“A GROOVY KIND OF LOVE” AND TONI WINE

The first time I met songwriter Toni Wine (“Candida”, “Tonight You’re Gonna’ Fall In Love With Me”) she was only 14 years old and we were both staff writers for Don Kirshner at ALDON MUSIC.

Over the years we remained friends and occasionally worked together. Back in 1966, when I was writing songs and producing for Scepter Records, my friend Stanley Greenberg who was head of A+R asked me to rehearse a new act he was producing, Diane and Anita.

Although we went into the studio with my song, “One By One” as the A-Side, the song that Toni Wine brought Stanley, “A Groovy Kind of Love”, which she co-wrote with Carol Bayer Sager came out of the studio clearly the winner! 

I’m proud to say that ours was the first recording of the classic, which was followed by two number one records, one by the Mindbenders the other by Phil Collins  http://www.youtube.com/watch?v=HsC_SARyPzk

Seen here with Tony Orlando and producer/ engineer, Brooks Arthur For the past few years Toni has been touring around the country playing synthesizer and singing background for Tony Orlando. 

To reach Toni Wine    http://toniwine.com

Copyright 2012 by Artie Wayne

NOW YOU CAN BUY MY NEW BOOK ,“I DID IT FOR A SONG” AT AMAZONor Barnes & Noble or from Smashwords

TO READ A CHAPTER OR TWO FOR FREE CLICK  HERE

TO READ SOME OF THE COMMENTS  CLICK  HERE

BACK TO ARTIE WAYNE ON THE WEB https://artiewayne.wordpress.com/

MY CHAPTER ON CAROLE KING AND NAKED IN FRONT OF JIM MORRISON!

CHAPTER 4 

 

This is a picture of me and my first day on the job at NewYork’s Lowe’s State Theater, yelling, “Immediate seating for Gone with the Wind! ” It’s fun to meet stars like Lucille Ball and Carol Burnett, even if it’s only to take them to their seats. The most appealing part of the job, however, is the location. It’s only five blocks away from 1650 Broadway — the new Tin Pan Alley, the “hipper”BrillBuilding! This is also the day that I take my Mother up to Aldon Music, to meet Al Nevins and Donny Kirshner.

imposing man still in his 20’s, is a close friend and songwriting partner of Bobby Darin, who sent me to meet him. He gives my Mother such a pep talk about my future, even I’m convinced I can’t fail. He tells her, “If you’ve got talent and perseverance; all you need is a little luck.”

Donny’s partner Al is a member of the Three Suns (“Twilight Time”), who’s the guitar player in one of the top instrumental groups in the fifties. He’s as stylish and dapper as Efrem Zimbalist, Jr. on 77 Sunset Strip, and convinces my mother that I can learn more about the music business from spending time in their offices, than I can by going to college. Even though Al and Don only give me a $50 general advance when I sign an exclusive five-year songwriting contract, I know that millions of dollars aren’t far away.

Like Chuck Berry says, “I study hard hoping to pass.” I’m privileged to be around some of the most incredible talent who soon would become the most successful songwriters in music business history!

As a wide-eyed 18-year old, I sit for a few hours everyday in Aldon Music’s 1650 Broadway office and become friendly with most of the writers who are signed: Neil Sedaka and Howie Greenfield (“Happy Birthday Sweet 16,” “ Breaking Up Is Hard To Do” ) Barry Mann and Cynthia Weil (“You’ve Lost That Lovin’ Feelin’), Carole King and Gerry Goffin (“ One Fine Day,” “I’m Into Something Good”) Larry Kolber (“I Love How You Love Me,” “Patches”), as well as Brooks Arthur, Billy Michelle, Al Gorgoni, Tony Orlando, and a 14-year old Toni Wine.

It’s exciting for me to sit around and listen to them as they discuss their songs, other people’s songs, and what radio is playing. Most of them are older than me and far more evolved. They lose me when they start talking about writing from experience, since I have none. All I can write about is my teenage angst and disappointment, which I guess gives the older writers a peek into my horny little world.

Today is just another day when I’m going to hang out at the office. I walk into the revolving door at 1650 Broadway; I glance to my left and see Sam Cooke coming out. I get so excited to see one of my idols that I stop suddenly, trapping Sam in the revolving door.

Embarrassed, I pantomime an apology while Sam smiles and exits the building. While I’m still recovering from the experience, I ride the elevator to the 6th floor with Larry Kolber, who was brought to Kirshner by his longtime friend Ira Howard.

