COMMENTS PEOPLE HAVE MADE ABOUT MY BOOK…”I DID IT FOR A SONG”

 

Artie Kornfeld “The Father Of Woodstock” says, “…God Bless you Artie for keeping the music alive!”

Kornfeld http://www.artiekornfeld-woodstock.com/

Author/ publicist Bob Levinson says,” Dunno if I’m repeating myself here, but want to make sure you know I classify your book as a “must read” for anybody who was in the music business or interested in the music business when it was more about the music than about the business. Gone are the days; shamefully, they ain’t coming back anytime soon.

Warmest regards, Bob www.robertslevinson.com 

Joel Diamond Producer, Says, “Classic pictures Artie…how lucky we are to have had contact and know some of these people first hand who could never be “duplicated” again in our industry…”

Patti Dahlstrom Singer/songwriter, adds, “So exciting and great pictures..but not as good as the stories inside. So many will love this book!”

tommy james (“I THINK WE’RE ALONE NOW”, “CRYSTAL BLUE PERSUASION”) Says: “hey, artie, you are a million hit legend in the music business….still keeping the good times alive with all your great stories and information….keep rockin’!”

I love the songs you got to us. “HEAVY CHURCH”, “PLAY SOMETHING SWEET”, “LET ME SERENADE YOU”, FREEDOM FOR THE STALLION”, and “EASY EVIL”, The fans have put together a few videos for you!

Chuck Negron…3 DOG NIGHT http://www.threedognight.com/index.html

“I Did it for a Song” is a poignant tale told in fast-paced, first person, you-are-there style. You never want to stop reading it as you work your way through the heyday of 60s, 70s, and 80s music at its best, from the Brill Building to the bright lights of LA and all stops in between. Artie Wayne is a born storyteller, and every day of his career in the music business as a songwriter led to simply more and more exciting times. He’s met everyone, knows everyone, and has helped create more good connections for music professionals to have their music heard, recorded, and shared over the years. Outside the music world, Wayne is a just-plain-great writer and he cites Sidney Sheldon’s encouragement, “just write, Artie” as the impetus that set him off and writing. Don’t be offput that this is an e-book. It doesn’t matter if you’re reading it on your computer, your Kindle or the back of an envelope. It’s the inside skinny as he relates stories and answers with the real versions of what happened, because he was there. First-person fun, bright lights, big names, the music industry who’s who that includes those on their way up, and down, in the business. Dare you to put it down, once you pick it up. Artie Wayne: singer, songwriter, wordsmith

As ever,

Dawn Lee Wakefield – Classic rock music – The Examiner    Dawn@dawnleewakefield.com.

ARTIE, AFTER ALL THESE YEARS YOU STILL KNOW HOW TO GET A HIT. MY FRIEND WHO WITHOUT QUESTION HELPED SHAPE AMERICAN MUSIC. I AM PROUD TO KNOW YOU AND CAN STILL CALL YOU MY FRIEND.

I ENJOY READING ABOUT THE JOURNEY MUSIC HAS TAKEN AND THE WONDERFUL STORIES SURROUNDING IT. KEEP UP THE GREAT WORK.

STEVE CROPPER  (“DOCK OF THE BAY”, IN THE MIDNIGHT HOUR”)      http://www.playitsteve.com/home.html

Stephen-Craig Aristei , independent film and TV music supervisor comments, “The pictures and the stories are all “greats”…When people read your book, they will realize how each and everyone of their lives was touched in some way, by what you did…We were a part of the industry when “people had fun” with what they did….Joel is right when he says “we are all so lucky to have had contact with so many of these people”…..I was blessed to work with, fight with and have success with many of the true “greats” of our industry….And Artie, you are one of them…You are truly the last of that breed of creative individual who truly make the music and the business great….you are one of the “Last of the Greats” ! ! Everyone who has ever loved music, needs to read your book….!”

Bernadette Carroll Says: As Clay Cole said it best “Weren’t We Something”….Thanks Artie!”

Barry Oslander Producer Says, “Artie like you, I have been waiting for this day since I read your book months before it came out and read it in one day…. Your a man who just wrote some more music history which in turn will bring bring back many minds to dreaming of the good old days and the way it was in the days when the music biz was great and we all were starting out and were friends joined by the music in our blood….Good luck with your book.”

