JOHN BRAHANEY R.I.P. ROCK IN PERPETUITY!

January 21, 2013

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I’VE BEEN IN THE MUSIC BUSINESS FOR OVER  50 YEARS AND I’VE NEVER KNOWN A GREATER CHAMPION OF THE SONGWRITER THAN JOHN BRAHANEY! (SEEN ABOVE WITH DIANE WARREN (“UNBREAK MY HEART”, “HOW AM I SUPPOSED TO LIVE WITHOUT YOU?”, “IF I COULD TURN BACK TIME”)

When I moved to LA in 1970, to work as a songplugger for VIVA Music, my new songwriter friend Alan O’Day (“Undercover Angel”, “Angie Baby”, “Rock and Roll Heaven”) who took me to a meeting of the Los Angeles Songwriters Showcase (LASS), where I met Len Chandler, the late Mandy Martin, and John Braheny for the first time. I was impressed by the loving support system they built for new and seasoned songwriters to shield themselves from the harsh reality of the music business while they developed their craft.

Over the years I stayed in touch with John, helped me out whenever I needed it, from showcasing my staff writers at Warner Brothers and Irving/Almo music to finding me new writers when I went into business for myself.

HERE ARE A FEW RESPONSES TO JOHN BRAHANEY’S PASSING FROM VARIOUS WEBSITES…

To my dear friend John Brahaney, thank you for being there when no-one else was and believing in me when no one else did. Rest in Peace.

from Diane Warren

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REST IN PEACE, JOHN BRAHENY (ONE-OF-A-KIND SONGWRITER MENTOR, EDUCATOR, AND AUTHOR WHO LEFT US THIS (SATURDAY) AFTERNOON)

John said to me last Sunday, “It’s those of us left behind who feel the pain.”

I believe he is in a place of peace. But we have to endure, keep his spirit alive, and try to be as giving & generous as he was. And be as helpful as possible to JoAnn, without being intrusive. She has been brave and positive through John’s years of worsening illness. This is a terribly sad day. But there is a silver lining in the insights and heart he has shared with so many of us.

God bless you, John.

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Alan O’Day and Yuka

 

 

John and the LASS also presented performing  talent that was stellar. Here are a few of the super talents who showcased during that period: Jules Shear IRS Recording artist & hit writer who then had a day gig sewing sequins on shoes; Keith Green who in his short life brought inspiration to many as a Christian artist on Sparrow Records; Alan O’Day later was a staff writer for Warner Bros., had a hit as an artist/writer with “Undercover Angel”; Ed Sanford & John Townsend showcased their soon-to-be hit “Smoke From A Distant Fire”; Stephen Bishop showcased “On And On” and other great songs; Diane Warren began auditioning for the Showcase at the age of 15, and, shortly after, performed in her first public Showcase in April ’74. Len and John critiqued over 150 of her songs; Larry Groce showcased his novelty song “Junk Food Junkie” before it became a #1 hit on his independent label; Baker Knight later wrote the Mickey Gilley country hit “Don’t The Girls All Look Prettier At Closing Time;” Warren Zevon showcased “Poor Poor Pitiful Me,” “Werewolves Of London” and other songs that later became hits for both Linda Ronstadt and himself. John Rhy’s saw his set at the showcase and produced the first LP of those songs before Warren signed with Warner Bros Records; David Clayton Thomas Blood, Sweat & Tears’ former lead singer; Rotunda featuring super guitarist/artist Steve Lukather; Franne Golde just arrived in Los Angeles from Chicago. Later a recording artist, co-wrote the Commodores smash “Night Shift” (see bio for further list of hits); R.C. Bannon has become a successful country hit writer/artist/producer. Other country hitmakers showcased then include Robert Byrne, Kerry Chater, Chick Rains, Kieran Kane and Sandy Pinkard. Stevie Nicks & Lindsey Buckingham turned in a powerhouse performance several months prior to joining Fleetwood Mac.

for additional comments and information about John Brahaney click onto http://johnbrahaney.com  and http://facebook.com/johnbrahaney

My condolences to Joann, John’s family and friends, and the thousands of people whose lives he enriched.

May you ROCK IN PERPETUITY …Your friend, Artie 

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ALLAN RINDE R.I.P. ROCK IN PERPETUITY!

December 16, 2012

MOSHA

Here’s the tribute to my longtime friend, Allan Rinde, who passed away on friday. He was a former publicist, the west coast editor of Cashbox magazine, head of West Coast A&R at Columbia Records, (who was behind Billy Joel’s first hit “Piano Man”), the man who helped to break “Jesus Christ Superstar”, and owner of “Genghis Cohen”, one of Hollywood’s top restaurants, which I named and hosted for many years.

(i’m still not able to use my hands or even type with one finger so i’m reposting articles from my blog and chapters from my autobiography  in which allan appears. it is followed by comments, stories, and pictures from other friends of his.)

“In the fall of 1968 I wrote a special press release for my new album as “Shadow” Mann, on the label my partner Kelli Ross and I co – own with the nefarious Morris Levy! I walk up Broadway to 57thstreet  to Cashbox magazine. I give my three page release to the new guy who’s just started to work there, a former publicist, Allan Rinde.  ALLANHe glances at it as I hype him on all the excitement going on at my company and how Morris Levy is going to make me the new Tommy James! When he hands it back to me it has a C- at the top with a few grammatical errors circled, I realize this asshole has actually graded my paper! I hold my tongue and tell him I’ll bring it back “corrected” before his deadline.

The next morning I bring in the revised press release. Allan finds it acceptable and puts it in the magazine. Through gritted teeth I thank him for his suggestions and invite him to have dinner that night with my producer Ronnie Haffkine and me at the Roundtable, a hot night club that Morris Levy owns. On our way downstairs to be seated, a belligerent drunk sees me in my Black Suede Shadow outfit with a giant red eagle on the back, then pushes me out of the way! When he makes a nasty comment. Two tough guys suddenly appear, throw him down the stairs, and ask, “Are you all right, Mr. Shadow?” I brush myself off,  pick up my black floppy Shadow hat from the floor; compose myself as the tough guys ask what should they do with him? I benevolently say, “Let ‘em go…this time,”.  As soon as they eject him from the club, a somewhat impressed Allan and I join Ronnie at my usual table.”

copyright 2007 by Artie Wayne

.SHADOW COOK

top -L – R  “Shadow” Mann, Ron Haffkine, Kelli Ross, and Morris Levy  photo by Stephen Paley

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middle photo of Allan Rinde by Pete Senoff

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bottom  L – R  “Shadow” Mann in winter attire and Carol “Cookie” Tandy photo by “Popsie” WOOD

When my friend, the Father Of Woodstock, Artie Kornfeld invited me to the festival in 1969, I thought it was going to be a great picnic, I wasn’t expecting a life changing experience! Back in 1967 my wife Sheilah was working at Mercury records as a secretary to Artie Kornfield (“Pied Piper”, “Dead Man’s Curve”) We hung out a lot with Artie and his wife Linda. When we got divorced I got the dog and she got the Kornfelds!

