Original Christmas of clips of Bing, Elvis, Band Aid, Darlene Love and Phil Spector! Christmas Video animations featuring Destiny’s child, Bobby Helms and the Drifters!

When Whoppy and Streaker were little more than kittens I sat down with them on their first Christmas Eve and sang Christmas songs on my guitar. Ten years later they’re playing Christmas songs for me that they found on the Internet! Sound outrageous? Not as outrageous as some of the the videos they found!

Here is the 50’s version of “White Christmas”, by Clyde McPhatter and The Drifters, one of my aunt Wan’s favorites, which my friend Publicist/ Writer Gary Stromberg, sent me as a Christmas card.

Growing up in the 50’s, Irving Berlin was one of my greatest influences. He wrote other classic songs like “Easter Parade’, “True Love”, “Always”, and “God Bless America”, but none ever touched as deeply as his perrenial “White Christmas”. When I started in the music business, I remember going from door to door in 1650 Broadway, trying to get my songs published. One day I walked into Irving Berlin Music, which occupied a suite of offices on the second floor. I asked the receptionist If I could see Mr. Berlin, and play him a few of my songs. Holding back a smile, she said, “I’m sorry, but Mr. Berlin, no longer comes into the office…besides this company Only publishes Irving Berlin songs!”

This “Brash Brotha” from the Bronx, smiles and asks, “In that case may I just take a look at his piano?” She smiles back and says she shouldn’t be doing this…and took me into the room where he did his writing.

This is the instrument, I read about in Life Magazine. Berlin, with no formal training, was only able to play in the key of C. So he had this upright piano made with a “gear shift”, to change keys or modulate with a flick of the wrist! Although I want to sit and play, I don’t want to overstep my bounds, so I just gently and respectfully touched it on my way out.

Here’s “White Christmas” performed by Bing Crosby, from the 1942 film, “Holiday Inn”.

The next video is from a 1977 ABC special with a duet by Bing Crosby and David Bowie on “Little Drummer Boy”.

Author and songwriter, Patti Dahlstrom sent this interactive video Christmas card, I thought you’d enjoy!

Patti sent this incredible “Silent Night” interactive card as well!

Along with my first phonograph, my mother gave me “Elvis’ Christmas Album”. Here’s a clip of Elvis Presley, from the Ed Sullivan Show, singing “Peace in the Valley”with the Jordanaires.

How did Whoppy And Streaker know I loved “Do They Know It’s Christmas?” It’s the Band Aid Video That Bob Geldof put together in 1984 to raise money for starving people in Africa.

Here are the Jingle Cats and their version of ,”Jingle Bells”

Here’s Bobby Helms with Dancing Snowmen and “Jingle Bell Rock”

Elvis Presley from his 1968 “Comeback” NBC Special doin “Blue Christmas” in a medley.

The next song, “Rudolf the Rednosed Reindeer”, is one of the best known songs in the world. It was originally the B-side of a Gene Autry record, “If It Doesn’t Snow On Christmas” It was the first 78 I ever owned, a gift from my uncle Mick and aunt Polly…to be played on the new phonograph my mother gave me!

Johnny Marks, the composer of “Rudolf”, as well as “Rockin’ Around the Christmas Tree”, was definitely the King of Christmas? The song became so popular, that everytime a reindeer was drawn or painted with a red nose, he would get a royalty! Johnny was a character out of a Damon Runyan story, hair slicked back 40’s style, always nattily dressed, the kind of a guy you’d see at the race track waiting in line at the $100 window. He was quiet and assuming most of the year, but at Christmastime, he’d be in his glory! I remember once in the mid-sixties, during the holiday season , Johnny took my wife and I to lunch at Jack Dempseys’. The restaurant was located right next to the Brill Building and the poor man couldn’t take a bite without one his songwriter or publishing pals coming over to interrupt. Without question he was definitely one of my songwriting heroes!

Now Destiny’s Child’s 2001 video of “Rudolf The Red Nosed Reindeer”

About ten years ago after inexplicable weakness and episodes of falling down in the street. I checked into UCLA Medical Center for 3 days of test. They kept me for 3 weeks! It was a few days before Christmas, I was in a ward with many who were far worse off than me…and we did our best to keep each others’ spirits up. Somehow, I lost my phone book, and the only numbers that I could remember was my Mothers’, who had moved to West Virginia, and that of my long time friend Alan O’Day, who was on his way out of town.

