SIDNEY SHELDON R.I.P. ROCK N PERPETUITY!
January 31, 2007
SIDNEY SHELDON 2/11/17 – 1/30/07
I became friendly with Sidney Sheldon in the 80’s, when I was hosting Genghis Cohen, the Chinese restaraunt I named for my friend, Allan Rinde. Although it was starting to become a trendy hangout for the “Brat Pack”, Hard Rockers, Country divas, and Pop Icons it was Sidney who started bringing “Classic Hollywood” through it’s doors!
I couldn’t help getting excited everytime Sidney made a reservation! He always was in the company of the most interesting people in the World! Among others, he introduced me to Academy Award winner Sidney Poitier, US Ambassador John Gavin and international financier Marvin Davis. He always treated me like his guest as opposed to a guy working in a restaurant. Although I acted like I owned the place, I wasn’t one of Allan’s partners. Sidney knew this and after leaving a generous tip for the staff, which I didn’t particpate in, he’d slip a fifty or a hundred dollar bill in my pocket before he left!
When he started throwing big dinner parties at the restaurant, I felt honored and flattered that he asked me to put them together for him and privately host them. When he said he’d leave the menu up to me, I had to confess that I didn’t know shit about Chinese food and it was Allan’s choice I was hawking! He laughed and said he trusted me to take care of everything…and I did!
Although I was familiar with the TV shows he created, “I Dream Of Jeannie”, and “The Patty Duke Show, I never read one of his super successful novels, “The Other Side Of Midnight”, “Master Of The Game” or “Rage Of Angels”. Just knowing, however, that he became a novelist after the age of 50 has been an inspiration to me and thousands of writers all over the world!
Although he won an Academy Award, a Tony, and A few Emmys, I’ll always remember him as one of the humblest, most genuine people I’ve ever known with an incredible work ethic. The biggest tip he ever gave me, came after his passing…and through a newscaster who quoted his philosophy, “Don’t talk about writing…Do it!”
I’m doin’ it, Sidney…Thank You! R.I.P. Rock In Perpetuity!
Respectfully, Artie
From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
https://artiewayne.wordpress.com
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For more of Sidney Sheldon’s philosophy, bibliography and list of credits and awards http://www.answers.com/topic/sidney-sheldon
PROUDLY EMBRACING THE PARANORMAL!
January 29, 2007
A few days ago I was apprehensive about blogging my experiences with the paranormal, today I can’t wait to start again! I’ve learned so many things in the time I’ve spent on Earth that I can’t wait to share them!
I’m not a professional psychic, documented healer, or spiritualist. I’m a writer and an artist who’s lived an extraordinary life http://artiewayne.com/ I do, however, consider myself a psychically attuned, spiritually guided, observant layman who has made remarkable discoveries. Ever since I was a child I knew I was being given information and instructions from another place. When I started writing songs and composing music, I always felt that the best ideas, lines and passages came from somewhere else…somewhere outside of my ego and my own frame of reference.
Although I currently use deep meditation techniques to receive and access information, my best and deepest songs have all come from intense emotional times in my life.
The first time that I realized that I was channeling information from the other side was in the summer of 1966. I was a staff songwriter and producer for Scepter records in New York City. I had just gotten married and like most young breadwinners needed extra cash. I made a deal with Ed Silvers, who headed Scepters publishing company, that I would get a base salary of $125 a week plus $100 general advance for every song I’d have recorded. He would usually only accept one or two songs a week, which limited my income.
When he made a two week trip to Europe I took the opportunity to convince the label owners that I could write and produce sides for the Shirrelles, the Kingsmen and the Guess Who, as well as writing 10 new songs for a patriotic and spiritual concept album…all before Silvers got back.
Just as I started writing, my grandmother, “Gooma” who helped raise me and was a big influence in my life, became seriously ill. I was beside myself and stressed out, but I had a big job to do. In between bedside visits, I knocked out the pop songs first…then I did the patriotic songs. When it came time for me to do the spiritual songs, my grandmother took a turn for the worse. I started to write…and as I wiped away my tears, from out of nowhere an entire song came through me in less than 3 minutes. It’s called,” “Daddy, Daddy What is Heaven like?” It’s a song about a little boy having a conversation with his father…
Daddy, Daddy What Is Heaven Like?
