You’re In A Coma With MTV!
November 29, 2006
No, it’s not ex-Congressman Mark Foley about to turn a new Page.. it’s Howdy Doody and “Buffalo” Bob Smith!
I’ve known about the power of television since I was seven years old, and charged other kids five cents to watch “Howdy Doody” at my uncle’s, who had the only set in the neighborhood! I also remember performing in grade school every wednesday at “Show and Tell”, with jokes I learned the previous night from my other uncle, “Uncle Miltie”. In 1956, however, my whole world changed when I saw Elvis Presley on the Ed Sullivan show! Up until then I wanted to become either a nuclear physicist or a clown…now I wanted to ROCK!
Unfortunately, I was a “Rebel Without Applause”, until I performed Conway Twitty’s “It’s Only Make Believe”, at a High School talent show. Now the girls started paying attention to me. I don’t know if it was my Ed “Kookie” Byrnes cool way of talking or my red Elvis jacket, but even the neighborhood gangs started to respect me and would give me a head start before they’d chase me home from school! My role models were high school bon vivant, “Dobie Gillis” and “Love That Bob”Cummings, who portayed a photographer/ playboy. I even sucessfully used many of their characters outrageous “pick-up lines” that me got me close to some of the most beautiful girls in the world!
I was in for a big shock though when I got married and realized that real life wasn’t, “I Love Lucy”, and problems weren’t always solved in a half hour. Unfortunately, we wound up in “Divorce Court”…but fortunately for me, I lost the TV in the settlement! For the next 2 years, my creative abilities and productivity increased significantly. I no longer sat in the front of a tv set and watch negative stories on the news, or look at a sitcom, where the laugh track would tell me where to respond! I read, I bowled, I had actual conversations, and then I moved to Hollywood!
I was General Professional Manager at Viva music for two months before I learned how to drive. I guess I had too much time on my hands, and against my better judgement I bought my first color tv set. I was just like a recovering alcoholic, testing ing himself with just one drink…then craving a half dozen more! All I needed was one more game show, one more made for TV movie or one more talk show then, I’d be able to go to bed.
When it became no longer enough to watch TV…I had to Live TV! I started flirting with sitcom stars I’d run into at the Hollywood market, Anne ( “Honey West”) Francis, Denise ( “Room 222”) Nicholas, have dinner with Yvonne ( “Batgirl”) Craig, go dancing with Linda ( “Happy Days”) Purl or just hang out with Sissy ( “Love American Style”) Spacek. In case there would be trouble at some of the wild parties I went to, I made sure to be around TV tough guys like Michael ( “Streets Of San Francisco” ) Douglas, Bill ( “I Spy”) Cosby, Max ( “Beverly Hillbillies”) Baer and David ( “Kung Fu”) Carradine. It was during this time that I also became friendly with a couple of TV comedy writers who “appropriated” some of my real life stories and used them on “The Bobby Sherman Show”…the adventures of a songwriter! Instead of suing, I settled for a few of my songs to be used on the program.
Then I got bored with TV and all the bullshit that goes along with it, even relegated my set to a little used room in the house. That’s when my career started to flourish at Warner Brothers Music, which had recently bought Viva music. I didn’t pay much attention to television for the next ten years.
Then one day in 1982 I was invited to the launch of a new 24 hour cable music network, called MTV…and that’s when I saw the future! I’d been a fan of Scopitone, a european jukebox that played musical film clips, but I knew it could never succeed in the US because of the “stronghold” American jukebox operators had on the market. I looked at “this” MTV, not just as another place to promote music but as having the potential to become the primary means of delivering music to the masses!
In less than 25 years, MTV not only fufilled the prophecy, but actually helped to change the music itself. In the first few years the network played the ubiquitous videos of English artists, Duran Duran, David Bowie and Phil Collins, Austrailian artists Men At Work and whet the appetite of the American public for more of the same! In addition to music, fashion and slang started to travel around the world at a record pace, but it took Michael Jackson’s “Thriller” album and a near boycott by CBS Records to break the color barrier at the network! Soon Lionel Ritchie and Billy Ocean were being played as much as Blondie and became regular staples of MTV.
For years , the network thrived on it’s legitimate pop content, then something odd happened. There were fewer and fewer music shows aired in favor of reality shows. After the success of “The Real World” ten years ago, the “Reality” floodgates opened. Today when we watch MTV and it’s sister network VHI, we see endless episodes of “Laguna Beach”, where horny teens fuck with each others heads, and “Punk’ed”, where Ashton Kutcher plays practical jokes that would get him an ass kicking in real life! Then we have “Next”, “Breaking Bonaduce”, ” Road Rules”, “Made”, “The Fabulous life of…”, “Flava’ Flav”, “Best Week Ever”, and “Celebrity Deathmatch”. The most obnoxious, though, is “Sweet Sixteen”, which feature rich little bitches-in-training conning their parents out of expensive sweet sixteen parties and lavish presents. It’s a series that’s an argument for an official sanction of corporal punishment!