It’s a policy of most hospitals to send as many patients home for the holidays to be with their family and friends. Soon, I was the only one left in the ward, since I had nowhere else to go. One lonely night, as I sat feeling sorry for myself, I heard a group down the hall, singing Christmas carols. I followed the voices to the the children’s ward…where I heard the joyous sounds of “Jingle Bells”. It was the Salvation Army, passing out toys and candy, and singing to the kids, who were confined to their beds. I joined in on “Silent Night”, “Jingle Bell Rock”, and “Rudolf the Red Nosed Reindeer”, but when they started singing “White Christmas”. Tears started running down my face, and I had to sit in another room to compose myself. This song, written by Irving Berlin, always brings back memories of family and friends in a snow covered New York City…flooding me with emotions.

10 years later, I told Toni Wine (“Candida”,”Groovy Kind Of Love”) I told her the story…and showed her some lyrics I had written that fateful night, “I Lose it When I Hear “White Christmas”. She loved it, but wanted to make the story more universal. Over two writing sessions, which we actually started on Irving Berlin’s piano that Toni bought many years ago, we came up with….

words and music by Toni Wine and Artie Wayne

They can play “Jingle Bells” all day
talk about Santa’s Sleigh
I’m alright on a very “Silent Night”
But then my tears begin
when they sing I can’t join in
‘Cause I Lose it When I Hear “White Christmas”

Bein’ without you just ain’t no fun
What kind of thrill is cookin’ for one?
Can’t deny I wanna’ cry myself out
Here’s to Holiday spirit
don’t wanna’ be anywhere near it
‘Cause I Lose it When I Hear “White Christmas”

And Baby I know…You needed to go
But why did you have to leave me now?


Don’t feel like spreading good cheer
Just wanna’ sleep in the New Year
‘Cause I Lose it When I Hear “White Christmas”
‘Cause I Lose it When I Hear “White Christmas”

Copyright 2005-CasmoTwine

If you’d like to hear the Tony Orlando and Dawn recording click

Where to buy Tony Orlando and Dawn”Reunion” CD


Elvis Presley “Blue Christmas”, Neil Diamond “Holly Holy”, Celine Dion “Oh Holy Night”, Bing Crosby and David Bowie “Little Drummer Boy” plus THIRTY MORE! JUST ADDED…JOSH GROBAN FROM HIS #1 “NOEL”…OLIVIA NEWTON-JOHN FROM HER NEW CHRISTMAS ALBUM, John Denver, the Muppets, MORE!

For “Nookie’s Top Christmas And Hanukka Videos!” Adam Sandler, “Hanukkah Song”, Neil Diamond, Mariah Carey, Justin Timberlake, ‘n Sync, Toby Keith, complete version of Charlie Brown Christmas, more!

To reach Toni Wine

For Sebastian Prooth

To know more about Gary Stromberg’s book, “The Harder They Fall

For the Salvation Army

More Artie Wayne on the Web

If you liked “Whoppy and Streaker Present The Top Christmas Videos of all time”, feel free to share it with a friend…I you loved it, please feel free to send it to your entire address book!

Merry Christmas, Happy Hanukka and the the best of the holiday from Artie Wayne On The Web…and Whoppy and Streaker on the couch!


You’re In A Coma With MTV!

November 29, 2006


No, it’s not ex-Congressman Mark Foley about to turn a new Page.. it’s Howdy Doody and “Buffalo” Bob Smith!

I’ve known about the power of television since I was seven years old, and charged other kids five cents to watch “Howdy Doody” at my uncle’s, who had the only set in the neighborhood! I also remember performing in grade school every wednesday at “Show and Tell”, with jokes I learned the previous night from my other uncle, “Uncle Miltie”. In 1956, however, my whole world changed when I saw Elvis Presley on the Ed Sullivan show! Up until then I wanted to become either a nuclear physicist or a clown…now I wanted to ROCK!

Unfortunately, I was a “Rebel Without Applause”, until I performed Conway Twitty’s “It’s Only Make Believe”, at a High School talent show. Now the girls started paying attention to me. I don’t know if it was my Ed “Kookie” Byrnes cool way of talking or my red Elvis jacket, but even the neighborhood gangs started to respect me and would give me a head start before they’d chase me home from school! My role models were high school bon vivant, “Dobie Gillis” and “Love That Bob”Cummings, who portayed a photographer/ playboy. I even sucessfully used many of their characters outrageous “pick-up lines” that me got me close to some of the most beautiful girls in the world!

