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Jerry Wexler, Neshui Ertegun, Bobby Darin, and Ahmet Ertegun

AHMET ERTEGUN  7/3/23 – 12/14/06

When I started in the music business in 1960, Ahmet Ertegun was a already a mythical figure. In 1947, he and Herb Abramson, founded Atlantic Records and soon became a threat to all the Major labels. He built a roster of African-American artists including Joe Turner, Ruth Brown, the Clovers, Ray Charles, the Drifters, and the Coasters. As the company, grew he signed white pop artists, Bobby Darin, Vanilla Fudge, The Rascals, disco artists Archie Bell and the Drells, Chic, Sister Sledge as well as rock artists J. Geils band, Led Zeppelin and the Rolling Stones.

Jerry Wexler, who as a Billboard magazine writer changed the name of the genre from “Race Records” to the more respectable Rhythm and Blues, became a partner with Ahmet and his brother Neshui. Together they turned their little record company into one of the major forces of the 20th Century! When they brought, the Muscle Shoals Sound and Stax distribution deal into the equation, Memphis Soul dominated the charts. During this period the combined the talents of Atlantic artist Wilson Pickett and Stax writer and producer Steve Cropper co-wrote and produced hits, “In The Midnight Hour” and”634-5789″. Steve also co-wrote some and produced most of the recordings of another Atlantic artist, Otis Redding, including,”(Sitting’ on the) Dock of the Bay”. Jerry Wexler and Tom Dowd produced classic records by Aretha Franklyn and Dusty Springfield at Stax studios in Memphis Muscle Shoals studios using their musicians and songs in each location.

I had a lot of respect for Ahmet because he not only was head of a successful record company, he was a songwriter, “Don’t Play That Song” by Ben E. King and a producer, “Mack the Knife” by my mentor, Bobby Darin. He also had the unique ability, not only to actually listen to what a person was saying…but to make you feel like you were the only person in the world, at that particular moment. I remember being introduced to him by Quincy Jones at a party for Duke Ellington. Although he was surrounded by people all night and we only talked for a few minutes, at the the end of the evening he shook my hand and said, “Nice meeting you, Artie”. Wow! I met my personal hero and was validated…all in the same night!

I saw him again when he sold Atlantic to WEA, the same company that owned Warner Brothers Music, whom I worked for. I had the pleasure of being in charge of getting cover records on Progressive Music titles, which Atlantic owned, and Ahmet was more than happy to turn me onto his favorites, which included, Ray Charles’, “I Got A Woman” and “Hallelujah, I Love Her So”, which he also happened to produce!

Quincy was overbooked to score films, and asked me to help him get someone to do the music for “Come Back, Charleston Blue”, which was the sequel to Sam Goldwyn, Juniors’ highly successful Blaxploitation film, “Cotton Comes To Harlem”. He got me the job and screen credit of musical consultant. The first composer to come to mind was Atlanic artist Donny Hathaway, who was riding high with his first album and single, “The Ghetto”. So Donny, in his Kongol Cap and me in my “Superfly” hat, “bop” into a screening of the film and had a commitment from both Sam, Jr. and Donny as soon as the lights came back on!

I also suggested to Sam that I go to Atlantic Records in New York and find two or three singles by other top artists on the label that were about to be released and include them in the film, as well as the soundtrack album. Sam loved the idea, but not as much as Ahmet and Jerry! Ahmet played me product they were about to release and took me to sessions in progress, including Aretha Franklyn, as she recorded,”Angel”. This was an obvious hit to me and one of my first choices! It made me feel good that Aretha remembered me as the co-writer of “Here’s Where I Came In” (Raleigh/ Wayne), which was recorded on her first session at Columbia! Then producer Joel Dorn, invited me to hear the new sides he was mixing with Chart Topper, Roberta Flack and newcomer Bette Midler. Now I had a few more contenders!

When the film was finished, score done and all the songs I found were inserted into the soundtrack. As the tapes were being mastered, Donny Hathaway, who was prone to severe mood swings, had a sudden change of heart and insisted that only his music be used on the soundtrack! I was disappointed, but encouraged at the same time, when Ahmet called me to tell me how much he appreciated what I tried to do…and how he was looking forward to working with me again.

Although It never happened, I’ll never forget the kindness and encouragement he gave me when I needed it most.

Until we meet again, R.I.P. Rock In Perpetuity!

Respectfully, Artie Wayne

From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
https://artiewayne.wordpress.com

BACK TO THE R.I.P. ROCK N PERPETUITY ARCHIVES https://artiewayne.wordpress.com/2008/08/20/rip-rock-in-perpetuity-archives/

BACK TO ARTIE WAYNE ON THE WEB https://artiewayne.wordpress.com

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In 1971, When I was general professional manager of Warner Brothers music, the late Johnny Stevenson played me a song he just recorded, “Rock and Roll Heaven’. I thought the chorus was a smash, but didn’t care for anything else! I suggested that he collaborate with Alan O’Day (“Undercover Angel”, “Angie Baby”) and turn it into a tribute to Rock Stars who have passed away.