As far as the music goes, when you can find it, most of the groups have a sameness about them. if you don’t look at the lower left hand corner of the screen you might mistake Panic at the Disco for the Killers, or All American Rejects. It’s just about impossible to tell what rap video you’re watching, since Kanye West, “Diddy”, Lil’ Jon and “Snoop” Dogg appear in almost all of them, as either a guest or a featured artist!.
It seems like most of the artists today are conciously making music to please corporations and music directors who have narrow taste and program for an audience who prefers not to think too far outside their electronic boxes. I’ve read studies on how too much TV eventually overwhelms the viewer and diminishes productivity. I don’t want to be lulled into complacency, so I’ve decided never to watch MTV again…after I see the finale of “Laguna Beach!”
Copyright 2006 by Artie Wayne
If you want to hear a recording that Terry Mace and I wrote and perform called “You’re in a coma with EMPTY -V” click onto http://artiewayne.com/music/coma.wma
Special thanks to Alan O’Day http://alanoday.com for helping with the re-mix
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Giving “Props” to Spectropop!
August 5, 2006
One of the main reasons I joined Spectropop http://spectropop.com was the appreciation, by its members, of the well-crafted Pop song, the kind that dominated
the Top 40 charts in the 1960s. I’m formerly a “Colored”, “Black”,
“Negro”, and currently a “Bi-Racial”, African-American songwriter/
producer/publisher, who started in that era, who is still interested
and active in all kinds of music today. Every weekend I religiously
listen to the Top Ten on MTV, VH1, Country Music Television, and the
Black Entertainment Network, to stay aware of the market. I’ll admit,
the last few years have been very discouraging.
The only genre in which the Pop song, as we knew it, has consistently
evolved is country music. The song is still well-crafted, cleverly
written, and heartfelt. It is also universally considered the most
important ingredient in the recording process. The field is currently
dominated by some of the best singer/songwiters, coming from all
around the world, including Gretchen Wilson (USA), Keith Urban
(Australia), and Shania Twain (Canada).
As far as music that might have evolved from ’60s bubblegum hits
Levine/ Resnick produced, Fountains of Wayne and Bowling for Soup
are really satisfying. Over the last year or so, I’ve watched bands
like Coldplay emerge who might be considered the grandsons of The
Left Banke. As I’m writing this I can hear Coldplay singing “Walk
Away Renee” in my head.
As far as the current state of rap goes, Its glorification of
inappropriate behavior and pursuit of things I care little about
overshadows everything else. How many times can you, “Raise your
hands in the air and wave ’em like you just don’t care”? Then, about
a year ago, I heard what Kanye West was doing and I knew from that
point on the genre had been elevated!
As far as R&B goes, the listening and viewing public is starting to
demand more from today’s artists. Check out by R. Kelly’s brilliant
“Trapped In A Closet”, which rivals anything Marvin Gaye ever
released. I can’t wait to hear what Usher, the Michael Jackson of his
generation, is going to come up with next.
Personally, I’d like to hear some more ’60s and ’70s songs covered by
today’s artists. Can you imagine “Happy Together” being done by Tim
McGraw and Faith Hill? or “Rock And Roll Heaven” being revived by The
Foo Fighters or American Idol Taylor Hicks? Alan Gordon, Alan O’Day …
are you listening?
One thing that I’m certain of for the rest of my life I will love songs — past, present and future. That’s why I want to thank Mick Patrick for helping to create and maintain one of the best music sites on the web… Spectropop!
Regards,
Artie Wayne http://artiewayne.com
special thanks to Whoppy (pictured) for helping to make this announcement.
My Friend Shel Talmy- The Man Who Discovered, Inspired, And Produced The Who And The Kinks
July 15, 2006
When I first went to London in 1965, Bess Coleman – one of the Beatles’ press officers and one of my co-writers – introduced me to Shel Talmy, a five star general in the British invasion of the pop culture. I was anxious to meet the legend who discovered, inspired and produced the Who, the Kinks, Chad & Jeremy and the Easybeats. About an hour before I met him, I was shocked to find out that he was a fellow American! When I knocked on his apartment door, in fashionable Knightsbridge, his beautiful assistant led me down a long hallway that was filled on both sides with more gold singles and albums than I’d ever seen in one place! As I sat sipping tea in his office, I heard someone playing a guitar and singing in the other room. The door opened, Shel introduced himself, as well as the singer I heard through the walls, Cat Stevens, who was there to play a couple of his new songs. Over the years Shel and I became good friends. He was one of the few people I could play a song for and get some good constructive criticism. Here he shares some stories and insights with me in this revealing Spectropop interview. Just click onto http://spectropop.com/sheltalmy/index.htm