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In the early 60’s, I went out with a few Iranian girls who actually told me that they were brought up to tell people what they wanted to hear, then go out and do the exact opposite. One of these girls, Jamela, was the beautiful daughter of a deposed general, who was exiled to the United States along with the Shah of Iran. I admit it was exciting to wonder who was following us on our dates, her father’s bodyguards…or the Secret Service! All of this danger, brought us closer together, and she revealed many aspects of her culture I never knew about. She told me that Iranian men showed no quarter to their enemy and were fierce warriors because they weren’t afraid of dying! It was only when she told me that she feared for my safety, did I take our cultural differences seriously! We continued to see each other secretly, however, which led me to co-write my first hit song, ” ( Meet Me At) Midnight Mary” (Raleigh/ Wayne).

Ben Raleigh (“Wonderful, Wonderful”, “Tell Laura I Love Her”) came up with the title, and we wrote it in a couple of hours. The next day we took it up to Larry Taylor at Bourne music, who gave us an advance and gave us money for a demo. For the next year, the publishers weren’t able to get the song recorded, then we were told that a new artist on Capitol records, Jerry Cole, had just cut it.

Although his record was good, I thought I could produce a better one. I had become good friends with one of my co-writers, Joey Powers, who had just been released from an RCA recording contract. We decided to go into the studio to do another demo good enough to become a master. We scrapped up $500.00, booked Associated recording studios, hired arranger Al Gorgoni and Charlie Macey to play guitars, Buddy Saltzman on drums and Jeannie Thomas who sang all the background parts.

The following week, “Midnight Mary”was turned down by every major record label in New York City! I remember playing it for my friends song plugger, Jerry Landis (Soon to become better known as Paul Simon) up at E.B.Marks music and Tony Dee, who was a promotion man for the company. They both suggested that I take my master up to Larry Uttal who had started running AMY Records. Larry, who was my former neighbor at 1650 Broadway, loved the record gave us our production costs back as well as a shitty percentage!

I remember as we signed contracts he asked me if I could make the bass on the master a little bit louder? I just looked at him and said, “What bass?” Larry smiled and handed me an extra $15 out of his pocket to add a bass and do a new mix.

$15 ? for a bass player And a new mix? Fortunately I had a few friends who did me some favors, including bass player, Russ Savakis. After the session I took the $15 and bought everyone hot dogs and some coconut champagne at a store around the corner from the Brill building.

A few months later, I remember taking publicity pictures and being handed a gold record by Larry Uttal, who whispered, “Now this doesn’t necessarily mean it sold a million records!”

It was November 22, 1963 and I had been preparing to record the entire “Midnight Mary” album during the four day weekend. I’d been flying to Columbus, Ohio every week to rehearse Joey Powers, who was going for his Masters Degree at Ohio State.

That night, as Al Gorgoni put some finishing touches on the arrangements, and Jeannie Thomas polished the background parts for her and Lettie Hamblet. Our usual crew of musicians, augmented with Paul Simon and Roger McGuinn on 12 string guitars, was going over the charts for the first session, due to start in a half-hour.

Joey Powers and I were riding into the city from the airport, when we heard the horrible, unconfirmed reports on the news. By the time we walked into the studio and saw the tears in most everybody’s eyes, we knew it was true, “President Kennedy had been shot!”

(To Be Continued)

Copyright 2007 by Artie Wayne

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One day in 1973, while driving down La Brea in Hollywood, I saw Jerry Moss waiting in line at Pinks hot dog stand. I leaped out of my car and introduced myself!

He was standing with Jack Daugherty (the Carpenters producer) They were both surprised and amused by my boldness…which led to both of them opening the doors of the A+M lot to me. As time went by, I became friendly with not only Jack, but with Richard Carpenter, John Bettis ( who co-wrote “Top Of The World”, “Yesterday Once More”and Paul Williams ( “We’ve Only Just Begun”, “Old Fashioned Love Song”). We would sit around Paul’s office, discuss music and play songs for each other.

About a year later, when the top position at Irving/Almo music became vacant, Paul Williams suggested to Jerry Moss that they consider me for the job.

In 1974, I left Warner Brothers Music and was asked to join the Irving/Almo publishing arm of A&M Records. The company had been run by Chuck Kaye, but Chuck had decided to take some time off. I was in the right place at the right time.