By Artie Wayne
“Daddy, Daddy What is Heaven Like?
Is it like our house so pretty and White?
It doesn’t seem right, it doesn’t seem fair…
If Mommy loved us so…why’d she go there?”
“Heaven, my child, is a beautiful place
Where there’s a smile on everyone’s face
Mommy loved us both but she had to go…
We needed her so but they needed her more”
“Daddy, Daddy is Heaven very far?
How long would it take if we go by car?
If you cross me at the corner, I can take my bike
Daddy, Please tell me what is Heaven like?”
“You can’t go there by a bike or a car…
But if you’re good you’ll go real far.
Maybe someday you’ll go to Heaven too
If I know your Mommy she’s saved a place for you.”
“Daddy, Daddy I can hardly wait
I’m so excited Heaven sounds great!
Can I run and tell sister goodbye?
Why is there Daddy a teardrop in your eye?”
Copyright 1966/ 2007 Wayneart music
What’s ironic about this is…I never knew my father on Earth and didn’t have any children myself! In retrospect, I look at this as an exchange with my heavenly father who was answering questions that were in my spiritually developing mind.
God let us keep “Gooma” a little bit longer and I was fortunate to have Tiny Tim record “Daddy, Daddy” on his Gold album “Tiptoe Through the Tulips”.
I was proud when Miriam Makeba performed the song to a five-minute standing ovation in Philharmonic hall at Lincoln Center…but even prouder when she sang it on Johnny Carson’s “Tonight Show” the following night and my grandmother was able to watch it.
Copyright 2007 by Artie Wayne
Stax Records And A Paranormal Connection!
January 27, 2007
The Memphis sound intrigued me so much that Stax Records became the first stop on my publishing tour of the south. When I was general manager of Warner Brothers Music in 1970, my longtime friend and sometime collaborator, Steve Cropper, who co-wrote “In The Midnight Hour”, “Dock Of The Bay”, “Knock On Wood”, etc., took me around his town, winding up at the offices and studios of the legendary record and publishing organization, East-Memphis music
The company occupied an old movie theater in the ghetto, with a markee that simply said STAX.The reception area, was the place where refreshments were sold, and the recording studio was where the second run movies were once shown.
I was humbled to be in the same studio where Booker T. & The M.G.s, Otis Redding, The Mar-Keys, Sam & Dave, Wilson Pickett, The Barkays, Eddie Floyd, Johnny Taylor and Isaac Hayes made all of those mega-hits!
I’ve always believed that every studio has its own flavor, due to the collective consciousness and spiritual vibrations from all those who have poured out their hearts and souls within its walls. This place was no exception. I walked around mesmerized with the sounds of the late Al Jackson, Jr.’s solid drumbeat from, “Hold On I’m Comin'” running through my head. I even had the urge to yell out, “Play it, Steve!”, but I restrained myself!
Before I had to leave for my next stop, Muscle Shoals, Alabama, Steve invited me into the control room to hear some remixes he was doing on the late Otis Redding. It was a spectacular ending to a day I’ll never forget.
Since I became interested in music, I always believed that more than just music is captured in the recording process. Primitive tribes correctly believed that a photographic image of them takes a piece of their soul forever…I believe a recording essentially does the same thing. More than sound and musical content are recorded, retained and reproduced…so are the inaudible vibrations, thoughts, emotions and energy of the lead performer as well as every participant in the studio.
I accepted the psychic fact years ago, that each of us carries with us spirits of our family, friends and ancestors…who carry with them the spirits of their family, their friends and their ancestors. Some of these entities that surround the artists, musicians, and other contributors to the process, mingle with other entities they encounter there. Some like their new environment so much, they stick around and become part the studio’s collective creative consciousness.