As I’m about to discuss a song we’re writing, Larry flashes me a “look” and puts his finger to his lips to make me shut up. When we get off at our floor, he cautions me never to discuss a song I’m writing on the elevator here or at theBrillBuilding. “You never know who might be listening and steal one of your ideas.”

I apologize as we walk into Aldon. Larry is waiting for Barry Mann to bring a demo back on a song they wrote for the Paris Sisters, “I Love How You Love Me”

“I love how your eyes close, whenever you kiss me…”

Jack Keller brings in his discovery, 14 year — old Toni Wine, to go over some songs in the piano room. On his way in to meet Jack and Toni, Tony Orlando stops to say hello. He’s the first one to notice that I have my hair straightened for the first time, a la Jackie Wilson.

Barry Mann and Brooks Arthur walk in with the demo of “I Love How You Love Me,” but every room with a phonograph is occupied. While they’re waiting, everyone starts kidding around. Barry starts doing impersonations of everyone in the office. He’s got Al Nevin’s smooth style and voice down, as well as Donny Kirshner’s walk and unbridled enthusiasm. He even imitates Neil Sedaka doing his “Oh, Carol” cha-cha. I’m surprised and a bit embarrassed when Barry does an imitation of me (complete with nerdy glasses and gangly walk).

When Al and Don arrive after lunch, Faith, Al’s secretary, asks if Donny knows he’s wearing one black and one brown shoe. As he looks down at his feet I say, “I bet you have another pair just like that at home”. Everyone laughs — except for Donnie.

Later after the excitement wears down a bit, I tell Larry Kolber about my Aunt’s candy store and the cute little girl who comes in and ignores me. That’s when we start to write:

Boy At The Fountain

I’m the Boy At The Fountain in your candy store

I make all the sodas that you ask me for

You want my chocolate, pistachio, peppermint sodas but heaven above

Knows you don’t want my kisses, you don’t want my huggin’

You don’t want my love.

(etc.)

copyright 2011 EMI Music 

Donny loves it, but nothing happens. It is never recorded, but it is the first song that is based on one of my own real life experiences that somebody connects with.

Although I know how to play piano, I’m amazed whenever Neil Sedaka plays. He can go from classical to R & B in a heartbeat, and when he writes with Howie Greenfield; it’s magic!

“Tra-la-la-la-la-la-la-la…Happy Birthday Sweet 16”

Barry Mann (“Who Put The Bomp?”) helps me develop my singing style and teaches me how to sing harmony. He helps me record my demos and is generous in showing me more interesting chords that make my songs bet                                                                                                              Carole King courtesy of the BBC

I occasionally baby sit for Carole King, while she’s in the studio doing demos. In return she plays keyboards, arranges, and sings all the background parts on my demos. I remember one day she comes in to play her new song for Donny Kirshner, but he’s still out to lunch. She asks me if I’d like to hear it while she rehearses it.

She sits down at the old upright piano and starts to sing,

“Tonight you’re mine completely, You give your love so sweetly….”

I sit there as she goes over “Will You Still Love Me Tomorrow?” a few more times, even though I know I won’t be able to write anything of my own for weeks!

Then she’s summoned to Donny’s office. I think he likes it too…I can hear him yelling through the door, “It’s a Smash! It’s a F@#in’ Smash!”

photo in middle – Don Kirshner, Barry Mann, Gerry Goffin, and Al Nevins

CHAPTER 39

Jimi Hendrix stays at my apartment. Jim Morrison surprises me…

“While I’m on the West Coast I let my friend, Ann Tansey, Mercury Records’ A&R director, stay in my apartment. I didn’t know she’d invited her sometime-boyfriend, Jimi Hendrix, to stay with her.

When I arrive home, I find some nasty notes from my neighbors, about my loud guitar playing at 3:00 in the morning. The notes also say something about people going in and out of my apartment by way of the fire escape. I have no idea what really happened, but I do admit I am flattered that they think it was me playing the guitar!

It’s hard for me to get back into the rhythm of New York this time around. There are too many things pulling me back to Hollywood, including a beautiful playmate I briefly met, while she is breaking up with a friend of mine.

I’m tired of writing formula pop songs mostly about made-up experiences in a location that no longer holds any fascination for me. My partners try to re-ignite my excitement in our company, by telling me how well we’re doing financially, but that isn’t enough for me.

In the summer of ’69, my friend Allan Rinde had just joined Columbia Records family as head of Epic Records publicity. Two weeks into his stint there he himself went off to L.A.for aColumbia convention and returned with two thoughts: he didn’t want to be a publicist and he thoughtL.A.was paradise.