The following is the actual press release that Rondor Music (the parent company) put out to announce my hiring:

MOSS NAMES WAYNE EXECUTIVE DIRECTOR IRVING/ALMO MUSIC

Jerry Moss, president of A&M Records, has announced that effective March 15, 1974 Artie Wayne has been named executive director of publishing for Irving/Almo Music. He was formerly general professional manager and director of creative services for Warner Bros. Music.

Wayne was first discovered by Bobby Darin in 1959…who sent him to Donny Kirshner who had just formed Aldon Music with vet song man/producer Al Nevins. It was there that Wayne learned how to write songs from Carole King, Gerry Goffin, Barry Mann, Neil Sedaka and Howie Greenfield.

He went on to collaborate with Paul Vance and in 1963 co-wrote his first hit “Meet Me at Midnight Mary” with Ben Raleigh and produced Bell Record’s first hit with Joey Powers.

In 1965, Wayne went to Scepter Records with Ed Silvers, where he produced the Shirelles, the Kingsmen and the Guess Who. When Silvers moved to the coast to join Viva Records, Wayne stayed in New York.

Unable to afford to sign Nick Ashford and Valerie Simpson, whom he worked with at Scepter, he took the duo to Eddie Holland, who signed them to Motown. In the next four and a half years, Wayne and partners Sandy and Kelli Ross build Alouette Productions into the top New York administration and exploitation firm of the late sixties. They represented Quincy Jones, (Joey) Levine and (Artie) Resnick, (Gary) Geld and (Peter) Udell, Bobby Scott, Janis Ian, Ron Haffkine, Leslie Gore, Bo Gentry and Jerry Jeff Walker.

After moving to the coast in 1970, he contributed pieces to Rock and Fusion magazines and reviewed acts for Cash Box before joining Viva Music as professional manager.

For the last three years, Wayne has been general professional manager and director of creative services for Warner Bros. Music. He directed the New York, Hollywood and Nashville professional staff, which has been dubbed “The Warner Raiders.” During those years, they represented the works of America, Badfinger, Jackson Browne, Bob Dylan, the Faces, the Fifth Dimension, the Kinks, Gordon Lightfoot, Mahavishnu John McLaughlin, Joni Mitchell, Van Morrison, Graham Nash, Randy Newman, Stephen Stills, John Sebastian, Sly and the Family Stone, Jimmy Webb, Neil Young and many others.

He spearheaded campaigns that resulted in multiple recordings by Three Dog Night, the Lettermen, Bobby Sherman, the Jackson Five, Johnny Winter and Art Garfunkle. His “Raiders” were also responsible for over 50 “cover” records of “Theme From Summer ’42” before the composition received a Grammy or Academy Award nomination. In 1973 the company boasted 55 chart singles and representation in the average of 33 chart albums every week.

More recently, Wayne acted as musical consultant on Warner Bros. Films’ “Cleopatra Jones” which resulted in two top 20 records by Joe Simon and Millie Jackson.

Although his time only allows him to be an occasional song writer, over the years he had nearly 200 of his own compositions recorded, including, among others, titles by Aretha Franklin, Bobby Darin, Jose Feliciano, Chi Coltrane, Rick Nelson, the Jackson Five, Miriam Makeba, Tiny Tim, Wayne Newton, and most recently, the much-covered “Flashback” (co-written with Alan O’Day) with chart records by the Fifth Dimension and Paul Anka.

My first day at the office I found “I Honestly Love You” and sent it to Olivia Newton John https://artiewayne.wordpress.com/2006/09/13/olivia-newton-john-tries-to-squeeze-one-more-hit-out-of-jeff-barry-and-artie-wayne/

The following week I discovered and signed Rick James
https://artiewayne.wordpress.com/2006/08/26/rock-and-roll-heaven-soars-on-internet-tribute-to-croce-perren-and-james/

I had a chance to work with Brian Wilson https://artiewayne.wordpress.com/2007/03/29/brief-encounters-with-brian-wilson/

I didn’t have a chance to work with Billy Preston https://artiewayne.wordpress.com/2006/08/25/rock-and-roll-heaven-rocks-internet-special-tribute-to-cash-pitney-preston/

Got to work with my old pal Jeff Barry https://artiewayne.wordpress.com/2007/02/10/jeff-barry-i-honestly-like-him/

Became friends with Barry White  https://artiewayne.wordpress.com/2006/08/28/a-very-special-tribute-to-barry-white-mickey-most-and-jimi-hendrix/

During a time when women were treated unequally in the music business, I did everything I could to give talented, qualified women a break. I promoted my Secretary, Margo Matthews, to the Head of the Copyright Department where she remained for over 30 years.

