2. See a flight of stairs. Starting at the number 100, count backwards slowly to the number 1, visualizing each number as you descend.

3. When you reach the bottom, ask in Jesus name to build a “Psychic Vortex. “ Then climb up an imaginary ramp at a 90-degree angle 90 steps, until you reach the top. Then come down the imaginary ramp on the other side at a
90-degree angle for 90 steps, until you reach the bottom.

4. Then say,” Positive thinking brings results I desire. Positive thinking brings results I desire. I trust in God “ over and over until a wave of good feelings sweep over you that lets you know your “Psychic Vortex “ has been received. When you’re at the deepest level, visualize who or what needs your help and ask in Jesus name for the “Psychic Vortex” to help them. ”Positive thinking brings results I desire. Positive thinking brings results I desire. I trust in God”.

5 Then say” Everything is in Divine Order, and I’m part of the Divine plan. Amen.”

6. When you’ve finished, visualize taking an elevator up to the place where you started.

I really don’t know how all of this works, I just thank God that it does!

Regards, Artie Wayne

P.S. If you’d like an MP3 of me talking you through the steps of this meditation without charge or solicitation just e-mail me.

© 2006 – Artie Wayne artie_wayne@yahoo.com

Glow in the dark wearable art at top by Artie Wayne http://artiewayne.com/art_4.html

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Richard Perry
I was in the music buisness as a songwriter, artist, producer, publisher and promoter from 1960 to 1996 and met many people who have become legends. One CD and record producer who particularly stands out is Richard Perry. His track record is astonishing! From Tiny Tim, Harry Niilson, Barbra Streisand, Ringo Starr, The Pointer sisters, to the last four Rod Stewart “American Songbook” albums…he’s been consistantly on the charts for the last four decades!

I talked to him a few months ago after not being in touch with him for ten years ( I was quietly recovering from a spinal operation ) and have begun to submit songs to him again. I’d like to share a couple of stories with you from my forthcoming book about some of my experiences with him.

Richard Perry and I became friends in the mid-sixties when we were neighbors at 1650 Broadway. He was producing the “God Bless Tiny Tim” album and recorded one of my songs, “Daddy, Daddy What Is Heaven Like?” His first Gold Album, and mine. Since Richard isn’t a songwriter and depends totally on outside material, he became the number one producer that songwriters and publishers would persue. When I ran the professional department at Warner Bros. Music in the early ’70’s, Richard was always the first to hear our best songs. My boss, Ed Silvers, suggested that I update the old Johnny Burnette hit, “You’re 16,” with a New Orleans feel for Richard’s upcoming Fats Domino session. Richard loved it, but didn’t cut it with Fats. Over the next two and a half years it was turned down by 122 artists and producers. My little piano voice demo became an ongoing joke at Warner’s….until Richard Perry finally cut it with Ringo Starr and sold five million records!

The next story…

In 1971, the single “Stoney End” by Barbra Streisand was in the top ten, but her album wasn’t finished yet. Richard Perry, who was the producer, called me up on a Sunday afternoon and asked if I wanted to listen to the final mixes on Barbra’s album.

Needless to say I was thrilled, but as I sat in the studio listening to the playback something was bothering me. I couldn’t hear the lyrics loud enough over the track!! As I sheepishly told Richard what I thought, his engineer, Bill Schnee, jumped up and said, “I told you Richard……You can’t hear the lyrics !!” Richard looking a little stunned, smiled, thanked me for coming down and started re-mixing again.

The already overdue album was finally released a month later. My friend Allan Rinde, who was the Columbia Records’ West Coast Contemporary A+R director, told me that I’d be banned from the company forever if I ever interfered with any of their producers again!