I did my best to convince him that both of us should move there. Excited by the prospect, he approaches Cash Box owner George Albert (remember Allan had just left Cash Box to join CBS) and convinces him he needs more help in his West Coast office. Then he quits his job. Boy, is he pissed when he finds out that I don’t quite have it together to move out there with him.

Allan forgives me by the time I visitL.A.again and lets me stay on his couch at his apartment onHarper Avenue. As I’m walking around the neighborhood I run into a lovely publicist friend of mine, who lives in the apartment downstairs from Jim Morrison and his girlfriend Pam Courson, around the corner on Norton Avenue. My publicist friend invites me in for a little “afternoon delight,” and while we’re in the middle of hooking up, a burly, bearded, blasé Morrison walks in.

She smiles innocently and says, “This is my friend, Artie” and as Jim reaches out to shake my hand, all I could say was “Pardon me if I don’t stand up”

A few weeks later I leave the surreal world of Hollywood, go back toNew York and half-heartedly start to turn out demo/masters again.”

EXTRA! EXTRA! NOW YOU CAN BUY MY WHOLE BOOK ,“I DID IT FOR A SONG” AT AMAZON or Barnes & Noble or from Smashwords

Copyright 2011 by Artie Wayne

BACK TO ARTIE WAYNE ON THE WEB! https://artiewayne.wordpress.com  

COMMENTS PEOPLE HAVE MADE ABOUT MY BOOK…”I DID IT FOR A SONG”

 

Artie Kornfeld “The Father Of Woodstock” says, “…God Bless you Artie for keeping the music alive!”

Kornfeld http://www.artiekornfeld-woodstock.com/

Author/ publicist Bob Levinson says,” Dunno if I’m repeating myself here, but want to make sure you know I classify your book as a “must read” for anybody who was in the music business or interested in the music business when it was more about the music than about the business. Gone are the days; shamefully, they ain’t coming back anytime soon.

Warmest regards, Bob www.robertslevinson.com 

Joel Diamond Producer, Says, “Classic pictures Artie…how lucky we are to have had contact and know some of these people first hand who could never be “duplicated” again in our industry…”

Patti Dahlstrom Singer/songwriter, adds, “So exciting and great pictures..but not as good as the stories inside. So many will love this book!”

tommy james (“I THINK WE’RE ALONE NOW”, “CRYSTAL BLUE PERSUASION”) Says: “hey, artie, you are a million hit legend in the music business….still keeping the good times alive with all your great stories and information….keep rockin’!”

I love the songs you got to us. “HEAVY CHURCH”, “PLAY SOMETHING SWEET”, “LET ME SERENADE YOU”, FREEDOM FOR THE STALLION”, and “EASY EVIL”, The fans have put together a few videos for you!

Chuck Negron…3 DOG NIGHT http://www.threedognight.com/index.html

“I Did it for a Song” is a poignant tale told in fast-paced, first person, you-are-there style. You never want to stop reading it as you work your way through the heyday of 60s, 70s, and 80s music at its best, from the Brill Building to the bright lights of LA and all stops in between. Artie Wayne is a born storyteller, and every day of his career in the music business as a songwriter led to simply more and more exciting times. He’s met everyone, knows everyone, and has helped create more good connections for music professionals to have their music heard, recorded, and shared over the years. Outside the music world, Wayne is a just-plain-great writer and he cites Sidney Sheldon’s encouragement, “just write, Artie” as the impetus that set him off and writing. Don’t be offput that this is an e-book. It doesn’t matter if you’re reading it on your computer, your Kindle or the back of an envelope. It’s the inside skinny as he relates stories and answers with the real versions of what happened, because he was there. First-person fun, bright lights, big names, the music industry who’s who that includes those on their way up, and down, in the business. Dare you to put it down, once you pick it up. Artie Wayne: singer, songwriter, wordsmith

As ever,

Dawn Lee Wakefield – Classic rock music – The Examiner    Dawn@dawnleewakefield.com.

ARTIE, AFTER ALL THESE YEARS YOU STILL KNOW HOW TO GET A HIT. MY FRIEND WHO WITHOUT QUESTION HELPED SHAPE AMERICAN MUSIC. I AM PROUD TO KNOW YOU AND CAN STILL CALL YOU MY FRIEND.

I ENJOY READING ABOUT THE JOURNEY MUSIC HAS TAKEN AND THE WONDERFUL STORIES SURROUNDING IT. KEEP UP THE GREAT WORK.