As a songwriter/ singer/ producer and publisher, I’ve had the chance to visit recording facilities all over the world where historic sessions have taken place…including Allegro, Associated, Bell sound, Olmstead, Sound factory, Mirasound, A+ R and Atlantic studios in New York, The Sound Factory, A+M, Gold Star, American, M-G-M studios and Cherokee studios in Hollywood, Apple, Trident, Rak studios, EMI studios in Abbey Road, London, the legendary Motown studios, The Record Plant in New York and L.A., Stax, Hi and Sun studios in Memphis, RCA and Columbia recording studios in Nashville, London, New York, and San Francisco to name a few.
Although most studios are routinely cleaned, few, if any are spiritually cleansed. Like a well – used grill at a restaurant, there is a spirit buildup over time that gives each studios end product a distinct flavor.
I’ve been asking artists, musicians, producers and engineers, if they ever experienced any paranormal phenomena in the studios where they worked. If you have any first hand experience please let me know about it.
Thanks and regards, Artie
Copyright 2007 by Artie Wayne
For another article about the paranormal click onto
https://artiewayne.wordpress.com/2006/07/13/michael-piller-from-the-other-side/
DENNY DOHERTY R.I.P. ROCK N PERPETUITY!
January 21, 2007
left-right…Denny, Michelle, Mama Cass, John…The Mamas and Papas
DENNY DOHERTY 1/29/40 – 1/19/07
The Mamas and the Papas were more than “California Dreamin”, they were the California Dream! John Phillips, might have been the “Soul” of the group, Mama Cass and Michelle, the “Heart”…but Denny Doherty will always be the “Voice”!
In 1968, I was on a promotion tour in Hollywood as Shadow Mann, my mysterious alter ego. I went to Denny’s house in my black suede jacket with an eagle on the back and black floppy hat for a party with Graham Nash and Joni Mitchell. With all the Flower Children and colorful “Hippie” fashions, however, I did feel a bit under dressed!
Denny was a nice guy and cordial host. I remember telling him how much I enjoyed his singing while gorging my self on the delicious “brownies” they were serving! Actually, that was the last thing I remember…next thing I knew, I was in San Francisco on the next stop of my tour…without knowing how I got there!
Denny, you’re a good man, R.I.P. Rock In Perpetuity!
From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/
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REVEREND MARTIN LUTHER KING R.I.P. ROCK IN PERPETUITY!
January 15, 2007
“Sometimes a missed opportunity can make a deeper impact on the soul than an opportunity that’s been taken”. In the early 60’s while I was trying to become a Rock and Roll Star, Martin Luther King, Jr. was going to jail on a regular basis for leading peaceful Civil Rights demonstrations in the deep south against segregation.
I’ve never admitted it before, but I was one of those “Negroes” who thought that King’s actions would hurt those of us who were trying to assimilate into a “White Society”. I remember on one of his trips to the north, to raise money for the movement, he came to Thessalonia Baptist Church in the Bronx, where I was a member.
I was 19, and still living at home with my Mother and Grandmother, and “Gooma” insisted that I go to a special Sunday afernoon service where Dr. King was speaking. When I said, “What do I want to see that troublemaker for?”
Gooma snapped back, “Jesus was a troublemaker!…but wouldn’t you have liked to have seen him if you had the chance?” There was nothing I could say…so I agreed to go as long as I could leave before he spoke, so I could make it down to Greenwich Village to meet my Beatnik friends at the Cafe Figaro. Starting that afternoon, when my downtown pals couldn’t stop talking about Rev. King and how I missed a chance to not only hear him speak, but to possibly meet him, I started to look at him…and myself differently.
As the months passed, I learned more about the great man and started to develop a social conscience. Through the years I’ve seen his influence not only affect our people, but all people…all over the world! Even though I didn’t actually meet him, I’m grateful to have seen him and breathed the same air that he did…if only for a few moments!”
January 15, has always been a special day since it’s Gooma’s birthday as well as Martin Luther Kings. God bless You doctor King and thank you Gooma, without each of you I would’ve become a lesser person than I am today!
From my book, “I Did It For A Song” Copyright 2012 by Artie Wayne available for $9.99 through paypal which you may send directly to me at artiewayne@gmail.com
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