Jerry Ross Producer (Bobby Hebb, Keith, Spanky and our Gang) comments, “Artie: New York Yankees 1930….
Lefty Gomez made the well known comment: “I’d rather be lucky than good”
You are blessed to be lucky; being in the right place at the right time, and so good at what you have accomplished…Congrats on your book!!!”

Mike Edwards Says, “Hi Artie. You were kind enough to send me an advance copy of your book, “I Did It For A Song”. Even though it arrived around the Christmas period, I could not put it down. The details of your career in the music business are well told and are fast moving. Anyone who knows, say, New York and Los Angeles, would feel that they were right there beside you as you covered the ground in these cities. I note that you experienced the sting of prejudice but, like our President, you just brushed it off and kept moving, demonstrating to us that, whatever barriers are put in your way, you can still succeed in this country.

 

It is a fun read; whether it is about you trying to get Motown Records to issue a Michael Jackson Christmas album or you trying to collect royalties from dangerous sounding characters in Germany. These are just two of the many incidents that grace the pages of this book. I wish you every success with it, Artie.”

“I DID IT FOR A SONG”, perhaps the best ever title of a music industry
book.The title reflects the the entire mentality of the business in an
era  that produced more classic music and creativity then in any other
time in it’s history.The book reveals how it all went down through the
journey of one man …..

Harvey Cooper former head of 20th Century Records promotion.

“Artie, I got your book last night and read much of it through the night you have one incredible career. It’s an honor that you put me in your book literally in the same sentence with Paul Simon… How cool is that! I played a very, very, very small part, but what a part it was. You stopped by my office, at E B Marks Music and my ears heard that Joey Powers demo, Meet Me at Midnight Mary, and it was then I told you, that’s a hit, master it just the way it is. It was then that I told you to take it over to Amy Records. You did that … added a bass and the rest is history. Wow!”

Tony DiGirolamo tvlights@aol.com

Good to hear from you Artie. I love the songs you got to us. “HEAVY CHURCH”, “PLAY SOMETHING SWEET”, “LET ME SERENADE YOU”, FREEDOM FOR THE STALLION”, and “EASY EVIL”, The fans have put together a few videos for you!

Chuck Negron…3 DOG NIGHT http://www.threedognight.com/index.html

Ed Silvers former CEO WARNER BROTHERS MUSICsays, “Forever a great promoter/publisher/writer, Artie has been my artist, my friend, and co-writer through many years of music business. It has always been more than fun to work together!! I wish we lived closer to one another”

 Mike Millius Says: “Dude, The best and most realistic Woodstock Experience I’ve ever read. Honest in it’s telling and observations.

HAVE KNOWN ARTIE WAYNE SINCE THE EARLY AND COLORFUL DAYS ON BROADWAY IN NYC, WHEN WE RUBBED ELBOWS..I BELIEVE HE USED TO BE AFFECTIONATELY KNOWN AS ‘THE SHADOW’ BECAUSE OF THE OUTRAGEOUS HAT AND CAPE-LIKE COAT HE USED TO WEAR..ARTIE HAS DEDICATED HIMSELF TO KEEPING US INFORMED MUSICALLY FROM HIS BROAD LIFE EXPERIENCE IN MUSIC AND LIFE, AND HIS COLLECTED RESPECT FROM MANY OF US WHO HE HAS WRITTEN ABOUT.

FROM ANOTHER BROADWAY SURVIVOR..LARRY, ‘RHINESTONE RABBI’ WEISS.

Your story needs to be told via a film, or even a TV mini-series. It is fascinating!

John Harrold

peggy santiglia davison   (The Angels) Says: “Hey Artie, I always knew you were talented and smart and the Blog is great. It’s so interesting to me because even though many of us were in the thick of it, we didn’t always know what others were thinking or doing behind the scenes. Maybe that’s my take as a performer since I was on the “road” so much back then, but it is facinating to read the stories. Even just reading the comment list, I see the names of some very long ago business and personal friends and it brings back many memories, mostly good:-). Much success to you in all your future endeavors.
Peggy/The Angels/The Delicates

To a long lost friend. Having been part of your life in those wonderful early days and finally reconnecting after all these years I truly choke up with emotion. Oft times life is a bitch but through your incredible pain your presence, your insight, your memories have brought joy to the so many people you’ve met along the way.