STEVE CROPPER  (“DOCK OF THE BAY”, IN THE MIDNIGHT HOUR”)      http://www.playitsteve.com/home.html

Stephen-Craig Aristei , independent film and TV music supervisor comments, “The pictures and the stories are all “greats”…When people read your book, they will realize how each and everyone of their lives was touched in some way, by what you did…We were a part of the industry when “people had fun” with what they did….Joel is right when he says “we are all so lucky to have had contact with so many of these people”…..I was blessed to work with, fight with and have success with many of the true “greats” of our industry….And Artie, you are one of them…You are truly the last of that breed of creative individual who truly make the music and the business great….you are one of the “Last of the Greats” ! ! Everyone who has ever loved music, needs to read your book….!”

Bernadette Carroll Says: As Clay Cole said it best “Weren’t We Something”….Thanks Artie!”

Barry Oslander Producer Says, “Artie like you, I have been waiting for this day since I read your book months before it came out and read it in one day…. Your a man who just wrote some more music history which in turn will bring bring back many minds to dreaming of the good old days and the way it was in the days when the music biz was great and we all were starting out and were friends joined by the music in our blood….Good luck with your book.”

Jerry Ross Producer (Bobby Hebb, Keith, Spanky and our Gang) comments, “Artie: New York Yankees 1930….
Lefty Gomez made the well known comment: “I’d rather be lucky than good”
You are blessed to be lucky; being in the right place at the right time, and so good at what you have accomplished…Congrats on your book!!!”

Mike Edwards Says, “Hi Artie. You were kind enough to send me an advance copy of your book, “I Did It For A Song”. Even though it arrived around the Christmas period, I could not put it down. The details of your career in the music business are well told and are fast moving. Anyone who knows, say, New York and Los Angeles, would feel that they were right there beside you as you covered the ground in these cities. I note that you experienced the sting of prejudice but, like our President, you just brushed it off and kept moving, demonstrating to us that, whatever barriers are put in your way, you can still succeed in this country.

 

It is a fun read; whether it is about you trying to get Motown Records to issue a Michael Jackson Christmas album or you trying to collect royalties from dangerous sounding characters in Germany. These are just two of the many incidents that grace the pages of this book. I wish you every success with it, Artie.”

“I DID IT FOR A SONG”, perhaps the best ever title of a music industry
book.The title reflects the the entire mentality of the business in an
era  that produced more classic music and creativity then in any other
time in it’s history.The book reveals how it all went down through the
journey of one man …..

Harvey Cooper former head of 20th Century Records promotion.

“Artie, I got your book last night and read much of it through the night you have one incredible career. It’s an honor that you put me in your book literally in the same sentence with Paul Simon… How cool is that! I played a very, very, very small part, but what a part it was. You stopped by my office, at E B Marks Music and my ears heard that Joey Powers demo, Meet Me at Midnight Mary, and it was then I told you, that’s a hit, master it just the way it is. It was then that I told you to take it over to Amy Records. You did that … added a bass and the rest is history. Wow!”

Tony DiGirolamo tvlights@aol.com

Good to hear from you Artie. I love the songs you got to us. “HEAVY CHURCH”, “PLAY SOMETHING SWEET”, “LET ME SERENADE YOU”, FREEDOM FOR THE STALLION”, and “EASY EVIL”, The fans have put together a few videos for you!

Chuck Negron…3 DOG NIGHT http://www.threedognight.com/index.html

Ed Silvers former CEO WARNER BROTHERS MUSICsays, “Forever a great promoter/publisher/writer, Artie has been my artist, my friend, and co-writer through many years of music business. It has always been more than fun to work together!! I wish we lived closer to one another”

 Mike Millius Says: “Dude, The best and most realistic Woodstock Experience I’ve ever read. Honest in it’s telling and observations.

HAVE KNOWN ARTIE WAYNE SINCE THE EARLY AND COLORFUL DAYS ON BROADWAY IN NYC, WHEN WE RUBBED ELBOWS..I BELIEVE HE USED TO BE AFFECTIONATELY KNOWN AS ‘THE SHADOW’ BECAUSE OF THE OUTRAGEOUS HAT AND CAPE-LIKE COAT HE USED TO WEAR..ARTIE HAS DEDICATED HIMSELF TO KEEPING US INFORMED MUSICALLY FROM HIS BROAD LIFE EXPERIENCE IN MUSIC AND LIFE, AND HIS COLLECTED RESPECT FROM MANY OF US WHO HE HAS WRITTEN ABOUT.

