When my late partner Lou Reizner, the man who discovered and
produced such diverse artists as the Singing Nun and Rod
Stewart, developed a taste for larger than life productions,
there was no going back. Still riding the success of his
stellar recording of the Rock opera “Tommy” that he produced
with a cast that included Roger Daltry, Elton John, Tina
Turner, as well as the London Symphony orchestra… Lou was
determined his next project would be as spectacular!
Lou was larger than life himself. At 6’4″ he looked more like
an action hero than the transplanted American who once ran
Mercury Records International in London. I remember one time
when I was staying with Lou and his wife Pam in Knightsbridge,
he sat me down in a futuristic cocoon like chair, with a
built-in stereo speakers and proceeded to play me a dozen or
so tracks he just produced on the Bee Gees. Robert Stigwood
had hired him to be the musical director of his soon to be
produced film, “Sergeant Pepper’s Lonely Hearts Club Band”
and these incredible recordings of John Lennon and Paul
McCartney songs were to be part of the sound track.
Several months later, when Lou was staying with me in
Hollywood, the project had developed into something else. It
seems that Robert Stigwood and Lou couldn’t make a deal, and
Stigwood gave the rights to the tracks back to Lou, including
3 performances by the Bee Gees as some kind of settlement.
Our lawyer and manager, Marty Machat, Russ Regan, who was
head of 20th Century records, and Lou got together and came
up with the idea of putting some of the biggest stars of the
day over the cuts and use it over WW2 newsreel footage from
20th Century Foxs’ vast archives. Talk about larger than life
…”All This And World War Two”!!!
The next few months were quite exciting, Lou was going back
and forth to London, putting Brian Ferry on “She’s Leaving
Home”, Leo Sayer on, “The Long and Winding Road”, then coming
back to Hollywood to work with Bob Gaudio, and Frankie Valli
on “A Day in the Life”. I recruited my friend, Helen Reddy,
to do “Fool On The Hill”. Elton John gave his friend, Russ
Regan, the man who discovered and signed him to UNI, the
rights to use his number one record “Lucy In The Sky With
Diamonds”. Russ also got 20th Century artists, Ambrosia,
[“Biggest Part Of Me”], to record “Magical Mystery Tour”.
While Lou was in London, I was at Cherokee studios in Hollywood
watching Rod Stewart put his classic vocal on “Get Back”, that
became number one in the U.K. I’m sad to say that the reggae
version I did of “Give Peace A Chance”, that I did with Art
Munson and Joe Klein, plays over the film credits but was
recorded too late for the album.
I’ve always believed that Lou Reizner’s, “All This And World
War Two” was ahead of it’s time. The new Hip-O records double
CD Re-issue is excellent. How many CDs have you bought
recently that you can sing along to almost every song?
Hopefully the DVD of the Film can’t be far behind.
Here’s the complete track list:
1-Magical Mystery Tour – Ambrosia
2-Lucy In The Sky With Diamonds – Elton John
3-Golden Slumbers/Carry That Weight – The Bee Gees
4-I Am The Walrus – Leo Sayer
5-She’s Leaving Home – Bryan Ferry
6-Lovely Rita – Roy Wood
7-When I’m 64 – Keith Moon
8-Get Back – Rod Stewart
9-Let It Be – Leo Sayer
10-Yesterday – David Essex
11-With A Little Help From My Friends/Nowhere Man – Jeff Lynne
12-Because – Lynsey De Paul
13-She Cam In Through The Bathroom Window – The Bee Gees
14-Michelle – Richard Cocciante
15-We Can Work It Out – The Four Seasons
16-The Fool On The Hill – Helen Reddy
17-Maxwell’s Silver Hammer – Frankie Laine
18-Hey Jude – The Brothers Johnson
19-Polythene Pam – Roy Wood
20-Sun King – The Bee Gees
21-Getting Better – Status Quo
22-The Long And Winding Road – Leo Sayer
23-Help – Henry Gross
24-Strawberry Fields Forever – Peter Gabriel
25-A Day In The Life – Frankie Valli
26-Come Together – Tina Turner
27-You Never Give Me Your Money – Wil Malone & Lou Reizner
28-The End – The London Symphony Orchestra
For more information… Go to Hip-O records at
http://hiposelect.com