THE TROUBADOUR FAMILY REUNION…EXCLUSIVE PHOTOS…AND COMMENTS!

When I sat down to write about The Troubadour Family Reunion last Monday night, I decided to let some of the people who were there tell about it in their own words. Photographer/ artist, “Lezlie Sokol”, a former waitress at the club and one of the organizers of the event, had this to say,

“The music and the love that was with us decades ago was with us again on Monday night. It wasn’t a re-creation…it was a continuation.  We all came together with the spirit that was The Troubadour, those times and we people who were there were re-animated and Doug Weston’s dream came alive within all of us for one more magical night!”

Photographer/ musician Henry Diltz  Reminisced, “The Troubadour was my old stomping ground starting in 1962 when my folk group, The Modern Folk Quartet, played there 3 days after we arrived from Honolulu. We were signed to an agency and record company from that one performance.

At the reunion the other night we were able to reconnect with many old and dear friends. We are all the same young age in our minds as we were those years ago, but now we look like our parents and grandparents. Many of us who were musicians went with the Troubadour waitresses back then, and I had a drink at the bar with my old girlfriend, Alexa, a former waitress. The live music at the reunion was epic stuff as Bob Lind, Van Dyke Parks, Jackson Browne, Rick Cuna, David Jackson, Michael McGuiness, Ruthann Friedman and others took the stage.

I remember photographing Bob Lind in the room which is now the bar but was then McCabe’s guitar shop. It’s a rare thing these days to walk into a bar and find it full of people you know…just like the good old days.”

Allan Rinde, former “underground tastemaker” and Chinese Restaurateur said, “Aside from seeing a few old friends I’d lost contact with and meeting some new ones, there was just this sense of energy at Doug Weston’s Troubadour (glad they kept his name on it) that made this evening a great success. Of course it all dissipated the next day when I realized that while I was having a good time at the good old Troub, Don Kirchner lay dying in a hospital in Boca Raton. Oh, the humanity! And one more thing: thank you Jackson for the tribute to Warren Zevon and for the love you put into your set that night.

Publicist Bobbi Cowan commented, “It was an amazing evening, full of surprises and warm memories and feelings. One of the best was seeing you there, along with Allan, Kimble and Patti, Billy James, Ronnie Haffkine, Ochs and Sandee, and so many of our pals from way back when.  The music was AWESOME, particularly Van Dyke Parks and Jackson, and it made me feel like those magical days and nights were not a distant dream, but TRULY real.  Somebody should put a documentary together with the stories from so many of the colorful and funny people who helped to create this business we once loved (and subsequently watched dissolve in the greed of the last 20-30 years.)

Former KMET DJ Richard Kimble chimed in, “It looked like a meeting of the aarp, rock division”…….”It’s the only time I’ve gone to the Troub and remembered being there”…..Hey I’m here all week, try the veal!!!!!!!”

Producer Ron Haffkine (Dr.Hook, Shel Silverstein) remarked, “What a blast!!! as I posted on fb before the event, I really believe that some of the success of the reunion had to do with Artie working hard letting people know about it….I think we all know that when Artie promotes something, things happen….I couldn’t have had a better time….Ran into someone from the very first act I ever produced..Long time ago…Also one of the members of DR HOOK that I hadn’t seen in a while…I flew in from Nashville just for this reunion and to see some of my dear friends that I don’t get to see often enough….Hope there’s another one sooner rather than later…I don’t want to be on that list just inside the door….”

The list that Ron is referring to is one with names of people who are no longer with us who had a link to the Troubadour (This list will be posted on the official reunion website.)

The evening’s host Larry Murray said “Amazing..Grace! Heartfelt thanx to all who made it a nite to be cherished..organizers..performers..audience..lounge lizards.. and the eternal spirit of the Troubadour… for making my nite an absolute ‘Holy Hoot’ !!!”

Publicist/ cyclist Billy James, seen here with singer/ songwriter Penny Nichols’ …

Photographer/guitar maker Loni Specter exclaimed, “Artie it was so good to see you and Allan Rinde there! So many faces I thought I’d never see again. A truly frightening experience! It was a great night indeed!”