I skimmed through the book the first time around but now I’ll eat up every word. Thanks for the great ride…and please don’t leave.

Ira Howard
Irah36@aol.com

“Artie,Those were the days when our business was exciting every day.. I remember so well of what you wrote in your terrific book.. I miss those days & your weekly visits to our office at 1697 Broadway. We have great memories…”

Jay Siegel-The Tokens
jaysiegelandthetokens.com

Linda Perry Says: “Been a long time. So happy to hear you don’t miss a beat. You keep us all informed. Congratulations to a great guy.
Best regards,”

Linda

ann munday Says, “It’s amazing to me that you and I have known each other over 31 years now!
We were such children when we first met!

Congratulations on your passing another milestone. I know how hard you work, and I know how hard it all is for you physically and you’re truly amazing!”

Vikki Sallee-Dillard Says: “Hello Artie, You are the wonderful to provide “THE MUSIC” and all the information that you do. It is a TREASURE to me and others. Thank you Brother Artie. Your are the Best! Rare finds and Memories that most have never seen.”

“Your articles are, without fail, always entertaining, informative, and exciting.  Few people make learning fun like you do.  I love reading about the people behind the scenes of the music I loved so much as a youngster and still love today, and your write-ups about Artie Kornfeld, Russ Terrana, and others like them are so very much appreciated.”

Laura Pinto http://oldiesconnection.blogspot.com/

Bobbi Cowan PUBLICIST Says: “Hey Artie…Adding my congratulations to the growing list of your fans…and the unique perspective you bring to a business that no longer exists.”

Much love,
Bobbi

Don Charles Says: “Congrats, Artie! I’m convinced your blog was instrumental in getting Ellie Greenwich (posthumously) and Jeff Barry inducted into the Rock and Roll Hall of Fame. Thank you.”

“Artie, I’m loving your book and literally could not put it down until Chapter 22 when nature finally came knocking after my drinking an inordinate amount of coffee. Your writing style is lively and conversational. In a previous incarnation as a journalist I learned to “Write like you talk unless you’re from the Bronx.” It appears that you have come along and totally dispelled that adage. I love the story about your standing-up and telling a roomful of people that you don’t have to accept being exploited merely because you’re black; and nobody in the room was even aware of your racial make-up. Too funny. So much for the argument, right?”

Mark L. Ostrovsky
Richard Kimball Says: “Congrats Artie..Obviously you have waaaaaay too much time on your hands!!!!!”

Ash Wells Says: “Congrats Artie!! Truly always awesome & Informative stories which I love to read. Keep Goin’ Strong.. Love Your Work!”

Roger McGuinn Says:

Congratulations Artie!!!

That’s fantastic!!!

All the best,

Roger McGuinn THE BYRDS

: “Artie, you’re a consummate story teller and because we can track your personal history in tandem with the history of rock and roll. You were there, you’re honest about both your failures and triumphs. You da man! Proud to be your friend.”

Much love
John Brahaney

Copyright 2012 by Artie Wayne

WHILE FIGHTING LARGE CORPORATIONS WHO ARE TRYING TO KEEP ROYALTIES AWAY ME AND THOUSANDS OF OTHER ARTISTS, SONGWRITERS AND PUBLISHERS, MY ONLY SOURCE OF INCOME IS FROM THE SALE OF MY BOOK. ” I DID IT FOR A SONG”, WITH OVER 100 STORIES FROM THE MUSIC BUSINESS OF THE ’60s, ’70s, and ’80s. I HOPE YOU’LL CONSIDER BUYING ONE DIRECTLY FROM ME THROUGH PAYPAL FOR ONLY $9.98 AT  artiewayne@gmail.com OR BY CHECK TO…ARTIE WAYNE  P.O. BOX 1105, DESERT HOT SPRINGS, CALIFORNIA 92240

THANKS AND REGARDS, ARTIE WAYNE https://artiewayne.wordpress.com/2012/04/10/celebrating-two-million-views-today-on-artie-wayne-on-the-web/

 

MY NEW BOOK, “I DID IT FOR A SONG”, IS OFFICIALLY RELEASED TODAY!

For the last three years I’ve been writing my book about my 50 years in the music business. I was warned not to write about certain people, certain companies, and certain things which made me want to tell more.