In 1974 the Righteous Brothers recorded it and took it to number one! Since then we’ve lost so many more of our heros that it was time for an update of the lyric. Alan O’Day worked on it for months, then he went to Nashville and made a demo with Ronny Kimball. I e-mailed a copy of the demo to my friend, director and producer, Sebastian Prooth for an opinion. This morning he surprised us with this brilliant video he made!

You can reach Sebastian Prooth at http://sebrt.com
You can reach Alan O’Day at http://alanoday.com
Artie Wayne http://artiewayne.com

Of course, it was impossible to mention every Rock Star who has passed away in the song and the video, but I would like to start a list to honor as many as we can on this blog. I would like to begin with my friends Jim Croce and Bobby Darin, who were mentioned in the Righteous Brothers record. Then we have Bill Haley (Comets), Rick James, Marvin Gaye, Carl Perkins, Rick Nelson, Johnny Burnette, Dorsey Burnette, Sam Cooke, John Bonham (Led Zeppelin), Keith Moon (The Who), Richie Valens, Luthor Vandross, Eddie Cochran, Wilson Picket, Tammi Tyrell, John Phillips (Mamas and Papas), Mama Cass (Mamas and Papas), Frankie Lyman, Peter Ham (Badfinger), Howlin’ Wolf, Muddy Waters, Chas Chandler (The Animals), Mike Milward (The Fourmost), Stu Sutcliff, Brian Jones (The Rolling Stones), Keith Relf (The Yardbirds), James Jamerson, Dennis Wilson (Beach Boys), Carl Wilson (Beachboys), Big Mama Thornton, Bert Berns, Curtis Mayfield, Otis Blackwell, Ben Benay, Lowell George, Van McCoy, Floyd Cramer, Ersel Hickey, Bobby Sheen (Bobby Soxx and the Blue Jeans), Mickey Most, Jim Capaldi (Traffic), Gene Vincent, Tony Williams (The Platters), Joe Brown, John Lennon, George HarrisonJohnny Johnson, Ray Peterson, Janet Vogel (Skyliners) Jan Berry (Jan and Dean), Freddy Garrity (Freddie and the Dreamers), Eugene Record (Chi-Lites), Chuck Willis, The Big Bopper, Jimmy Radcliffe, Bill Orr (the Cars), Doris Troy, Joe Tex, Joe Simon, Duane Allman (Allman Brothers), Billy Preston, Joe Strummer (The Clash), Del Shannon, Barry Cowsill The Cowsills), Bill Cowsill (The Cowsills), Joey Ramone (Ramones), Stevie Ray Vaughn, Link Wray, David Blue, Danny Gatton, Zal Yanovsky (Lovin’ Spoonful), Phil Seymour, David Blue, Shel Silverstein, Graham Parsons, Jerry Garcia (Grateful Dead), Bobby Fuller, King Curtis, Buddy Knox, Johnny Preston, Eddie Cochran, Kirsty MacColl, Jimmy Bailey, Maurice Gibb (Bee Gees), Richard Tee, Hank Ballard, Tony Romeo, Jessie Belvin, Ed Townsend, Sterling Morrison (Velvet Underground), Jackie Wilson, John Fred (Playboy Band), Hank Ballard, Bobby Hatfield (Righteous Brothers), April Young, Arthur Conley, Dick St. John (Dick And Dee Dee), Timi Yuro, Lou Rawls, Paul Atkinson (Zombies), Johnny Bristol, Francine Barker (Peaches and Herb)Maurice Gibb, Chris Curtis, Shirley Goodman (Shirley and Lee), Johnny Cymbal,The Duchess, Little Eva, Mickey Most, Billy Preston, Irving Green, Morris Levy, Nick Drake, Barry White, Laura Nyro, Frank Zappa, Barbara George, Arthr Lee, Baker Knight, Eddie Kendricks, Tony Jackson (Searchers), Link Wray, Kevin Gilbert, Michael Hutchence (INXS), Milan B. Williams (Commodores), Adam Faith, Johnny Wilder junior (Heatwave), Richard Barrett, Arthur Lee (Love), Syd Barrett (PInk Floyd) , Arthur Conley, Gene Pitney, Freddy Garrity (Freddie And The Dreamers), Shannon Hoon, Ray Peterson, Denny Doherty (Mamas And Papas), Bruce Gary (The Knack), Freddie Marsden (Gerry and the Pacemakers), Dennis Peyton (Dave Clark 5), Ruth Brown, Ahmet Ertegun, James Brown, Bill Pinkney (Drifters), Harry Nilsson, Dusty Springfield, Florence Ballard (Supremes), Shannon Hoon (Blind Melon), Barbara Acklin, Ron Miller, Donnie Brooks, Paul Griffin, David Ruffin, Freddy Scott, Hank Medress (Tokens), Dan Fogleberg, Ike Turner, Al Gallico, Mike Smith, Wilson Pickett, Bo Diddley, Norman Whitfield, Alan Gordon, Levi Stubbs ( 4 Tops) , Estelle Bennett (Ronettes)…

To view a RARE VIDEO OF BO DIDDLEY IN HIS PRIME!                        http://www.youtube.com/watch?v=M8PIbrMh6vo&feature=related

Copyright 2008 by Artie Wayne

If you have any names that you would like me to add to the list you can click onto comments (below) or e-mail me at artie_wayne@yahoo.com You may submit up to three names to add to the list, which I will post.