Then one day Sheilah calls me up to tell me that she’s working with Artie again. It seems that he and his partner Michael Lang are putting on a music and art festival at the end of August in upstate NY at a place called Woodstock, and she’s his personal assistant. It sounds a bit disorganized, but I don’t say anything, if anyone can pull it together, they can. It’s 3 hours before Allan Rinde and Rick Bolsom, from Mercury Records,  Lita Eliscu a freelance writer (Rolling Stone), Cookie the groupie, and I are scheduled to go up to the Woodstock Music and Art festival. Artie Kornfeld and Michael Lang, are having serious troubles getting permits and have to change locations to Max Yasgur’s farm in Bethel, NY, at the last minute.

Unfortunately, I’m having serious problems of my own, I can’t score any grass to take to the event! As a last resort I call my friend Heather MacRae, who’s currently starring in the smash hit, “Hair” On Broadway. She must know someone in the “Hippie” cast who can help us out. She leaves our names at the backstage door with a note to go upstairs to see her friends, James Rado and Gerome Ragni, who co-wrote the musical.

HAIR

When we walk into Rado and Ragni’s dressing room, they look at Allan and me suspiciously, with cameras hanging around our necks, and tape recorders dangling from our shoulders. I laugh and nervously explain that we’re not cops or from the press trying to get a story, and show them our Woodstock press pass. Fortunately they believe us and when we tell them our “predicament”, they sell us a “lid” from their personal stash (at cost) and hand us a couple of capsules of mescaline for free, in the spirit of “Peace and Love”. We thank them and go to the garage to pick up Allan’s Oldsmobile Cutlass, and our friends, then we head off for our weekend adventure.”

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“Let The Sun Shine…Let The Sun Shine In…The Sun Shine In!”

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The festival gets off to a great start with a set by Ritchie Havens, and then it starts to rain … and rain … and rain. There’s a buzz already that this is going to be a historic event. The press tent is alive with anticipation of seeing the artists and people behind the scenes. I’m skeptical when I hear that a lawyer is taking over as head of Columbia Records, until I meet Clive Davis awash in the rain, the mud, and the good vibrations. How cool it is for the head of a record company to be out here “roughing it” like this with his artists! Although my friends and I have warm, dry accommodations, food, water, and plenty of intoxicants, a half a million other people who are also here have to rough it in the mud and the rain!

We run into a completely soaked (and delightfully stoned) Artie Kornfeld, The Father Of Woodstock, who tells us that thousands of people are crashing the gates, and Woodstock has become a free concert! Starry eyed and drooling, he turns around and melts back into the crowd. Thousands of people are still pouring in after midnight and I warn my friends that we were probably going to be in the middle of a riot between the “haves” and the “have nots!” I knew that this whole “Peace and Love” thing could blowup in a minute … but no one is listening to me as they slowly pass the bong around. I don’t know if it’s my paranoia of “Drug Crazed Hippies” rushing the motel or my fear of getting my new Fry boots dirty … I just knew I had to get the hell outa’ there! After being at Woodstock less than 24 hours, I say goodbye to my friends and decide to hitchhike back to the city.

I’m 27 yeas old but, hitchhiking is something I never tried before. At the side of an on ramp, I see Vince Aletti, writer for the Village Voice, who I know from the press parties I crash. He has his thumb out and looks pretty discouraged. This is his first time hitchhiking, too … but I act like a veteran and convince him that if we put on great big smiles, and act sincere … we’re bound to get a ride! In less than 10 minutes we’re picked up by a guy in an old Chevy wagon, who happens to be going all the way into the city! Just like the guys who rode the rails and became “Boxcar Buddies”, Vince and I had a shared experience that went “without a hitch”, so to speak, “Hitchhiking pals” for the rest of our lives! Finally, I’m back in my apartment, thankful to be away from all of those people … I don’t believe all those people … Damn! It’s still early, so I pack my duffel bag and grab a subway out to Coney Island, stopping only long enough to swallow a little capsule Rado and Ragni, had given me.

I don’t know why, but the rest of the day is magical! I feel so much love for Everyone I run into. I don’t even notice that I’m surrounded by a million people on the beach … twice as many as there was at Woodstock … but now … somehow I don’t care!”

Copyright 2010 by Artie Wayne

.SUPERSTAR l to R – Allan Rinde, Andrew Lloyd Webber, Don Williams, Tim Rice, and Artie Wayne photo by Neil Preston

“Forty years ago, I was general professional manager of Warner Bros. Music, living in Hollywood, when my friend Don Williams, who held a similar position at MCA music, played me an acetate of “Jesus Christ Superstar”and I freaked out!!! My instinct told me …this was going to be a phenomenon!!! I asked Don to play it for Allan Rinde, the beloved head of Columbia records A+R dept….he was as excited as we were and proceded to hold listening parties…that included all of the underground tastemakers of the time. MCA credits us with breaking the album. I hope Tim and Andy have forgiven me for trying to talk them out of writing “Evita”…..Who would go to see a show about an ex-dictators wife anyway?”

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BRUCE

SARAH BARB D DEPP

“If it sounds like I’m dropping names…I am! Bruce Willis, Sarah Jessica Parker, Will Smith, Barbra Streisand, Johnny Depp, Rod Stewart, Luther Vandross, Sean Penn, Jodie Foster, and Forrest Whitaker were just a few of our customers. On any given night, I could walk into Genghis Cohen, the Hollywood hot spot I named and hosted, and feel like I was walking onto a movie set. While my friend Allan Rinde, who owned the restaurant, was making sure every customer was having a wonderful Chinese dining experience, I was paying a little extra attention to the stars. It was about this time that I had begun working with 3- dimensional acrylic fabric paint to create a new look for myself. I started enhancing old Hawaiian Shirts with 3-dimensional acrylic paint…which patrons bought right off my back! It wasn’t long before I had a profitable little sideline.