FROM ANOTHER BROADWAY SURVIVOR..LARRY, ‘RHINESTONE RABBI’ WEISS.

Your story needs to be told via a film, or even a TV mini-series. It is fascinating!

John Harrold

peggy santiglia davison   (The Angels) Says: “Hey Artie, I always knew you were talented and smart and the Blog is great. It’s so interesting to me because even though many of us were in the thick of it, we didn’t always know what others were thinking or doing behind the scenes. Maybe that’s my take as a performer since I was on the “road” so much back then, but it is facinating to read the stories. Even just reading the comment list, I see the names of some very long ago business and personal friends and it brings back many memories, mostly good:-). Much success to you in all your future endeavors.
Peggy/The Angels/The Delicates

To a long lost friend. Having been part of your life in those wonderful early days and finally reconnecting after all these years I truly choke up with emotion. Oft times life is a bitch but through your incredible pain your presence, your insight, your memories have brought joy to the so many people you’ve met along the way.

I skimmed through the book the first time around but now I’ll eat up every word. Thanks for the great ride…and please don’t leave.

Ira Howard
Irah36@aol.com

“Artie,Those were the days when our business was exciting every day.. I remember so well of what you wrote in your terrific book.. I miss those days & your weekly visits to our office at 1697 Broadway. We have great memories…”

Jay Siegel-The Tokens
jaysiegelandthetokens.com

Linda Perry Says: “Been a long time. So happy to hear you don’t miss a beat. You keep us all informed. Congratulations to a great guy.
Best regards,”

Linda

ann munday Says, “It’s amazing to me that you and I have known each other over 31 years now!
We were such children when we first met!

Congratulations on your passing another milestone. I know how hard you work, and I know how hard it all is for you physically and you’re truly amazing!”

Vikki Sallee-Dillard Says: “Hello Artie, You are the wonderful to provide “THE MUSIC” and all the information that you do. It is a TREASURE to me and others. Thank you Brother Artie. Your are the Best! Rare finds and Memories that most have never seen.”

“Your articles are, without fail, always entertaining, informative, and exciting.  Few people make learning fun like you do.  I love reading about the people behind the scenes of the music I loved so much as a youngster and still love today, and your write-ups about Artie Kornfeld, Russ Terrana, and others like them are so very much appreciated.”

Laura Pinto http://oldiesconnection.blogspot.com/

Bobbi Cowan PUBLICIST Says: “Hey Artie…Adding my congratulations to the growing list of your fans…and the unique perspective you bring to a business that no longer exists.”

Much love,
Bobbi

Don Charles Says: “Congrats, Artie! I’m convinced your blog was instrumental in getting Ellie Greenwich (posthumously) and Jeff Barry inducted into the Rock and Roll Hall of Fame. Thank you.”

“Artie, I’m loving your book and literally could not put it down until Chapter 22 when nature finally came knocking after my drinking an inordinate amount of coffee. Your writing style is lively and conversational. In a previous incarnation as a journalist I learned to “Write like you talk unless you’re from the Bronx.” It appears that you have come along and totally dispelled that adage. I love the story about your standing-up and telling a roomful of people that you don’t have to accept being exploited merely because you’re black; and nobody in the room was even aware of your racial make-up. Too funny. So much for the argument, right?”

Mark L. Ostrovsky
Richard Kimball Says: “Congrats Artie..Obviously you have waaaaaay too much time on your hands!!!!!”

Ash Wells Says: “Congrats Artie!! Truly always awesome & Informative stories which I love to read. Keep Goin’ Strong.. Love Your Work!”

Roger McGuinn Says:

Congratulations Artie!!!

That’s fantastic!!!

All the best,

Roger McGuinn THE BYRDS

: “Artie, you’re a consummate story teller and because we can track your personal history in tandem with the history of rock and roll. You were there, you’re honest about both your failures and triumphs. You da man! Proud to be your friend.”