Songwriter/former member of the Association, Terry Kirkman reflected, “I had a good time but was somewhat disappointed at the low turn out of performers. I wish there had been some forum provided for shared stories. what surprised me most, though, was that after an hour of making the round and reading the nametags I found the number of familiar old time regulars to be enough to give me a true blue de ja vu….with my feelings for those there very much the same as I remember them being all those years ago…. like thumbing through an album of pictures….. nodding acquaintances mostly…. just a couple of real honest to goodness friends…but very, very glad I went…very glad I got to share it with my wife who was not around here in those days. i wish we’d had time to talk, artie…maybe next time around. god bless.”

Music publisher Don Williams exclaimed, “It was a very special evening the Troubadour Reunion this past Monday.  Thank you
for putting the story on your web page and giving the emphasis needed to ensure success.  I had a wonderful time”

Naomi Riopelle, another one of the organizers of the Reunion remarked, “I think the idea was to gather together and perhaps to relive a memory of a time and place, with the music and the people that in a very significant way helped to shape our lives and make us who we are…whether or not we realized it back then . I believe we succeeded……”

Bass player Colin Cameron smiled and said, “It seems an unbroken circle finally completed its rounds at the Reunion, as my music career and post-Vietnam service civilian life really began with the people I met at the Troubadour, and the many great acts I was able to listen to there.  It was a joy to see so many of them once again.”

Journalist  Susanella Rogers said, “Just another night at the Troub: Michael Ochs refused to leave the bar, Todd Everett refused to leave the showroom, Bobbi Cowan spoke to Every Single Person There, and the girl in the box office couldn’t find my name on the list.”

Finally here’s my pal from the past journalist/blogger Todd Everett with the wrap-up for the evening,

“It was one of the most amazing nights of my life! I have heard so much love and joy expressed about the success of this event and how beautifully it brought back a time in a place that was so brilliant in it’s day. No place on earth ever rivaled what happened at Doug Weston’s Troubadour ever! How blessed we all have been to have been there then and then again last Monday night.

Like most of us, I didn’t know what to expect from the Troubadour Family Reunion. But several people I knew would be coming — mostly people I saw fairly often, but an indication of quality. So at the very least it would be worthwhile on that level.

As it turned out, of course, the thing had become a real event. I’ll name some of the people I knew; I’m sure others had the same experience with people they knew.

Maureen Donaldson (shown with Sandee Lewis Ochs), bless her soul, had come in from England; she swears specifically for the event. Matt Kramer had no other reason I know of for having returned to West Hollywood from wherever it is he’s living these days (Texas, I think), and former hoot master Roger Perry arrived from Oregon. Artie Wayne, whom I sadly didn’t see this time, and Richard Kimball, whom I did, had come in from the desert. Michael Ochs took time from promoting the documentary about his late brother, and counting his own money. I knew it was the Troubadour bar, I told them, when the first faces I saw were Michael, and Alan Rinde.

By the time I left – 11:30 or so – Alan, Artie and several others had already retreated to Genghis Cohen, the restaurant Alan had owned, and Artie named and hosted for however many years (has he ever mentioned that?).

Though the layout of the main room has changed quite a bit — much larger stage; no tables; bar in the back — it was familiar enough that I might have been back in the ’70s, which was pretty much my era, though years earlier I’d driven 60 miles down the coast from Ventura to see acts including the Dillards (with Roger Miller opening), when the stage was still at what’s now the left-hand wall.

I spent half an hour or so in the bar, meeting old pals and choking on a piece of cheese; when Lezlie asked for a glass of water for me, the guy behind our end of the bar said we’d have to go to the woman at the other end. If I’d died from asphyxiation, my survivors would stand to make a fortune! Oddly, when I recovered, he was able to sell me a drink without consulting the other bartender. Ah, the Troubadour!