I remember while recording across the street at Cherokee studios, Bruce Willis and his producer, Robert Kraft would come in for egg rolls during breaks. This was during the end of the run of his hit TV show “Moonlighting” when Bruce was also performing around town with his blues band doing vocals and playing harmonica. From the conversations I had with him, I found out he liked blues and early Rock And Roll singers, so I made a special shirt for him of his  favorites who passed away. It was called the “Rock and Roll Heaven” Shirt, based on the classic song my friend Alan Day wrote with the late Johnny Stevenson. It was a black T-shirt, ripped a bit here and there, with with a stenciled “Heaven” on the front, with hand painted signatures of his favorite artists. I happened to give it to him on the same night he signed a 7 million dollar endorsement for Seagrams Whiskey. To be perfectly honest, later when he thanked me and said goodnight, I don’t think that the patented smirk he was wearing on his face was for the shirt!

Another actor/ musician who would drop in from time to time, was Johnny Depp. He owned a club up on the Sunset Strip, “The Viper Room”, and whenever he had yen for Chinese food he’d come down to Genghis. The first night I met him, we talked about music. Then I asked if he would mind if I asked him a personal question? “Can I see the tattoo?” The tattoo I was talking about was a hot topic in all the tabloids. When Johnny broke up with Wynonna Ryder, he altered a tattoo he had on his arm that said “Wynonna Forever” to say “Wino Forever”. When he rolled up his sleeve and showed me, I knew he was cool!

On another night when I came into work, I saw Sarah Jessica Parker and Robert Downey, Jr. sitting at a tiny table for 2 in the middle of an empty restaurant! When they finished dinner, I sat with them and told them how much I enjoyed Sarah in “Girls Just Wanna’ Have Fun” and Robert in “Weird Science”. They told me that they appreciated how they were treated at Genghis Cohen. Other restaurants, wanted them to get in and out because they weren’t of drinking age and could only spend so much. I told them whenever you or your friends wanted to come in just call me. I assured them that “At Genghis Cohen, your wish…Is your problem!” They laughed and not only became restaurant regulars, but became enthusiastic supporters of my wearable art. One night Sarah was trying on one of my creations in the wine room at Genghis Cohen. She dresses and flicks off the light switch but it’s NOT the switch for the closet it’s the switch for the ENTIRE restaurant! Allan throws open the door, turns the darkened restaurant lights back on and GLARES at me. Sarah confesses and Allan smiles…after all who can stay mad at Sarah Jessica Parker?

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Copyright 2007 by Artie Wayne

BIG R BBBBBBBBBBBBB

To read an article on Barbra Streisand and Richard Baskin at Genghis Cohen    https://artiewayne.wordpress.com/2006/08/04/barbra-streisand-and-the-price-of-egg-rolls/

BIG LION

for more Glowing Memories Of Genghis Cohen   https://artiewayne.wordpress.com/2006/07/29/glowing-memories-of-genghis-cohen/

HOMER

Peaking In A Chinese Restaurant   https://artiewayne.wordpress.com/2006/11/23/peaking-in-a-chinese-restaurant/  

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copyright 2012 by Artie Wayne

Mike Melvoin Mike Melvoin at the piano “When I first moved to California thirty years ago and worked for Warner Brothers Music, I wanted to give back to the music community, so I joined the National Academy of the Recording Arts and Sciences, where an enthusiastic active member, Mike Melvoin took me under his wing. I never worked with him in the studio, but as a music fan, I knew that he was considered one of the best keyboardists in Los Angeles. In addition to being one of the best Jazz players in the business, he played on such Pop classics as Frank Sinatra’s “That’s Life,” Natalie Cole’s “Unforgettable,” the Jackson 5′s “ABC,” and “Pet Sounds” and “Good Vibrations” by the Beach Boys as well as Helen Reddy’s “I Am Woman,” John Lennon’s “Stand By Me,” Barbra Streisand’s “Evergreen” and Quincy Jones’ all-star collective, “We Are the World.” Although I was a New Yorker and considered an outsider to the closely knit LA music scene, Mike helped me gain a foothold in the creative community.

At the time, NARAS, was criticized for having an aging membership, being out of touch with contemporary music and accused of giving out Grammys to the wrong people. Mike supported me in an effort to attract younger voters and helped me, producer Nik Venet (“The Beach Boys), Columbia Records A&R Man, Allan Rinde, and songwriter Van Dyke Parks (“Heroes and Villans”) form listening sessions around the country to play new recordings and artists for our members, so they could vote more knowledgably. It wasn’t long before NARAS was respected again as the premier music organization and rivaled the new kid on the block, THE AMERICAN MUSIC AWARDS in the TV ratings!

Soon after Mike Melvoin and I were elected to the Board Of Governors, we traveled around the country, New York, Atlanta and Nashville on behalf of NARAS. It was right after the Civil Rights Movement and while traveling through the south there were times when Mike had to soothe my hurt feelings whenever I encountered the stinging barbs of racism…which I never forgot. Mike went on to become the first musician to become President of the Academy and through the years remained active in the organization. The LA TIMES reported. In 2011, when the Academy made changes in the Grammy awards structure. Melvoin was in the vanguard of the movement to rescind the category changes. As a pianist whose career had touched every stylistic era, he was especially bothered by the effect of the changes upon instrumentalists. “Everyone who has ever played an instrument,” he said in a public statement, “has had the possibility of receiving recognition from the Grammys gutted. That cannot and will not stand!” 

copyright 2012 by Artie Wayne.

When I sat down to write about The Troubadour Family Reunion last Monday night, I decided to let some of the people who were there tell about it in their own words.
Photographer/ artist, “Lezlie Sokol”, a former waitress at the club and one of the organizers of the event, had this to say, “The music and the love that was with us decades ago was with us again on Monday night. It wasn’t a re-creation…it was a continuation.  We all came together with the spirit that was The Troubadour, those times and we people who were there were re-animated and Doug Weston’s dream came alive within all of us for one more magical night!” Photographer/ musician Henry Diltz  Reminisced, “The Troubadour was my old stomping ground starting in 1962 when my folk group, The Modern Folk Quartet, played there 3 days after we arrived from Honolulu. We were signed to an agency and record company from that one performance. At the reunion the other night we were able to reconnect with many old and dear friends. We are all the same young age in our minds as we were those years ago, but now we look like our parents and grandparents. Many of us who were musicians went with the Troubadour waitresses back then, and I had a drink at the bar with my old girlfriend, Alexa, a former waitress. The live music at the reunion was epic stuff as Bob Lind, Van Dyke Parks, Jackson Browne, Rick Cuna, David Jackson, Michael McGuiness, Ruthann Friedman and others took the stage. I remember photographing Bob Lind in the room which is now the bar but was then McCabe’s guitar shop. It’s a rare thing these days to walk into a bar and find it full of people you know…just like the good old days.” Allan Rinde, former “underground tastemaker” and Chinese Restaurateur said, “Aside from seeing a few old friends I’d lost contact with and meeting some new ones, there was just this sense of energy at Doug Weston’s Troubadour (glad they kept his name on it) that made this evening a great success. Of course it all dissipated the next day when I realized that while I was having a good time at the good old Troub, Don Kirchner lay dying in a hospital in Boca Raton. Oh, the humanity! And one more thing: thank you Jackson for the tribute to Warren Zevon and for the love you put into your set that night. Publicist Bobbi Cowan commented, “It was an amazing evening, full of surprises and warm memories and feelings. One of the best was seeing you there, along with Allan, Kimble and Patti, Billy James, Ronnie Haffkine, Ochs and Sandee, and so many of our pals from way back when. 
The music was AWESOME, particularly Van Dyke Parks and Jackson, and it made me feel like those magical days and nights were not a distant dream, but TRULY real.  Somebody should put a documentary together with the stories from so many of the colorful and funny people who helped to create this business we once loved (and subsequently watched dissolve in the greed of the last 20-30 years.) Former KMET DJ Richard Kimble chimed in, “It looked like a meeting of the aarp, rock division”…….”It’s the only time I’ve gone to the Troub and remembered being there”…..Hey I’m here all week, try the veal!!!!!!!” Producer Ron Haffkine (Dr.Hook, Shel Silverstein) remarked, “What a blast!!! as I posted on fb before the event, I really believe that some of the success of the reunion had to do with Artie working hard letting people know about it….I think we all know that when Artie promotes something, things happen….I couldn’t have had a better time….Ran into someone from the very first act I ever produced..Long time ago…Also one of the members of DR HOOK that I hadn’t seen in a while…I flew in from Nashville just for this reunion and to see some of my dear friends that I don’t get to see often enough….Hope there’s another one sooner rather than later…I don’t want to be on that list just inside the door….” The list that Ron is referring to is one with names of people who are no longer with us who had a link to the Troubadour (This list will be posted on the official reunion website.) The evening’s host Larry Murray said “Amazing..Grace! Heartfelt thanx to all who made it a nite to be cherished..organizers..performers..audience..lounge lizards.. and the eternal spirit of the Troubadour… for making my nite an absolute ‘Holy Hoot’ !!!” Publicist/ cyclist Billy James, seen here with singer/ songwriter Penny Nichols’ … Photographer/guitar maker Loni Specter exclaimed, “Artie it was so good to see you and Allan Rinde there! So many faces I thought I’d never see again. A truly frightening experience! It was a great night indeed!” Songwriter/former member of the Association, Terry Kirkman reflected, “I had a good time but was somewhat disappointed at the low turn out of performers. I wish there had been some forum provided for shared stories. what surprised me most, though, was that after an hour of making the round and reading the nametags I found the number of familiar old time regulars to be enough to give me a true blue de ja vu….with my feelings for those there very much the same as I remember them being all those years ago…. like thumbing through an album of pictures….. nodding acquaintances mostly…. just a couple of real honest to goodness friends…but very, very glad I went…very glad I got to share it with my wife who was not around here in those days. i wish we’d had time to talk, artie…maybe next time around. god bless.” Music publisher Don Williams exclaimed, “It was a very special evening the Troubadour Reunion this past Monday.  Thank you for putting the story on your web page and giving the emphasis needed to ensure success.  I had a wonderful time” Naomi Riopelle, another one of the organizers of the Reunion remarked, “I think the idea was to gather together and perhaps to relive a memory of a time and place, with the music and the people that in a very significant way helped to shape our lives and make us who we are…whether or not we realized it back then . I believe we succeeded……” Bass player Colin Cameron smiled and said, “It seems an unbroken circle finally completed its rounds at the Reunion, as my music career and post-Vietnam service civilian life really began with the people I met at the Troubadour, and the many great acts I was able to listen to there.  It was a joy to see so many of them once again.” Finally here’s my pal from the past journalist/blogger Todd Everett with the wrap-up for the evening, “It was one of the most amazing nights of my life! I have heard so much love and joy expressed about the success of this event and how beautifully it brought back a time in a place that was so brilliant in it’s day. No place on earth ever rivaled what happened at Doug Weston’s Troubadour ever! How blessed we all have been to have been there then and then again last Monday night. Like most of us, I didn’t know what to expect from the Troubadour Family Reunion. But several people I knew would be coming — mostly people I saw fairly often, but an indication of quality. So at the very least it would be worthwhile on that level. As it turned out, of course, the thing had become a real event. I’ll name some of the people I knew; I’m sure others had the same experience with people they knew. Maureen Donaldson (shown with Sandee Lewis Ochs), bless her soul, had come in from England; she swears specifically for the event. Matt Kramer had no other reason I know of for having returned to West Hollywood from wherever it is he’s living these days (Texas, I think), and former hoot master Roger Perry arrived from Oregon. Artie Wayne, whom I sadly didn’t see this time, and Richard Kimball, whom I did, had come in from the desert. Michael Ochs took time from promoting the documentary about his late brother, and counting his own money. I knew it was the Troubadour bar, I told them, when the first faces I saw were Michael, and Alan Rinde. By the time I left – 11:30 or so – Alan, Artie and several others had already retreated to Genghis Cohen, the restaurant Alan had owned, and Artie named and hosted for however many years (has he ever mentioned that?). Though the layout of the main room has changed quite a bit — much larger stage; no tables; bar in the back — it was familiar enough that I might have been back in the ’70s, which was pretty much my era, though years earlier I’d driven 60 miles down the coast from Ventura to see acts including the Dillards (with Roger Miller opening), when the stage was still at what’s now the left-hand wall. I spent half an hour or so in the bar, meeting old pals and choking on a piece of cheese; when Lezlie asked for a glass of water for me, the guy behind our end of the bar said we’d have to go to the woman at the other end. If I’d died from asphyxiation, my survivors would stand to make a fortune! Oddly, when I recovered, he was able to sell me a drink without consulting the other bartender. Ah, the Troubadour! I’ll let others get into the acts – Van Dyke, Jackson, and so on; but will add that I was very impressed by two “second generation” groups, fronted by people whose parents had (in one case sort of) worked at the Troubadour. Paul Riopelle, whose mother Naomi was a long-time waitress at the club, was in a rock band called The Motion with Steven Wolfson and Dsvid Jenkins; the three members of Blackfire are all the progeny of Berta Benally, who was more of an Ash Grove person, really, but was right at home in this company. Native Americans of the Navajo nation, Blackfire is more “indian” than Redbone, and played a strong mix of contemporary, punk and traditional music. Had I a label (and everybody can be thankful I don’t), I’d sign them in a minute. As it stands, they already record; their more recent album produced by Ed Stasium, whose credits include the Ramones, Talking Heads and Smithereens. In other words, they need no help from me, even if I were in a position to give it to ‘em. One disappointment: three members of Hearts & Flowers were present: Larry Murray, Rick Cunha and David Jackson. But they didn’t see fit to reconvene, even though Jackson did back Cunha on a solo set, along with anybody else who needed a bass player. That, too, was just like the old days.” —
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ALLAN JAMES
                                                                              L -R…Tom Rush, Michael Ochs, Allan Rinde,and James Taylor
Bryan-Turner-Joe-Klein-Martin-Davich-Genghis-Cohen
                                                                                              L-R…Bryan Turner, Joe Klein, and Marty Davitch
CAM
L-R…top…Al Stahaley, Julia Orange, Cameron Crowe.  bottom Artie Wayne, Allan Rinde, and David Rensin.
copyright 2011 byArtie Wayne
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Finally. originally written for Jim Croce on the night of his plane crash now dedicated also  to Allan  Rinde.`Sending My Good Thoughts To You” performed by Patti Dahlstrom.
for the official TROUBADOUR FAMILY REUNION WEBSITE http://www.troubadourfamilyreunion.com/ Thanks to Henry Diltz for the photo of Jackson Brownewww.morrisonhotelgallery.com

to Pete Senoff for the photo of Maureen Donaldson and Sandee Lewis Ochs. Richard Kimball, Michael Ochs, Allan Rinde, Pete Senoff and Bobbi Cowan http://www.twitter.com/petesenoff

to George Steele for the photo of billy James and Penny Nichols

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to Sean McKenna from X-SITE MEDIA for the photo of Me, Ron Haffkine and Van Dyke Parks  http://www.xm.la to photographer/ guitar maker Loni Specter for the Photo of Blackfirewww.ampshow.com

to Coleen M. Pumfrey for the photo of the Troubadour sign Special thanks to “Lezlie Sokol” and Sally Stevens for helping me with this article. . Copyright 2011 by Artie Wayne- https://artiewayne.wordpress.com/about-artie-wayne/ for those might not have recognized me at the reunion with my beard…I shaved

copyright 2011 by artie wayne

TONI

The first time I met songwriter Toni Wine (“Candida”, “Tonight You’re Gonna’ Fall In Love With Me”) she was only 14 years old and we were both staff writers for Don Kirshner at ALDON MUSIC. Over the years we remained friends and occasionally worked together.

Back in 1966, when I was writing songs and producing for Scepter Records, my friend Stanley Greenberg who was head of A+R asked me to rehearse a new act he was producing, Diane and Anita. Although we went into the studio with my song, “One By One” as the A-Side, the song that Toni Wine brought Stanley, “A Groovy Kind of Love”, which she co-wrote with Carol Bayer Sager came out of the studio clearly the winner!  I’m proud to say that ours was the first recording of the classic, which was followed by two number one records, one by the Mindbenders the other by Phil Collins  http://www.youtube.com/watch?v=HsC_SARyPzk

To reach Toni Wine    http://toniwine.com

Copyright 2012 by Artie Wayne ALLAN TONI        

WHY IS TONI WINE IN THIS STORY? BECAUSE I INTRODUCED HER TO ALLAN RINDE WHO SHE MARRIED! .

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Jim McKeon Alan was a wonderful interesting guy on all levels. One of the first people I met in LA thanks to my man Richard Kimball. Bless you Alan. Sunday at 1:39pm · Like

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Bob Levinson Allan. : ( Sad news about a terrific guy. Sunday at 7:30pm · Like · 1

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Larry LeBlanc I knew Allan through CBS from working at Record World and then with Blood sweat and tears. Classy guy 18 hours ago via mobile · Like
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Jack Gold Allan and I spent many an hour talking about our hobby, collecting movie posters. He was an all class guy, RIP Allen. I just learned of his passing by my friend Chris Crist who now lives in Palm Springs.

WS PIANO

When a human passes away it takes three days for the spirit to leave the earth and make a transition to the other side. When a pet passes away the process takes the same amount of time. The pet is more confused at first, but becomes more accepting of what’s going on when they are reunited with their animal friends on the other side, who are there to help with the crossover.

The pet is happy to go back “home”, unless they’ve formed an exceptionally strong bond with their earthly caretaker, which makes them want to stay on earth a little longer to make sure their “human” is going to be all right without them.

We can be assured, that these little spirits will be watching out for us for the rest of our lives. I can attest that many long gone animal friends have come back to me in dreams, meditations, and semi-darkened rooms, during times of stress or loneliness and helped me get through the agony of it all.

As I’m sitting on the patio by the hummingbird feeder my little pal, Larry, flies by and I can almost feel his wings sympathetically touch my knee as I weep for my little pal Streaker, who had to be put down a few days ago or face a long painful illness. When my friend, Allan Rinde moved to Nashville to get married  to singer/songwriter Toni Wine, he asked me to take care of his little calico cat, Streaker and her boyfriend, a 23 lb. white tom called Whoppy, because his future wife was allergic.

For the past 14 years Allan has paid for their food, toys, and thousands of dollars in medical expenses. When Whoppy passed two and a half years ago, “Streak” and I became closer sharing my pillow, as well as a place at the dinner table. About a year ago, after Allan got a divorce he offered to rent me a couple of rooms in his house in Palm Springs, where we’ve lived ever since.

Although he hadn’t spent much with her over the last decade, Streaker loved Allan and when we all lived together “Streak” would sit in front of his computer, all night long acting as his assistant. While Allan spoiled her with gourmet cat food, exotic toys, and even a recirculating water fountain, I kept her paws on the ground by yelling, “ARE YOU CRAZY?”, and sentences ending in “ucker”, whenever she got out of line.

I close my eyes, visualize her and tell her that it’s time for her to go and I’m going to be alright. Whoppy, who’s come back to escort her “home”, looks contented, but Streaker give me one last look goodbye…then sadly walks away. I want to call out, “Don’t go!”, but the three day window of transition is closing fast and if they don’t leave now they could become trapped between here and the other side for eternity!

As I sit weeping, my little friends disappear into the morning…and a few minutes later Larry the hummingbird reappears to introduce me to his new girlfriend. He senses that this isn’t a good time, and they both bolt off into a sky full of fluffy white clouds. As I watch them leave, I gaze up, and for a few minutes watch the clouds change forms, as clouds are known to do.

I smile as I see likenesses of all the animal friends I’ve had in my life, Waldo, my parakeet in grade school, my aunt Wan’s dogs Fluffy and Queenie, who protected me from bullies, Chipper, the little spitz, who turned nasty and had his name changed to Al for Al Capone, then when he became nice again, changed it back to Chipper! There was Walter, who led my grandmother to safety through a fire, Duke, Harold, Pete, Tippy, and of course, my little Cairn Terrier Nookie, my companion for 12 years.

Even though I know Streaker’s in good company…it doesn’t  mean I’m going to miss her any less….but seeing Whoppy and Streaker playing together again in the clouds, and in my medical marajuana tinted memories is inspiring and proof positive that true love lives forever.

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Goodbye my monkey friends…until we meet again. Love Artie

SHEILAH l to r Sheilah Kent, Artie Wayne, and Allan Rinde

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Thank you Allan, you’ve done so much for so many…especially me…may you ROCK IN PERPETUITY!

Sadly. Artie

P.S. HERE ARE A FEW OF THE COMMENTS THAT HAVE COME IN FROM SOME OF ALLAN’S FRIENDS…

RON HAFFKINE, SUNNY MONDAY, ALAN RINDE l-r -Joel Diamond, Allan Rinde, Sunny (Monday) Smith, and Ron Haffkine

Artie,
It’s so hard to believe that Alan is gone.  How lucky Ronnie, Sunny, and I were to have shared a fun loving recent dinner with Allan in my home.
 Joel Diamond
From comments on FACEBOOK…

  •  Thank you Artie, this trip across Memory Lane was very enjoyable. Too bad that it had to be prompted by the passing of one of the Nicest, Finest, Gentleman who ever graced the Halls that Hunter Thomson spoke so disparagingly of. Goodbye OUR friend you were simply “THA BEST” R.I.P. 
    jerry heller
  •  
    Ron Haffkine Very hard to get through reading this and realizing again that Allan is gone…Every time one of us passes away a piece of our history goes with him or her…Knowing the realities of life sure doesnt make it any easier to accept….
  • KENNY 4Ken Schaffer Director of West Coast A&R for Columbia, Allan got subsumed, perhaps too deeply, into the spirit of an office Christmas party and gently – lovingly, without a bone the balance – lobbed a cream pie in his secretary’s face. Apparently, she was less in the spirit… the creampuff got Allan got fired.

    I flew into LA a couple of years after Allan got the ole’ CBS boot … happy to be going the next day to a big party at Don Williams’ fabulous but forever unfurnished estate in Encino. 

    “And Rinde is doing the cooking!” – people said that to me with all the pride that might befit a promise of Racquel Welch giving blow jobs. “Rinde?!!!” “Rinde cooking?!” I was incredulous.

    As my roommate in New York for a couple of years before the creampuff incident, Allan had, like so many of our other music business friends [no names], defected to the West Coast; I even used to describe Los Angeles as the Badlands “… where everybody who blew it in New York moved to to start over again.”

    The point though: when Allan lived with me, he couldn’t boil a freaking kettle of water without somehow melting the bottom of the kettle. we went through a lot of teapots.

    They say if you are dealt lemons – make lemonade. To his credit, instead of grieving over the loss of his corner office, Allan had gone on – unbelievably – to take, of all things, WTF!, Chinese cooking lessons. By the time I arrived arrived for the party, his epicurean skills had become legendary in Hollywood and West LA. He’d even gone so far as to open a restaurant… the restaurant he opened became The spot in LA. 

    I’m broken up about Allan’s death. But lemons into lemonade: I’ll forever crack up reliving the look on Allan’s face (exasperated) every time (this went on for years) I referred to Genghis’ as “GENGHIS COHEN’S KOSHER CHINESE” — as only best friends can. 

    Pow, Allan! Love ya, man!

copyright 2012 by Artie Wayne

IN MEMORY OF ALLAN RINDE I’D LIKE TO GIVE A  FREE COPY OF MY BOOK, “I DID IT FOR A SONG” TO ANYONE WHO KNEW HIM OR WOULD’VE LIKED TO HAVE KNOWN HIM. JUST E-MAIL ME AT artiewayne@gmail.com  Above photo by Pamela Kath Soloman GREENBERG“i want to let you know about my friend allan rinde, who died this weekend. allan rinde was a wonderful, wonderful man who was way ahead of his time when it came to knowing his music, and knowing his food. when i first moved to los angeles for newsweek, we played volleyball together on the venice beach.but he really loved music. when i reported the cover story for newsweek on bruce springsteen, allan was a close advisor. (he also worked for columbia records) he and i both hung with billy joel before billy was on anyone’s radar. he fancied himself a chinese food expert, and then proved it by going to china, finding a chef and opening his restaurant — with a great name — ghengis cohen, on fairfax avenue in los angeles. i was one of the first ones in the door. and everyone in the music business was right there with me. artie wayne, who i knew from his days in music publishing (and volleyball) came in as the host. and every top musician and record company executive in town came there for dinner of crackerjack shrimp, mabu beef, and other specialties — and in one corner of the restaurant, if you listened closely, you were entertained. on one night you’d hear the familiar guitar riffs of taj mahal, or the distinct tone of joni mitchell. no, it wasn’t someone’s playlist. it WAS taj mahal or joni mitchell! so many solo artists and groups played there before anyone knew who they were. it was part of allan’s magic that the artists would come to the restaurant, and music executives would somehow discover them over a dinner of cold sesame noodles….last night, when i heard that allan had died, i went back to genghis cohen for dinner. many familiar faces were at the bar to toast his memory. it’s been thirty years since allan opened the restaurant, and last night, in the corner, there was another music group playing. i didn’t get their name, but if history is any indication, we’ll all know them soon. but i consider myself lucky…i knew allan rinde and he will be missed. Peter Greenberg Travel editor cbs news

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“I’M AT MY BEST WHEN I’M DOWN” AND AS GOD IS MY WITNESS, I’M NOT GIVING UP!

August 23, 2012

CLICK HERE TO SEE 3 MINUTE VIDEO “I’M AT MY BEST WHEN I’M DOWN”. http://www.youtube.com/watch?v=7cBKN-pj5Qw&feature=plcp

I’M PROUD TO SAY THAT THIS IS MY 676th ARTICLE I’VE POSTED IN THE PAST FIVE YEARS CHRONICLING MY 50 YEARS IN THE MUSIC BUSINESS AND POSSIBLY MY SADDEST.

IF YOU’VE BEEN FOLLOWING MY BLOG YOU KNOW HOW DEVESTATING THE LAST FEW MONTHS HAVE BEEN FOR ME PHYSICALLY, AS WELL AS NOT RECEIVING ROYALTIES FROM TWO POSTHUMOUSLY RELEASED MICHAEL JACKSON CUTS, TO THE REMOVAL OF MY BOOK FROM AMAZON.COM, AND THE DELETION OF MY ENTIRE WEBSITE BY A FORMER FRIEND.

ALTHOUGH I’M TRULY GRATEFUL TO NARAS AND THEIR CHARITABLE ARM “MUSIC CARES” FOR PAYING MY RENT, PHONE AND INTERNET FOR A FEW MONTHS, THEIR GRANT DOESN’T INCLUDE ANY CASH DIRECTLY TO ME AND I RAN OUT OF FOOD TWO DAYS AGO…BUT NOT OUT OF HOPE!

I WANT TO ASSURE ALL MY FRIENDS AND READERS THAT I’M NOT GIVING UP. ALTHOUGH I CAN NO LONGER WALK OR HAVE USE OF MY HANDS, EXCEPT FOR ONE FINGER WHICH I USE TO TYPE, I BELIEVE THAT “IF YOU CAN ONLY LIFT ONE FINGER YOU STILL CAN LEAD THE WAY!”

CURRENTLY MY ONLY SOURCE OF INCOME IS FROM THE SALE OF MY BOOK. ” I DID IT FOR A SONG”, WHICH I RECEIVE IMMEDIATELY. I HOPE YOU’LL CONSIDER BUYING ONE DIRECTLY FROM ME THROUGH PAYPAL FOR ONLY $9.99 AT artiewayne@gmail.com OR BY CHECK TO…ARTIE WAYNE A/K/A WAYNE KENT, P.O. BOX 1105, DESERT HOT SPRINGS, CALIFORNIA 92240

ALTHOUGH I’VE THOUGHT ABOUT LEAVING THIS WORLD, LIKE A FEW FRIENDS OF MINE HAVE RECENTLY, WITH THE GRACE OF GOD…I’LL SEE YOU IN SEPTEMBER. IN THE MEANTIME, I’D LIKE TO SHARE MY SONG OF HOPE WITH YOU, “I’M AT MY BEST WHEN I’M DOWN”. http://www.youtube.com/watch?v=7cBKN-pj5Qw&feature=plcp

THANKS AND REGARDS, ARTIE WAYNE https://artiewayne.wordpress.com/2012/04/10/celebrating-two-million-views-today-on-artie-wayne-on-the-web/

DIRECTED BY WEDIGO WATSON

ELECTRIC PIANO BY ALAN O’DAY

PHOTO BY PHIL X. MILSTEIN

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BUDDY SALTZMAN R.I.P. ROCK IN PERPETUITY!

May 3, 2012

THIS MORNING I WAS AWAKENED BY A FACEBOOK POST  FROM MY FRIEND ARTIE KORNFELD, “THE FATHER OF WOODSTOCK, ” THAT OUR FRIEND BUDDY SALTZMAN HAD PASSED AWAY.

I USED BUDDY ON MY DEMOS  WHEN I WAS A STAFF WRITER AT ALDON AND MASTERS WHEN I STARTED PRODUCING. (“MEET ME AT MIDNIGHT MARY”).

HE WAS ALWAYS MORE THAN HELPFUL IN FINDING THE “RIGHT THING TO PLAY” AND WAS WILLING TO SPEND WHATEVER TIME IT TOOK TO EXECUTE IT PROPERLY SOMETIMES WITHOUT CHARGING ME.

ARTIE KORNFELD WRITES…

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“Buddy Saltzman was, from 1955 through 1968 the most used studio drummer in recording history.You have in your collections many hits from “The Locomotion to”, “Any One who had a heart” and on and on. Buddy must have the most #1 records he played drums on.He did about 100 sessions with me.He even played on “The Rain,ThePark, and Other Things”.

John Cowsill now drummer for a long time with Mike Love and the Beach Boys , in gratitude has kept contact with Buddy and brought much happiness.A year ago, when the Boys played in Palm Beach John invited me and surprised me by putting me next to Buddy.His walker that he needed broke my heart .

Buddy died 3 days ago and was buried today.

I was going to go until I found out that his gravesite was within 30 yards of Linda Kornfeld,The Mother of Woodstock.

Buddy Rest In Peace. 

Artie Kornfeld

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BUDDY…MAY YOU ROCK IN PERPETUITY!

RESPECTFULLY, ARTIE WAYNE 

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Copyright 2012 by Artie Wayne https://artiewayne.wordpress.com/2012/04/10/celebrating-two-million-views-today-on-artie-wayne-on-the-web/

BUDDY SALTZMAN WEBSITE  http://music.msn.com/music/artist-biography/buddy-saltzman/

ARTIE KORNFELD http://www.artiekornfeld-woodstock.com/

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THE CONDOLENCES ARE STARTING TO COME IN…

Dear Artie:
Buddy did quite a few hits with me, notably TIGHTER TIGHTER by Alive
and Kicking, and the Cowsills first and iconic hit, THE RAIN – THE PARK.

The Lord got a great drummer.

Best, Jimmy Wisner

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ARTIE..I WAS SAD TO HEAR OF THE PASSING OF BUDDY SALTZMAN..WHEN I WORKED FOR BOB CREWE IN THE LATE 60’S I REMEMBER HE RARELY DID A SESSION WITHOUT BUDDY, WHO ACCENTED THOSE FRANKIE VALLI/FOURSEASONS HITS IN HIS UNIQUE STYLE..HE PLAYED ON MY EARLY DEMOS AND MANY OF MY FRIENDS..I HOPE HE I NOW AT PEACE PLAYING IN THE BEST BAND IN HEAVEN..

 LARRY WEISS (“RHINESTONE COWBOY”)

AND HERE’S THE ANTHEM THAT WILL WELCOME BUDDY AT THE GATE… WRITTEN BY ALAN O’DAY AND JOHNNY STEVENSON “IF YOU BELIEVE IN FOREVER LIFE IS JUST A ONE NIGHT STAND…IF THERE’S A ROCK AND ROLL HEAVEN”, YOU KNOW THEY’VE GOT A HELL OF A BAND!

IF YOU WANT TO MAKE A COMMENT PLEASE SCROLL DOWN AND A BOX WILL OPEN  

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MANDI MARTIN…IN TRANSITION

April 29, 2012

When I moved to LA in 1970, to work as a songplugger for VIVA Music, my new songwriter friend Alan O’Day (“THE DRUM”) took me to a weekly meeting of the LA SONGWRITERS SHOWCASE, where I met Mandi Martin and John Brahaney for the first time.

I was impressed by the loving support system they built for new and seasoned songwriters to shield themselves from the harsh reality of the music business, while they developed their craft. Over the years Mandy and John, helped me out whenever I needed it, from showcasing my writers at Warner Brothers and Irving/Almo music to finding me new writers when I went into business for myself.

Last week, I was saddened when my long time friend Alan O’Day (“UNDERCOVER ANGEL”, “ANGIE BABY”) e-mailed me that Mandi Martin is facing some serious health issues and is in transition.

Alan writes, “I am keeping a private vigil for my critically ill friend Mandi Martin. At this moment she is surrounded by friends at her home who are giving her love and prayers and laughter. She has lost the ability to talk, but she can hear the marathon party going on around her.

What an extraordinary send off! See Mandi’s Prayhouse: https://www.facebook.com/groups/327053187358718/  Please say a prayer for this lovely person who has helped so many.”

Here is her website  http://mandimartinmusic.com/

IF YOU WANT TO SEND A MESSAGE TO MANDI PLEASE WRITE IT IN THE COMMENTS SECTION AT THE BOTTOM OF THIS ARTICLE AND I’LL SEE THAT SHE GETS IT.

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CONGRATULATIONS DIANE WARREN ON YOUR GRAMMY NOMINATIONS!

December 1, 2011

In 1982 after giving my friend Allan Rinde, a name for his new chinese restaurant Genghis Cohen, Allan backed me in THE ARTIE WAYNE SONGWRITING MOTIVATIONAL COURSE.

I didn’t expect anybody to learn how to write songs, but how to write better songs that would help get them a deal with a publisher or a record company. I advertised, “I’ll show you how to make your package so strong that only a fool would turn you down” (with a disclaimer at the bottom, “Not responsible for all the fools in the industry!”) I knew that newcomers rubbing elbows with the top people in the music business, would not only give them more self confidence, but also give the pros a chance to discover new talent on the way up.

In a dance rehearsal studio above a dry cleaner on Fairfax and Santa Monica Boulevard in Hollywood, we had three hour meetings, once a week for six weeks that turned into ten. I charged each person attending $100 or the publishing rights to one song they would write during my course. We started off with 25 people and ended up with almost 100.

I brought guests in every week like producer Bob Monoco who listened to songs from our group for Chaka Kahn. We had Ron Miller (“For Once in my Life”) tell us that, “Rewriting is just as important as the writing of the song”. Ron brought Charlene with him who was currently #1 on the charts with “Never Been To Me”, which Ron Co-wrote with one of my discoveries Kenny Hirsh. Buddy Kaye (“Speedy Gonzalez”) stressed the importance of music and lyrical hooks in songs. I also teamed up professional songwriters like Patti Dahlstrom (“Emotion”) with newcomers like David Plenn.

My longtime friend and sometime collaborator, Alan O’Day (“Undercover Angel”, “Angie Baby”) was my musical director and videotaped the entire ten weeks. When he asked if he could bring in two new songwriter friends as his guests for the course…how could I say no? One was arranger John Barnes, who went on to co-write most of the “Bad” album with Michael Jackson, the other one was Diane Warren (“Unbreak My Heart”, “How Can I Live Without You?”) Since then Diane has been recognized six times ASCAP Songwriter of the Year and four times Billboard’s Songwriter of the year. She has had her songs in 70 films and TV, received 6 Grammy nominations , 6 Academy Award nominations and has just received a Grammy nomination for the Best Song written for visual media. “Born To Be Somebody” – from “Never Say Never” by Justin Beiber...as well as a nomination for "You Haven't Seen The Last Of Me" from "Burlesque" by Cher.

Diane...I wish I could say that THE ARTIE WAYNE SONGWRITER MOTIVATIONAL COURSE could take credit for any of your successes, but I’m just happy for you and to have been around at the beginning, when your talent was starting to emerge and I was lucky enough to have a front row seat!

CONGRATULATIONS…and keep it up!

 

Regards, Your friend Artie

 

Copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/

To reach Diane Warren http://www.realsongs.com/

COMING NEXT WEEK AT ARTIE WAYNE ON THE WEB…THE DIANE WARREN VIDEO JUKEBOX!

 

EXTRA! EXTRA! NOW YOU CAN BUY MY NEW BOOK ,“I DID IT FOR A SONG” AT AMAZON or Barnes & Noble or from Smashwords

TO READ A CHAPTER OR TWO FOR FREE CLICK  HERE

TO READ SOME OF THE COMMENTS  CLICK  HERE

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AN OPEN LETTER TO TONY ORLANDO

June 14, 2011

Tony…How ya’ doin’? I suppose I could have talked to you on the phone or e-mailed you about it, but I wanted to document this in a public forum. You and I have had the advantage as music publishers seeing a song go from the demo stage to number #1 like “TIE A YELLOW RIBBON (“ROUND THE OLD OAK TREE)” in a matter of months and my readers have told me how much they envied that opportunity.

NOW here is everyones chance to see the process in action. Alan O’Day (“UNDERCOVER ANGEL”, which is in the number one movie “SUPER 8”), Sally Stevens, and I just wrote a song about the biggest world phenomenon FACEBOOK…and their over half a billion FACEBOOK FRIENDS!

We didn’t write, however, about the technical aspects of the social network, but about the humanity and the world’s new way of shaking hands!” “I WANNA BE YOUR FACEBOOK FRIEND” directed by Wedigo  Watson

Not to rush you, of course, but If you like it and record it in the next 24 hours it could be up on ITunes by the weekend.

Regards, Artie Wayne http://artiewayne.com

Copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/

EXTRA! EXTRA! YOU CAN BUY MY BOOK ,“I DID IT FOR A SONG” AT AMAZON or Barnes & Noble or from Smashwords

To reach Alan O’Day http://alanoday.com

for Sally Stevens   

http://rockphiles.typepad.com/a_life_in_the_day/

http://www.rockphiles.com/rp_artistIndex.php

For Wedigo Watson https://www.facebook.com/people/Wedigo-Watson/100000136383082No to mention

To Reach Tony Orlando http://www.tonyorlandoonline.com/

BACK TO ARTIE WAYNE ON THE WEB! https://artiewayne.wordpress.com  

 

 

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