Much love
John Brahaney

Copyright 2012 by Artie Wayne

WHILE FIGHTING LARGE CORPORATIONS WHO ARE TRYING TO KEEP ROYALTIES AWAY ME AND THOUSANDS OF OTHER ARTISTS, SONGWRITERS AND PUBLISHERS, MY ONLY SOURCE OF INCOME IS FROM THE SALE OF MY BOOK. ” I DID IT FOR A SONG”, WITH OVER 100 STORIES FROM THE MUSIC BUSINESS OF THE ’60s, ’70s, and ’80s. I HOPE YOU’LL CONSIDER BUYING ONE DIRECTLY FROM ME THROUGH PAYPAL FOR ONLY $9.98 AT  artiewayne@gmail.com OR BY CHECK TO…ARTIE WAYNE  P.O. BOX 1105, DESERT HOT SPRINGS, CALIFORNIA 92240

THANKS AND REGARDS, ARTIE WAYNE https://artiewayne.wordpress.com/2012/04/10/celebrating-two-million-views-today-on-artie-wayne-on-the-web/

 

MY NEW BOOK, “I DID IT FOR A SONG”, IS OFFICIALLY RELEASED TODAY!

For the last three years I’ve been writing my book about my 50 years in the music business. I was warned not to write about certain people, certain companies, and certain things which made me want to tell more.

As my blog became more popular with over 1,870,000 VIEWS, I began to get bolder and relentlessly went after large corporations and social networks until they discontinued some of their questionable practices.

I’m proud to have been the first to write about Tommy James’ shocking book, “ME, THE MOB, AND THE MUSIC” and have an exclusive no-holds barred three part interview with my pal from the past and former label mate…probably the only such event where the participants didn’t have to go into the witness protection program right after the show!

In my book, “I DID IT FOR A SONG”, I write about my first hand experiences songwriting (Aretha, Michael Jackson,Tony Orlando, Cher, etc.) producing (the Kingsmen, The Shirelles, the Guess Who) and getting hits for Warner Brothers Music (“You’re 16″, “R+R Heaven”) and Irving/ Almo music (“I Honestly Love You”, “Our Day Will Come”).

I share my private stories about, Carole King, MORRIS LEVY, Neil Bogart, The BEATLES, Jimi Hendrix, SCOTT SHANNON, Eagles, MICHAEL JACKSON, Bert Berns, THREE DOG NIGHT, Alan Freed, BOBBY DARIN, Brian Wilson, PAUL WILLIAMS, Murray The K, TOMMY JAMES and the Shondells, Olivia Newton-John, HERB ALPERT, JERRY MOSS, Don Kirshner, RICK JAMES, Rolling Stones, ELLIE GREENWICH, Clive Davis, Barry White, DAVID GEFFEN, Marvin Gaye, QUINCY JONES, The Rolling Stones, DAVID BOWIE, Phil Spector, AND DOZENS MORE!

 

EXTRA! EXTRA! YOU CAN BUY MY BOOK ,“I DID IT FOR A SONG” AT AMAZON or Barnes & Noble or from Smashwords

TO READ A CHAPTER OR TWO FOR FREE CLICK  HERE

TO READ SOME OF THE COMMENTS  CLICK  HERE

 

Thanks and regards, Artie Wayne http://artiewayne.com

Special thanks to Sally Stevens for  the Rainbow’s End photopainting on the cover.  http://sallystevens.fineartstudioonline.com/

http://rockphiles.typepad.com/a_life_in_the_day/

http://www.rockphiles.com/rp_artistIndex.php

Copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/

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ARTIE’S PHOTO’S VOLUME ONE

THE BATTLE FOR SIMON COWELL’S SEAT ON “AMERICAN IDOL” HEATS UP!

Last week comedian/ actor/ singer Jaime Foxx may as well have disqualified himself as a possible replacement for Simon Cowell on “American Idol”. As a mentor to the contestants on Tuesday and as a comment maker on the Wednesday results show, he was too strident, overbearing, and “in your face” to be welcomed into my home every week.

In the meantime, the debate goes on as to who is qualified to fill that English booger’s shoes. It’s my guess “Idol” will wait until after the season finale to make the big announcement. Will it be David Foster, Elton John, or Don “Mr. Personality” Kirshner? or will it be a relative unknown to the public, someone who has the credentials but not the TV Q that broadcasters rely on?

Wasn’t Simon Cowell a complete unknown in the US, while Paula Abdul had several hit records, and Randy Jackson was a top producer, as well as bass player for Journey. It only took a few weeks for the show and Simon to catch on. Why can’t it happen again?

A month ago I asked my readers “Who do you think will replace Simon Cowell, Ron Fair (CEO of Geffen Records) or Indie Producer/ manager Joel Diamond? Some of the hundreds of comments, at the bottom of the article,  made by some of the biggest names in the industry make it absolutely clear who the next judge should be! https://artiewayne.wordpress.com/2010/04/27/joel-diamond-the-new-american-idol-judge/

Copyright 2010 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/

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