I’ll let others get into the acts – Van Dyke, Jackson, and so on; but will add that I was very impressed by two “second generation” groups, fronted by people whose parents had (in one case sort of) worked at the Troubadour. Paul Riopelle, whose mother Naomi was a long-time waitress at the club, was in a rock band called The Motion with Steven Wolfson and Dsvid Jenkins; the three members of Blackfire are all the progeny of Berta Benally, who was more of an Ash Grove person, really, but was right at home in this company. Native Americans of the Navajo nation, Blackfire is more “indian” than Redbone, and played a strong mix of contemporary, punk and traditional music. Had I a label (and everybody can be thankful I don’t), I’d sign them in a minute. As it stands, they already record; their more recent album produced by Ed Stasium, whose credits include the Ramones, Talking Heads and Smithereens. In other words, they need no help from me, even if I were in a position to give it to ‘em.
One disappointment: three members of Hearts & Flowers were present: Larry Murray, Rick Cunha and David Jackson. But they didn’t see fit to reconvene, even though Jackson did back Cunha on a solo set, along with anybody else who needed a bass player.

That, too, was just like the old days.”

— Todd Everett http://toddeverett.wordpress.com/

To know more about the evening click onto the official TROUBADOUR FAMILY REUNION WEBSITE http://www.troubadourfamilyreunion.com/

Thanks to Henry Diltz for the photo of Jackson Browne www.morrisonhotelgallery.com

to Pete Senoff for the photo of Maureen Donaldson and Sandee Lewis Ochs. Richard Kimball, Michael Ochs, Allan Rinde, Pete Senoff and Bobbi Cowan http://www.twitter.com/petesenoff

to George Steele for the photo of billy James and Penny Nichols

to Sean McKenna from X-SITE MEDIA for the photo of Me, Ron Haffkine and Van Dyke Parks  http://www.xm.la

to photographer/ guitar maker Loni Specter for the Photo of Blackfire www.ampshow.com

www.lapdancerguitars.com

to Coleen M. Pumfrey for the photo of the Troubadour sign

Special thanks to “Lezlie Sokol” and Sally Stevens for helping me with this article. You can click on to the fourth installment of Sally’s riveting JIM MORRISON STORY at http://rockphiles.typepad.com/a_life_in_the_day/2011/01/pardon-me-mr-morrison-part-four.html

Copyright 2011 by Artie Wayne- https://artiewayne.wordpress.com/about-artie-wayne/

for those might not have recognized me at the reunion with my beard…I shaved

TO LEARN MORE ABOUT MY BOOK, “I DID IT FOR A SONG http://artiewayne.com/book.html

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THE TROUBADOUR FAMILY REUNION…DO YOU “QUALIFY” TO ATTEND?

When I heard about the Troubadour Family Reunion, a friend of mine who was one of the Monday “Hoot Night regulars said, “I don’t remember seeing you there…you don’t “qualify”…it’s only for people who were there on Monday nights!”

I was livid, as I reviewed my long history at the club which included hanging out with many stars who performed there and as well as vigorously supporting new singer/songwriters that “Hootmaster” Roger Perry presented on Monday nights.

It was right outside the Troubadour when my friend Shel Silverstein convinced me that I could be as creative working for a publishing company as I could be as a songwriter. It was at the club that I hung out with some of the writers I represented before they released their first albums including Jackson Browne, Warren Zevon, and the Eagles, which is all detailed in my new book, “I DID IT FOR A SONG”.

I even made a fool of myself a few times when I passed out into my coconut ice cream in the first row at Jimmy Webb’s opening and sang drunken harmony from the balcony with AMERICA and had to be quieted down.

I remember sitting one night with Stevie Wonder, Roberta Flack, and my girlfriend who had one Quaalude too many at the Cheech and Chong opening. When Stevie asked his companion to describe the action on stage my girlfriend yelled out, “What’s the Matter…Are you blind or something?”

Another night I was sitting with Sonny and Cher, when David Geffen and Cher’s eyes met and they became tabloid headlines. I was an occasional music critic for Cashbox magazine, and from the balcony gave Don McLean, and “American Pie” one of the first national reviews.

I was the guy who Atlantic Records’ Jerry Wexler thought enough of to take around from table to table and tell other reviewers what I thought of John Prine’s performance and stellar songwriting ability.

When I mentioned all of this to that friend of mine who was one of the Monday night hoot regulars he said, “I still don’t remember seeing you there…you don’t “qualify”…it’s only for people were there on Monday nights!” Then I looked at the Reunion’s website and it said the same thing.