As my blog became more popular with over 1,870,000 VIEWS, I began to get bolder and relentlessly went after large corporations and social networks until they discontinued some of their questionable practices.

I’m proud to have been the first to write about Tommy James’ shocking book, “ME, THE MOB, AND THE MUSIC” and have an exclusive no-holds barred three part interview with my pal from the past and former label mate…probably the only such event where the participants didn’t have to go into the witness protection program right after the show!

In my book, “I DID IT FOR A SONG”, I write about my first hand experiences songwriting (Aretha, Michael Jackson,Tony Orlando, Cher, etc.) producing (the Kingsmen, The Shirelles, the Guess Who) and getting hits for Warner Brothers Music (“You’re 16″, “R+R Heaven”) and Irving/ Almo music (“I Honestly Love You”, “Our Day Will Come”).

I share my private stories about, Carole King, MORRIS LEVY, Neil Bogart, The BEATLES, Jimi Hendrix, SCOTT SHANNON, Eagles, MICHAEL JACKSON, Bert Berns, THREE DOG NIGHT, Alan Freed, BOBBY DARIN, Brian Wilson, PAUL WILLIAMS, Murray The K, TOMMY JAMES and the Shondells, Olivia Newton-John, HERB ALPERT, JERRY MOSS, Don Kirshner, RICK JAMES, Rolling Stones, ELLIE GREENWICH, Clive Davis, Barry White, DAVID GEFFEN, Marvin Gaye, QUINCY JONES, The Rolling Stones, DAVID BOWIE, Phil Spector, AND DOZENS MORE!

 

EXTRA! EXTRA! YOU CAN BUY MY BOOK ,“I DID IT FOR A SONG” AT AMAZON or Barnes & Noble or from Smashwords

TO READ A CHAPTER OR TWO FOR FREE CLICK  HERE

TO READ SOME OF THE COMMENTS  CLICK  HERE

 

Thanks and regards, Artie Wayne http://artiewayne.com

Special thanks to Sally Stevens for  the Rainbow’s End photopainting on the cover.  http://sallystevens.fineartstudioonline.com/

http://rockphiles.typepad.com/a_life_in_the_day/

http://www.rockphiles.com/rp_artistIndex.php

Copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/

BACK TO ARTIE WAYNE ON THE WEB! https://artiewayne.wordpress.com

PART TWO…TOMMY JAMES “ME, THE MOB, AND THE MUSIC”, AND OF COURSE, MORRIS LEVY!

Here is part two of my exclusive interview with Tommy James (“I Think We’re Alone Now” , “Mony, Mony”) about his controversial new book, “Me, the Mob, and the Music”…and the owner of Roulette Records Morris Levy! the story starts back in 1967.

“Although I was apprehensive about having a label with Morris and being an artist for the notorious Roulette records as “Shadow” Mann, I felt somewhat safe because my silent partner in my publishing company was Irving Green (who owned Mercury and Smash Records), who was not only my partner Kelli Ross’ father, but also Morris Levy’s best friend.

I always considered Tommy James, Roulette’s top artist, and his records to be ahead of their time, but I wonder how many people know that he was a major creative influence on the Beatles. How many people are aware that George Harrison even wrote a few songs for him (which were eventually passed on because they too much in the vein of “Mony, Mony”).

Now I had a chance not only to see how the infamous but charming, Morris Levy and Roulette promoted records, but also how Tommy James made them! One day I was up at the label walking past Morris’ office and I heard some great music coming out. I couldn’t help but stop and put my ear a little closer to the door. SUDDENLY…the door swings open and I’m a bit scared to see a startled, serious looking Morris less than a foot away from me!

Then a smile sweeps across his face as he grabs my arm and says, “Shadow…I want you to meet somebody.” Then he introduces me to Tommy James, who brought by a test pressing of his next single, “Crimson and Clover”. From the beginning it sounds like a hit, but when it reaches the end and goes into an electronic chant “Crimson and Clover…over and over”, it sounds like a classic!

(Here’s the original clip of “CRIMSON AND CLOVER” 1969) http://www.faniq.com/video/Tommy-James–the-Shondells-Crimson-in-Clover-YouTube-38590

When my pals at Spectropop and Forgotten Hits, the ‘60s and ‘70s music forums, heard I was interviewing Tommy they submitted six pages of questions. Two of those pages were filled with questions that basically asked, “How did you get that sound on “Crimson and Clover”?