Brenda Andrews, had been a secretary for seven years before I arrived. Not only did she have a good song sense, but she was showing songs in the catalog and getting more covers than anyone on the professional staff! I doubled her salary and made her an official songplugger. I’m happy to say that she retired a few years ago after becoming senior Vice-President of the company!

Lance Freed, the son of disc jockey Alan Freed, was fairly new to publishing at the time, but had potential. He ultimately became president of the company, a position which he still holds today.

I was told by Jerry Moss when I was hired that I was in charge of the World Wide Publishing operation, only to find out from one of A+M’s lawyers on the eve of my departure to Europe, that I was only in charge of the operation in the US!

Jerry was out of the country, so I couldn’t get this “mistake” straightened out. Besides, I had a meeting in London the next day with Richard Branson to make him an offer to buy his company…Virgin Records.

(To Be Continued)

Copyright 2007 by Artie Wayne

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Since the early 60’s, Burt Bacharach has been one of the most innovative and influencial figures in popular music. His unique melodies and signature rythyms also made him one of the most imitated musicians of all times. With various lyricists, he racked up an early array of hits that included, “Tower Of Strength”, “Baby It’s You”, “The Man Who Shot Liberty Valance”, “Any Day Now”, “Only Love Can Break A Heart”, “Blue On Blue”, “Anyone Who Had A Heart” and “Walk On By”.

I always felt a thrill just to be in his presence! I would see him at a party or a music business function and go over and introduce myself. This happened so often that after about the fifth or sixth time I did it, he stopped me, smiled and said, “I know…you’re Artie Wayne!” This not only made me feel good, but I felt validated!

He was not only a musical role model, but a personal one as well. He was probably one of the coolest people I’ve ever known, with his sunglasses on top of his premature white hair he always seemed to be dressed for a tennis game or a polo match! I also noticed all of the beautiful women that would fawn over him and it made me realize that you didn’t have to be a Rock Star to get that kind of attention!

In 1963, after I had my first hit as a songwriter and producer, “Meet Me At Midnight Mary” ( Raleigh/ Wayne) with Joey Powers, I called up Burt to see if he had any songs for the follow-up. I met him in his office at Famous music, in the Brill Building and he played me a new song he and Hal David had written, “Message To Martha” (which later became a smash in the UK by Adam Faith and a hit in the US by Dionne Warwick, re-titled, “Message To Michael”)

I loved the song, but I thought it was a bit too complex for Joey Power’s simple folk musical direction we were taking. I felt really weird turning down the song, but Burt was cool and said don’t worry about it. A few months later, I ran into him on my first trip to London, where he was the musical director on Marlena Dietrich’s concert tour, we had a drink and laughed about my embarrasment over turning down one of his songs.

The next time I saw him was in 1965, I was signed to Scepter records publishing company, as a songwriter and producer. I was encouraged to use the studio as often as I wanted for overdubbing and making demos of my songs to help break-in the studio. I produced or co-produced The Shirelles , The Kingsmen and the Guess Who, there which made the owner, Florence Greenberg, more confident in her new facility. At that point, she offered Burt Bacharach and Hal David, a chance to try her new, improved studio out.

I remember Burt and Hal had trouble mixing Dionne Warwick’s, “Are You There With Another Girl” at the original studio where they cut the track, and they decided to try out Scepter. I remember being in my office the day of the “Great New York City Blackout “…when the lights all over our building were dimming then getting brighter! Burt and Hal, after mixing for hours, ran out of the studio screaming, ” What the Hell’s going on ? We almost had it…We almost had the mix! Then machine started slowing down then stared speeding up!”

Tempers cooled, when we looked out the window and saw lights in the entire city dim…then go black! Florence’s son Stanley, who was head of A+R, as well as being totally blind from birth, yelled out, “Don’t worry, I’ll get us all out of here…JUST FOLLOW ME!”

About 20 of us, with Stanley leading the pack, managed to get down several flights of stairs, in total darkness, safely and without incident. It was an event that I’m sure none of us will never forget!

Copyright 2007 by Artie Wayne

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Lindsay Lohan and Paris Hilton on top of Britney Spears!