Then I started to get angrier. I wrote last week how I brought Olivia Newton-John into the Troubadour Bar on a Monday night to impress all of my friends as well as the industry “heavies” who held court at the bar.  https://artiewayne.wordpress.com/2011/01/04/the-troubadour-family-reunion/ It was also on a Monday night when Glenn Frye and Randy Meisner of the Eagles wrestled me to the ground, took my highly polished Frye boots with “sissified” custom built platform heels, and threw them onto Santa Monica Boulevard as a joke.

The “Troub”on Monday nights, was where I met and became friendly with journalists Peter Greenberg, Todd Everett, Chris Van Ness, Digby Diehl, Cameron Crowe, David Rensen and publicists Billy James, Corb Donahue, Bob Gibson, David Sweeny, Gary Stromberg, managers Abe Hoch, Herbie Cohen, Peter Rachtman, Jerry Heller, and Elliot Roberts.

When I became the General Professional manager and director of Creative Services for three and a half years at Warner Brothers Music, I insisted that each of my four songpluggers maintain a presence at the club at least twice a week, sometimes bringing as many as 10 guests on “Hoot Night”. This effort wasn’t lost on the late owner Doug Weston, who bought me a drink from time to time, in appreciation for all the business I’d bring in.

One of the things I’m proudest of in my professional life.life is helping to introduce “Karaoke” to America. In my last promotion for the Singing Machine Company, Doug Weston gave me a half hour on a Monday Night for me to sing over tracks and demonstrate this remarkable device. It was one of the first times, I’m told that recorded music was allowed to be used in a live performance at the venue.

I started the show with songs everybody knew like “Sweet Caroline”, which they could sing along to, then I invited five of my friends (including journalists, Lita Eliscu, and Ellen Sander) up on stage to sing the chorus of a controversial song I just recorded called “WHITE WOMEN IN HEAT”. Although I got a standing ovation from the packed room, I was fired the next day by the Singing Machine Company for my “QUESTIONABLE” choice of material.

I ask myself why am I getting so worked up about all of this “Reunion Stuff”, I’m too disabled to attend the event anyway…but I wanted to set the record straight about the important part the Troubadour has played in my life and the place it has in my heart.. If anyone still thinks that I don’t “Qualify” to be part of this event, if only in spirit…they can “Kiss My Past!”

Copyright 2011 by Artie Wayne- https://artiewayne.wordpress.com/about-artie-wayne/

To find out more about THE TROUBADOUR FAMILY REUNION click on to www.troubadourfamilyreunion.com/

TO LEARN MORE ABOUT MY BOOK, “I DID IT FOR A SONG http://artiewayne.com/book.html

Picture at top Doug Weston outside The Troubadour Remastered, colored and redesigned by “Lezlie Sokol” ~ at Painted Cloud Photography © 2010 http://www.facebook.com/photo.php?fbid=1581289451558&set=a.1461857505834.64834.1215335979#!/profile.php?id=1215335979&v=info

Picture in middle l to r Tom Rush, Michael Ochs, Allan Rinde, Elliot Roberts, and James Taylor at the Troubadour Bar.

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WARREN ZEVON R.I.P. ROCK N PERPETUITY!

WARREN ZEVON 1/24/47 – 9/7/03

“In the early 70s, when I ran the professional dept. at Warner Brothers Music, part of my responsibility was to get cover records for David Geffen’s songwriter/artists. I just had a top ten record in the UK with Michael Jackson on Jackson Browne’s “Doctor my Eyes”…and Browne was excited for me to hear his freind Geffen just signed.

After a Troubador show, Jackson took me over to the old Tropicana hotel on Santa Monica B’lvd, and introduced me to Warren Zevon. For the rest of the night, with his Pignose amp blasting, Warren mesmerized me with song after great song!! Although I tried for a couple of years, unfortunately, I wasn’t able to get any of his songs covered….probably because they were so ahead of their time.

I always admired him because he never gave up. I was thrilled when Linda Rondstat recorded, “Poor Pitiful Me” and his career as an artist took off!! I was sad to hear of his passing….but I was glad that he was recognized within his lifetime for being the genius that he was!”

From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
https://artiewayne.wordpress.com

BACK TO THE R.I.P. ROCK N PERPETUITY ARCHIVES https://artiewayne.wordpress.com/2008/08/20/rip-rock-in-perpetuity-archives/

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