Tommy said, “We had done the record with tremolo on the guitar. It’s just a built-in sound on guitar amplifiers. When I played the guitar, we recorded it with tremolo pretty much in synch with the music. In other words, we tried to make it so that it was vibrating at the same speed that the drums were playing. So we made the whole record that way. And then at the end, it was like one of those whimsical ideas, we said, “Why don’t we put it on the voice?” So that’s what we did, we ran the vocal mike through an Ampeg guitar amp, turned on the tremolo and miked it, and ran it back through the board. It was just that simple. What was so amazing, back then, if you wanted to make a sound wiggle, you had to basically do it yourself. There was no button you could push on a synthesizer, you basically had to build the circuits yourself and everything else. So that’s what we did, we just ran the vocal mike through the guitar amp, and then miked the amp and ran it back through the board.”

“Crimson and Clover” was not only a major point in their career turning them overnight from AM singles artists into FM album artists; it was also the first of the hits that Tommy James and the Shondells created themselves. After working with producers Ritchie Cordell and Bo Gentry on his earlier records, “I Think We’re Alone Now”, and “Mony, Mony”. ” Tommy says, “Those guys were the best and we learned a lot about producing and getting new sounds from them!”

I then I told him that Forgotten Hit’s Kent Kotal, wanted to know if there are any stories about “Crystal Blue Persuasion”. Tommy said, “That’s from the Crimson and Cover” album. At that point we had drastically changed our style. It was a difficult record to make. We completely over produced it, so gradually we started pulling instruments out, guitars, congas, percussion, etc. until it became as you know it.”

Artie – “So basically you let it breathe”

Tommy – “Yeah, we let it breathe…and it came to life!”

Artie- “There has been a lot of speculation about the meaning of “Crystal Blue Persuasion”. I always thought you were writing about Crystal Meth.”

Tommy – (smiles)  “No. It’s about my conversion to Christianity…just listen to the lyric.”

The more time I spend up at Roulette I start to believe more and more of the stories I’ve heard about Morris. One day I see him and Nate McCalla, his friend and partner in Calla Records getting off the back elevator with a dozen hot TV sets…giving me the pick of the litter!

Although I was honored to sit in on some of Morris’ meetings there were times when I’d leave the room for fear of hearing too much…especially when the conversation would turn to Morris’ favorite forms of promotion…payola and intimidation.

Tommy told me about his first day up at Roulette, when he overheard Morris and some of his pals, talking about beating up some guy for bootlegging his records, then resumed the conversation as if nothing happened.

Tommy actually tells dozens of compelling stories in his book, “Me, the Mob, and the Music”, which made my hair stand on end…or laugh, sometimes both at the same time!

I told him how my producer Ron Haffkine and I would sit in Morris’ office while he was on the phone “encouraging” disc jockeys to play my records. “You play the Shadow’s records…or I’ll break your legs!”… Then Tommy told me something that made my mouth drop open!

(To Be Continued)

From my forthcoming book, “I Did It For A Song” Copyright 2010 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/

YOU CAN ORDER TOMMY JAMES’ “ME, THE MOB, AND THE MUSIC” ON HIS WEBSITE http://www.tommyjames.com/

Thanks to members of  Spectropop , Forgotten hits, Alan O’Day, “Country” Paul Payton, Brooks Arthur, Ed Salamon, Alan Karr, Jim Cassidy, Kent Kotal, Dee Trane, Patti Dahlstrom, Ayrton Mugnaini, Robby Leff, Art Munson, AJC, and Matthew David, for the questions this article is based on..

IF YOU MISSED PART ONE AND PART THREE CLICK ONTO

TOMMY JAMES’ SHOCKING NEW BOOK! “ME,THE MOB, AND THE MUSIC”

PART 3 – TOMMY JAMES INTERVIEW…”ME, THE MOB, AND THE MUSIC”

To reach Spectropop  http://spectropop.com

Forgotten Hits http://forgottenhits.com

Special Thanks to Carol Ross – Durborow and Ed Osborne for their assistance in putting this article together.

BACK TO ARTIE WAYNE ON THE WEB https://artiewayne.wordpress.com