I was in for a big shock though when I got married and realized that real life wasn’t, “I Love Lucy”, and problems weren’t always solved in a half hour. Unfortunately, we wound up in “Divorce Court”…but fortunately for me, I lost the TV in the settlement! For the next 2 years, my creative abilities and productivity increased significantly. I no longer sat in the front of a tv set and watch negative stories on the news, or look at a sitcom, where the laugh track would tell me where to respond! I read, I bowled, I had actual conversations, and then I moved to Hollywood!

I was General Professional Manager at Viva music for two months before I learned how to drive. I guess I had too much time on my hands, and against my better judgement I bought my first color tv set. I was just like a recovering alcoholic, testing ing himself with just one drink…then craving a half dozen more! All I needed was one more game show, one more made for TV movie or one more talk show then, I’d be able to go to bed.

When it became no longer enough to watch TV…I had to Live TV! I started flirting with sitcom stars I’d run into at the Hollywood market, Anne ( “Honey West”) Francis, Denise ( “Room 222”) Nicholas, have dinner with Yvonne ( “Batgirl”) Craig, go dancing with Linda ( “Happy Days”) Purl or just hang out with Sissy ( “Love American Style”) Spacek. In case there would be trouble at some of the wild parties I went to, I made sure to be around TV tough guys like Michael ( “Streets Of San Francisco” ) Douglas, Bill ( “I Spy”) Cosby, Max ( “Beverly Hillbillies”) Baer and David ( “Kung Fu”) Carradine. It was during this time that I also became friendly with a couple of TV comedy writers who “appropriated” some of my real life stories and used them on “The Bobby Sherman Show”…the adventures of a songwriter! Instead of suing, I settled for a few of my songs to be used on the program.

Then I got bored with TV and all the bullshit that goes along with it, even relegated my set to a little used room in the house. That’s when my career started to flourish at Warner Brothers Music, which had recently bought Viva music. I didn’t pay much attention to television for the next ten years.

Then one day in 1982 I was invited to the launch of a new 24 hour cable music network, called MTV…and that’s when I saw the future! I’d been a fan of Scopitone, a european jukebox that played musical film clips, but I knew it could never succeed in the US because of the “stronghold” American jukebox operators had on the market. I looked at “this” MTV, not just as another place to promote music but as having the potential to become the primary means of delivering music to the masses!

In less than 25 years, MTV not only fufilled the prophecy, but actually helped to change the music itself. In the first few years the network played the ubiquitous videos of English artists, Duran Duran, David Bowie and Phil Collins, Austrailian artists Men At Work and whet the appetite of the American public for more of the same! In addition to music, fashion and slang started to travel around the world at a record pace, but it took Michael Jackson’s “Thriller” album and a near boycott by CBS Records to break the color barrier at the network! Soon Lionel Ritchie and Billy Ocean were being played as much as Blondie and became regular staples of MTV.

For years , the network thrived on it’s legitimate pop content, then something odd happened. There were fewer and fewer music shows aired in favor of reality shows. After the success of “The Real World” ten years ago, the “Reality” floodgates opened. Today when we watch MTV and it’s sister network VHI, we see endless episodes of “Laguna Beach”, where horny teens fuck with each others heads, and “Punk’ed”, where Ashton Kutcher plays practical jokes that would get him an ass kicking in real life! Then we have “Next”, “Breaking Bonaduce”, ” Road Rules”, “Made”, “The Fabulous life of…”, “Flava’ Flav”, “Best Week Ever”, and “Celebrity Deathmatch”. The most obnoxious, though, is “Sweet Sixteen”, which feature rich little bitches-in-training conning their parents out of expensive sweet sixteen parties and lavish presents. It’s a series that’s an argument for an official sanction of corporal punishment!

As far as the music goes, when you can find it, most of the groups have a sameness about them. if you don’t look at the lower left hand corner of the screen you might mistake Panic at the Disco for the Killers, or All American Rejects. It’s just about impossible to tell what rap video you’re watching, since Kanye West, “Diddy”, Lil’ Jon and “Snoop” Dogg appear in almost all of them, as either a guest or a featured artist!.