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When Britney Spears, Paris Hilton and Lindsay Lohan hang out together, And separately, can the devil be far behind? Men who once stared at women’s breasts during a coversation, finally have another place to look! Last week, on “The View”, Rosie O’Donnell, held up a pair of tiny red panties she supposedly bought Britney. This gave her an excuse to hold up her own huge “Granny Panties”, it might have made the audience laugh…but I’m sure it made all the men who were watching shrivel up in horror!

Now that a video of Michael Richards in blackface has surfaced, how are his “Spin Doctors” going to handle that? Are they going to call it a “Tribute” to Stepin’ Fetchit? What is frightning about this are some of the comments made by the thousands of people who have seen it over the last few days! Click onto http://www.youtube.com/watch?v=DVt6eoKB9sw&eurl=

The Sunday morning political talk shows had quite a few Democrats recently “emboldened” by the mid-term elections, who sound as delusional as the current administration does! What it comes down to is, everybody wants to get out of Iraq but nobody knows quite how to do it! I’m sure that our ( I mean their, ) Prime Minister will be urged to make a premature statement that Iraq is ready to govern itself, and get America off the hook. I just hope we leave a few troops and enough nukes to thwart those who are eager to make a “Shish-ka-bomb” or a “Korean Bar-B-Que” out of all of us!

As far as the Iranians go, we should be afraid…very afraid! In my youth I went out with a few Iranian girls who actually told me that they were brought up to tell people what they wanted to hear, then go out and do the exact opposite. One of these girls was the beautiful daughter of a deposed general, who was exiled to the United States along with the Shah of Iran. I admit it was exciting to wonder who was following us on our dates, her father’s bodyguards…or the Secret Service! All of this danger, brought us closer together, and she revealed many aspects of her culture I never knew about. She told me that Iranian men showed no quarter to their enemy and were fierce warriors because they weren’t afraid of dying! It was only when she told me that she feared for my safety, did I take our cultural differences seriously! We continued to see each other secretly, which led me to co-write my first hit song, ” ( Meet Me At) Midnight Mary” (Raleigh/ Wayne). I lost touch with her after she ran off with some Cuban Freedom Fighter!

I’ll tell ya’, It’s becoming harder and harder to avoid politics, when we can almost hear God whispering to the Earth, “Your 15 minutes are up!” What’s really scary is the possibility of Hilary Clinton actually becoming President…I would only feel confident if she chose Danny DeVito as her running mate! At least we’d have a few laughs before we all had to “Duck and Cover”!

Copyright 2006 by Artie Wayne

IF YOU LIKE “EM REALLY BIG! CLICK ON TO http://www.over50music.com/

EXTRA! EXTRA! EXCLUSIVE PHOTOS KRISTEN BELL BLOWS!
https://artiewayne.wordpress.com/2006/11/12/it-was-women-and-children-firstthe-day-the-bubblegum-bubble-burst/ 

EXCLUSIVE! Lindsay Sniffs, Paris Strips, Rosie flips! https://artiewayne.wordpress.com/2007/05/30/if-its-on-the-internet-its-gotta-be-true-lindsay-sniffs-paris-strips-rosie-flips/

FLASH!!! Lindsay Lohan Voted People’s “Skank Of The Week!
https://artiewayne.wordpress.com/2007/05/16/if-its-on-the-internet-its-gotta-be-true-peoples-first-skank-of-the-week/

NEW EXCLUSIVE!- BALD BRITNEY ARRESTED AT LAX! https://artiewayne.wordpress.com/2007/02/19/if-its-on-the-internet-its-gotta-be-true-excusive-bald-britney-arrested-at-airport/

Exclusive photo! “Triple Breasted Beauty!” https://artiewayne.wordpress.com/2006/12/26/if-its-on-the-internet-its-gotta-be-true-triple-breasted-beauty-photo-exclusive/

See what Britney saw, the uncensored video of Justin Timberlake’s Dick In A Box! https://artiewayne.wordpress.com/2006/12/20/if-its-on-the-internetits-gotta-be-true-plus-justin-timberlakes-dick-in-a-box/

Shocking NEW Photo – Is This Really Britney Spears Pussy? Click onto https://artiewayne.wordpress.com/2006/12/13/if-its-on-the-internetits-gotta-be-true-is-this-really-britney-spears-pussy/