“WHERE DOES A ROCK AND ROLL SINGER GO?” BY ARTIE WAYNE
October 3, 2012
In 1963, Ed Silvers, East Coast head of Liberty Records signs me to a singles deal. He had just produced a top 10 hit with Timi Yuro, “What’s The Matter Baby,” and I’m excited that he wants to work with me.
I’m starting to get a lot of action with releases by Wayne Newton, Gene Pitney, Bobby Darin, the Angels and Dorsey Burnette — and I know it’s just a matter of time before I hit!!
I beg him to let me do a song I just wrote with Ben Raleigh, “(Meet Me At) Midnight Mary” —Ed likes it — but he loves “Where Does a Rock and Roll Singer Go (When His Record’s Off The Charts?)”
I just sigh and produce “Midnight Mary” myself with my friend Joey Powers — which becomes Amy/Mala/Bell (now Arista) Records first Gold Record.
copyright 2012 by Artie Wayne
WHILE FIGHTING LARGE CORPORATIONS WHO ARE TRYING TO KEEP ROYALTIES AWAY ME AND THOUSANDS OF OTHER ARTISTS, SONGWRITERS AND PUBLISHERS, MY ONLY SOURCE OF INCOME IS FROM THE SALE OF MY BOOK. ” I DID IT FOR A SONG”, WITH OVER 100 STORIES FROM THE MUSIC BUSINESS OF THE ’60s, ’70s, and ’80s. I HOPE YOU’LL CONSIDER BUYING ONE DIRECTLY FROM ME THROUGH PAYPAL FOR ONLY $9.99 AT artiewayne@gmail.com OR BY CHECK TO…ARTIE WAYNE P.O. BOX 1105, DESERT HOT SPRINGS, CALIFORNIA 92240
THANKS AND REGARDS, ARTIE WAYNE https://artiewayne.wordpress.com/2012/04/10/celebrating-two-million-views-today-on-artie-wayne-on-the-web/
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AARON SCHROEDER R. I. P. ROCK N PERPETUITY
January 6, 2010
“When I started writing songs with lyricist Ben Raleigh (“Wonderful, Wonderful”, “Tell Laura I Love Her”) he introduced me to all of the top music publishers in the business, Goldie Goldmark at Shalimar music, The legendary Al Gallico at Shapiro-Bernstein, and Arnold Shaw at E. B. Marks Music
We also gave Aaron Schroeder a few of our songs to publish including “Peanuts, Popcorn, and Crackerjacks”, which Gene Pitney recorded. Then Aaron asks if I’d like to finish a song with one of his staff writers, Neval Nader (“Mecca”). Ben says he wouldn’t mind if I did, so I agreed.
I heard that Aaron was a hard taskmaster and somewhat of a monster when dealing with songwriters, but I had no idea to what lengths he’d go to get what he wants! He likes the song Neval and I write, but “demands” a better ending! In fact, he actually locks us in a writer’s room and says he won’t let us out until the song is finished to his satisfaction! I don’t think he knew he was messing with a “Bronx boy”, but he became aware of it after the commotion I make, as I nearly break down the door to the writers room!
From then on Aaron and I had a healthy respect for each other…from a distance.”
Respectfully, Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/
*From my forthcoming book, “I Did It For A Song”
Copyright 2009by Artie Wayne
http://artiewayne.com
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GENE PITNEY R.I.P. ROCK N PERPETUITY
January 1, 2010
GENE PITNEY 2/17/41 – 4/5/06
“Whenever publisher/ producer Aaron Schroeder was looking for material for Gene Pitney, Ben Raleigh ( “Wonderful, Wonderful”, “Love is a Hurtin’ Thing” and I would get excited. Gene was one of the most influential songwriter/
artists of our generation and it was considered quite prestigious to even get on one of his albums. Although he only recorded one of our songs, “Peanuts, Popcorn and Crackerjacks”, it’s one of my most prized cover records.
Gene was truly an inspiration to me, his songs, (“Hello Marylou”, “Rubber Ball”), his artistry, (“Every Breath I Take”,”Only Love Can Break a Heart”) and his business acumen, (He owned part of his own record company).
I never realized how much Gene Pitney is still part of my consciousness, until last year. I sent Al Kooper, a new song I had just written which included the line, “like a rubber ball, I’ll bounce back everytime”. Then Al E-mailed back, “I think it’s bee-yoo-ta-full, BUT one couplet bothers me an editor. The rubber ball and the word bounce with it hearkens way back to Vee/ Pitney whereas everything else sounds pretty fresh…think about it.”
Well, I’ve thought about it…and I’ve decided to leave it, as an homage to “The Man Who Shot Liberty Valence”.
From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
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LOU RAWLS R.I.P. ROCK IN PERPETUITY!
January 1, 2010
LOU RAWLS 12/1/33 – 1/6/06
“I was aware of the impact that Lou Rawls had on his own generation, Frank Sinatra in particular, I never felt a personal connection with his music until, “Love is a Hurtin’ Thing” [Raleigh/Lindley]. To understand why this was a pivotal point, not only in his career, but to the evolution of pop music in general, we have to examine the times during which the music was created.
It came in the middle of the Civil Rights movement, when “Negroes” were “allowed” to voice a political opinion in music…a time when complacency, turned into, “Say it Loud, I’m Black and I’m Proud!. Lou Rawls, obviously wanted to express himself too, but was restrained by his label, Capitol records, who still referred their R and B recordings as “race records”.
Capitol A+ R men made it clear to me, as a songwriter/publisher they were only looking for material that was entertaining, not a song that made a political statement of any kind.
Lou, obviously, jumped at a chance to combine his streetwise eloquence with a song Ben Raleigh and David Linden brought to him, “Love is a Hurtin’ Thing”. Lou’s talking at the beginning of the record was as revolutionary, from a personal and emotional standpoint,
as any music connected with the Civil Rights movement. He even got R and B radio play…a rarity for Capitol records during this time.
For the next few years, he was the only one making records like these that were successful. Then a couple of artists came along a few years later, and added longer talking
segments, liberally sprinkled with sexual references…and a “New” genre was born, with it’s new stars, Isaac Hayes and Barry White.
It was when he signed with Philadelphia International, that he actually sold the most albums, I believe. Gamble and Huff were looking for artists who could be successfully
marketed by their distribution company, Columbia records, and Lou fit the Bill perfectly. He not only was one of the best interpreters of Gamble and Huff’s songs, he had a history of being able to sell albums.
It was around this time that I met Lou. Margo Matthews, who was Ed Silvers secretary at Warner Brothers music, had been his personal assistant for years…and he dropped by to see her one day. As I walked by her office, she called me in, and introduced us. I sat talking with him for a few minutes…and felt like I was reconnecting with an old friend. I
left a few minutes later, to let them talk, but I felt special all day long…not to mention every time I heard one of his recordings from that day on.”
From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
https://artiewayne.wordpress.com
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WHEN CENSORSHIP RULED THE EARTH!
March 21, 2009
Who knew that one day you’d be able to see Britney Spears naked and Justin Timberlake’s “Dick In A Box” just by turning on your TV! In this anything goes kind of world, it’s hard to believe there was a time when Censorship Ruled The Earth!
“In the early 60’s, I went out with a few Iranian girls who actually told me that they were brought up to tell people what they wanted to hear, then go out and do the exact opposite. One of these girls, Jamela, was the beautiful daughter of a deposed general, who was exiled to the United States along with the Shah of Iran. I admit it was exciting to wonder who was following us on our dates, her father’s bodyguards…or the Secret Service! All of this danger, brought us closer together, and she revealed many aspects of her culture I never knew about. She told me that Iranian men showed no quarter to their enemy and were fierce warriors because they weren’t afraid of dying!
It was only when she told me that she feared for my safety, did I take our cultural differences seriously! We continued to see each other secretly, however, which led me to co-write my first hit song with Ben Raleigh, “(Meet Me At) Midnight Mary” (Raleigh/ Wayne). When I produced the record with Joey Powers, we tried to get away with saying she was having a baby a baby out of wedlock, but were warned that radio would never play it!”
We’ve all seen the clips of Mick Jagger on the Ed Sullivan Show singing “Let’s Spend The Night Together”, forced by the the producers to change the lyric to, “Let’s Spend Some Time Together” in order to get by the network censors. I didn’t realize that this was a common practice, and then my friend producer Jerry Ross (“Sunny”, “98.6”, Keep The Ball Rolling”), told me this story…
“With Two super hits under their belt, “Apple, Peaches, Pumpkin Pie”, and “Keep The Ball Rolling”, Jay and The Techniques were invited to appear on the Ed Sullivan Show. This was a dream come true…hit records…concert tours…and now the Ed Sullivan Show! During rehearsal….sound check/ lighting etc, the band really was in a great frame of mind…..This was a dream come….HIT Records… Concert and tours…and now The Ed Sullivan show,,, spirits were high until the executive producer of the TV Show ( Ed Sullivan’s’ son-in law) Bob Precht pulls us aside and gives us the good news and the bad news…The good news….we are happy to have you on tonight’s show…the bad news….you can’t sing “Keep the Ball Rolling” because the lyrics in the 2nd verse (‘all or nothin’ at all”) are too suggestive)……….So….we put our creative heads together and decided to repeat the 1st verse twice….problem solved !!!!!!! As Ed Sullivan might put it, “It was a REALLY BIG SHOW!! (Ross laughs and corrects himself) I mean, It was a REALLY BIG SHOE!
COMING NEXT WEEK…TOMMY JAMES AND THE STORY BEHIND, “I THINK WE’RE ALONE NOW”
For Part One of the series, “F#@K MUSIC CENSORSHIP! https://artiewayne.wordpress.com/2009/03/14/fk-music-censorship/
For Jerry Ross http://phillyoldies.com
For “The Best of Jay and the Techniques Newest CD with 28 original tracks just released by RPM UK http://www.amazon.com/s/ref=nb_ss_gw?url=search-alias%3Dpopular&field-keywords=%22the+best+of+jay+%26+the+techniques%22&x=15&y=17
Copyright 2009 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/
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AL GALLICO R.I.P. ROCK N PERPETUITY!
May 21, 2008
AL GALLICO 1920 – 5/21/09
When Ben Raleigh (“Tell Laura I Love Her’, “Wonderful, Wonderful”) and I started writing songs together one of the first publishers we went to see was Al Gallico up at Shapiro Bernstein music.
Al was not only one of the nicest guys I’ve ever known; he was a legend in country music with hits like, “Stand by Your Man”, “Ring Of Fire” and “Wolverton Mountain”. He encouraged Ben and me to write even more than we did and got us quite a few covers including Leroy Van Dyke, Hank Lochlin, and ”The Cowboy Wedding Song” for Clint Eastwood which he sang on his hit TV series, “Rawhide”.
When he was on the forefront of the “British Invasion” with hits by the Animals (“House Of The Rising Sun’, The Zombies, “She’s Not There”, and the Kinks, “You Really Got Me” , he got Freddie and The Dreamers to cut one of our songs.He also spent hours trying to talk me into becoming the first “Negro” country artist signed to a major label, who would be produced by Billy Sherrill. Although I was flattered I knew that the social climate of Nashville, at the time, wouldn’t be comfortable for me.
Even though we became publishing competitors, Al and I remained friends over the years. After I stopped running Irving/ Almo Music, Al took me to lunch and encouraged me to start writing again.
My long time friend and former Warner Raider, Stephen-Craig Aristei who was administering my new publishing company out of Al’s office, married his daughter Linda. This allowed me a chance to see Al more often, and learn more about the music business than I ever could on my own.
I was privileged to have known him and honored to have been his friend.
Al Gallico, R.I.P. Rock In Perpetuity!
Respectfully, Artie Wayne http://artiewayne.com
From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
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Top picture L to R, Merle Kilgore and Al Gallico receive BMI Award 1962 for “Wolverton Mountain”