It seems like most of the artists today are conciously making music to please corporations and music directors who have narrow taste and program for an audience who prefers not to think too far outside their electronic boxes. I’ve read studies on how too much TV eventually overwhelms the viewer and diminishes productivity. I don’t want to be lulled into complacency, so I’ve decided never to watch MTV again…after I see the finale of “Laguna Beach!”

Copyright 2006 by Artie Wayne

If you want to hear a recording that Terry Mace and I wrote and perform called   “You’re in a coma with EMPTY -V” click onto

Special thanks to Alan O’Day for helping with the re-mix


When I first went to London in 1965, Bess Coleman – one of the Beatles’ press officers and one of my co-writers – introduced me to Shel Talmy, a five star general in the British invasion of the pop culture. I was anxious to meet the legend who discovered, inspired and produced the Who, the Kinks, Chad & Jeremy and the Easybeats. About an hour before I met him, I was shocked to find out that he was a fellow American! When I knocked on his apartment door, in fashionable Knightsbridge, his beautiful assistant led me down a long hallway that was filled on both sides with more gold singles and albums than I’d ever seen in one place! As I sat sipping tea in his office, I heard someone playing a guitar and singing in the other room. The door opened, Shel introduced himself, as well as the singer I heard through the walls, Cat Stevens, who was there to play a couple of his new songs. Over the years Shel and I became good friends. He was one of the few people I could play a song for and get some good constructive criticism. Here he shares some stories and insights with me in this revealing Spectropop interview. Just click onto

IRVING GREEN  2/6/16 – 7/1/06

What do Sarah Vaughn, The Platters, Brook Benton, Patti Page,
The Diamonds, Del Vikings, James Brown, Dinah Washington,
Roger Miller, Jerry Lee Lewis, Frankie Laine, The Troggs,
Wayne Fontana, the Mindbenders, the Troggs, Leslie Gore, Blue
Cheer, Manfred Mann, Steam, Freddie and the Dreamers, Dusty
Springfield, Keith, Paul Mauriat, Jay and the Techniques,
David Bowie, The Blues Magoos, Spanky and Our Gang, Crispian
St. Peters, Jerry Butler, Bobby Hebb, Louie Armstrong. and
Rod Stewart all have in common?

They all recorded for Irving Green, who owned Mercury Records,
a little indie who could… and did… become a major label!
He also owned Smash and distributed Phillips records and all
of their subsidiaries. He was one of the first champions of
Rock and Roll and Mercury was the first major company to
promote Black artists to crossover into the Pop mainstream.
It also was the first to have an African-American as Vice-
President of A+R, Quincy Jones.

Although he repeatedly asked me to call him Irv, I always
called him Mr. Green, out of respect for his daughter Kelli
Ross, who was my partner in Alouette Productions. Not many
people knew that Mr. Green was a silent partner in our
publishing and administration firm.

He was one of the few CEOS I’ve ever known who an artist
could talk to. Although he wasn’t a producer, I remember
when James Brown recorded briefly for Smash, he wouldn’t go
into the recording studio without Mr. Green being there.

From time to time he’d ask me to go “undercover” for him. In
the last days of Cameo-Parkway records, he asked me to
introduce him to my friends Neil Bogart, who was running the
label and Bob Reno, who was with the publishing company. He
wanted to get them to come over to Mercury, but Neil and Bob
wound up going to Buddah Records instead. A few years later,
Bob Reno did have a successful stint at Mercury, as head of
MRC publishing and later as head of A+R.

When the Lovin’ Spoonful were about to re-sign with Kama-Sutra,
Mr.Green sent me to Wilkes-Barre to meet up with my old pals
and offer them a check for a million dollars to defect to
Mercury! When I mentioned to him that he hadn’t signed it, he
said, “When they sign a contract…I’ll sign the check!”

The last time I saw him it was 35 years ago hanging out at
Quincy’s house. He said he would leave the music business
when it stopped being fun. I guess it stopped being fun when
a big conglomerate bought him out. A few years later he went
into semi-retirement and moved to Palm Springs.

Although I’d heard he had become a top land developer, I will
always remember him as one of the greatest developers of pop
music and the human potential. Thank you for believing in me
and helping me to believe in myself.

Rest-in-Peace, Mr.Green.

Respectfully, Artie Wayne

From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne