“It’s summer of 1973 and Ed Silvers, President of Warner Brothers Music, is losing his patience with me. He thinks I’m spending far too much time trying to get our songs cut at Motown. Although I secure songs in our catalog by some of their biggest artists, they’re only album cuts. Ed is convinced that I’ll never get a single released by Motown.
I know at this point that the only way I could have a chance for a hit and escape the wrath of Ed, is to get a cover by the Jackson 5 or little Michael. There was only one staff writer at Warner Brothers music who could write in a classic R+B style, George S. Clinton, Jr.
I go to the two producers who love George’s writing the most, Jerry Marcellino and Mel Larson, who just had big hits with 12 year old Michael on “Rockin’ Robin” and “Little Bitty Pretty One” (which was my suggestion). They tell me that “Ben”, from the movie of the same name, is racing up the charts and Berry Gordy wants each of his producers to start recording new sides with him.
I sit with Jerry and Mel and we talk about what kind of song they should record with Michael. I suggest a Christmas song, one so commercial that it could be the follow up single to, “Ben”. When I see their eyes light up, I tell them that George S. Clinton, Jr. and I have started such a song! When they ask to hear it, I tell them we were still working on it, when in fact we hadn’t even started! I can’t tell them the title, ’cause there isn’t any! I do tell them, however, that it’s a true story of how my girlfriend left me out in the cold like the last tree in a Christmas tree lot, which is left unsold on Christmas Eve. They freak out and say they had to have the finished song by Monday. I say, “No problem”
I call George, who knows nothing about any of this as soon as I get back to my office. He can’t believe I told them we’d have a finished song to them by Monday, when it’s Friday and we haven’t even started.
Saturday morning we meet at my office. It’s the middle of summer, about 90 degrees, but we have to get in a Christmas Mood. As I tell George about my break up with Diana last Christmas, then I start to throw Ivory Snowflakes around the room. Soon, we have the first verse and chorus.”
“Little Christmas Tree, looking sorta’ sad and lonely just like me
No one seems to care, they just went away and left him standing there…All alone on Christmas Eve!”
On Monday morning George does a piano voice demo, and I get it to Jerry and Mel that afternoon. They love it so much that they knock one of their own songs off the date and cut ours.
I’m almost in tears when I hear the finished record the following week with the news that it’s being considered for the follow-up to “Ben”, which had just hit number one! You can imagine how I feel a few weeks later when Berry Gordy, Jr. decides not put out any follow up to the Oscar nominated “Ben”, until the Academy Awards are given out…which is after Christmas! A few days later I come up with a plan and present it to Motown. I suggest that the company puts a double albums worth of previously recorded Christmas songs by each of their hit artists, along with “Little Christmas Tree”. The double album is called “A Motown Christmas”, which includes cuts by Stevie Wonder, The Supremes, The Temptations, Smokey Robinson and the Miracles, Diana Ross, and it’s released just in time for the holidays.”
“LITTLE CHRISTMAS TREE” George S. Clinton, Jr. and Artie Wayne
I watch the snowflakes fall
against my window plain
and wonder if you
are watching snowflakes too?
I take a walk downtown
to where you used to meet me
There’s joy everywhere
but all that waiting there is just a…
LITTLE CHRISTMAS TREE
Looking sorta’ sad and lonely just like me
No one seems to care
They just went away and left it standing there
All alone on Christmas eve
I hear the Christmas bells
The happy people singing
The songs of the chill that only brings me tears
I sadly close my eyes
and say a little prayer you’ll be waiting there for me
I look but all I see is
LITTLE CHRISTMAS TREE
Looking sorta’ sad and lonely just like me
No one seems to care
They just went away and left it standing there
All alone on Christmas eve
This is the season of love
(This is the season of love)
But I’m as sad as I can be
(sad as can be)
Why did you have to leave me
(Why did you leave me)
(Why did you leave me)
LITTLE CHRISTMAS TREE
Looking sorta sad and lonely just like me
No one seems to care
They just went away and left it standing there
All alone on Christmas eve
Copyright 1973/2009 by Warner Brothers Music
NOW YOU CAN BUY “LITTLE CHRISTMAS TREE” BY MICHAEL JACKSON IN THE JACKSON FIVE ULTIMATE CHRISTMAS ALBUM AVAILABLE AT AMAZON.COM
If you liked “THE STORY BEHIND “LITTLE CHRISTMAS TREE”, please feel free to share it with a friend…but if you loved it, please feel free to send it to your entire address book! MERRY CHRISTMAS, HAPPY HANUKKAH, HAPPY KWANZA…ENJOY TO THE WORLD!
From Artie Wayne On The Web https://artiewayne.wordpress.com/about-artie-wayne/
Copyright 2011 by Artie Wayne http://artiewayne.com
YOU CAN BUY MY BOOK, “I DID IT FOR A SONG” (AVAILABLE ONLINE ONLY FOR $9.99 BY CHECK OR MONEY ORDER TO ARTIE WAYNE P.O. BOX 1105 , DESERT HOT SPRINGS CALIFORNIA, 92240 OR THROUGH PAYPAL TO MY E-MAIL ADDRESS artiewayne@gmail.com
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“BILLIE JEAN”, Beat It”, THRILLER”, “Black and White”, “I WANT YOU BACK”, “Man In The Mirror”, and 20 more! Rare Clips, Home Movies, demos, rehearsals, and private videos from Michael Jackson, “The King Of Pop!”
Like most of the world I was thrilled with the Jackson Five and Motown’s ““SOUND OF YOUNG AMERICA” when they hit the music scene in the late ‘60s with “I Want You Back”, “ABC”, and “The Love You Save”. When Berry Gordy, Jr. brought the group to Hollywood under the supervision of Suzanne DePasse and Skip Miller I had the rare opportunity to get close to one of the biggest acts in the world, as well as one of the biggest Superstars ever to emerge, Michael Jackson!!
Here are the THE TOP, THE BEST, AND THE GREATEST VIDEOS of MICHAEL JACKSON.
I WANT YOU BACK http://www.youtube.com/watch?v=VfJu_Bom2sA&feature=related
Skip Miller recalls, “I met The Jackson Five in Miami, Fl. in 1970 just before New Years. I was brand new to show business and thought I had died and gone to heaven. Their show was amazing and Michael was unbelievable.
As a young man, he would be playing with toys one minute and asking if they sold the show out the next. He was quite aware of everything that was going on. He had a sixth sense for the business. He was curious about record sales and asked a lot of questions everything. I was too green at the time to give good answers so I would go get the answers and then tell him. In 1975 when the Jacksons were leaving Motown, I escorted Jermaine to Nantucket, New York for their last show as Motown artists.
The brothers and us had many a pillow fight after Michael tricked you into his room. He would go from that to the eight hundred pound guerilla he was on stage. Quite the transformation! He was a truly gifted performed, a great dad, and my friend. I will miss him.”
I’LL BE THERE http://www.youtube.com/watch?v=lYVT3Gg_rek&feature=related
I’LL BE THERE (ACAPELLA) http://www.youtube.com/watch?v=ehal1eUG1jk&feature=related
NEVER CAN SAY GOODBYE http://www.dailymotion.com/video/x9p12c_the-jackson5-never-can-say-goodbye_music?hmz=707265766e657874
Hal Davis (“I’ll Be There”, “Never Can Say Goodbye”, “Dancin’ Machine”) was the first Motown producer that I brought a song to for Michael Jackson to record. I was excited when he cut a track on “I Want To Be Happy”, which I updated from “No, No Nannette” in the Warner Brothers catalog. When I dropped by Motown’s recording studios unexpectedly, I saw Hal Davis putting an unknown Lionel Ritchie on the track!
When he saw me freaking out, he grabbed me and threw me across the control board and threatened me if I dare give the song to anyone else! Of course that prompted me to give it to everyone I knew. Although Hal was pissed off at me, I was back in his good graces when I gave him Jackson Browne’s “Doctor My Eyes”, which went Top Ten in the UK with The J5.
ROCKIN’ ROBIN http://www.youtube.com/watch?v=C4VCUbL7jsc&feature=related
BEN http://www.youtube.com/watch?v=aSqo17o2a1w&feature=related
“It’s summer of 1973 and Ed Silvers, President of Warner Brothers Music, is losing his patience with me. Although I secure songs in our catalog by some of their biggest artists, they’re only album cuts. Ed is convinced that I’ll never get a single released by Motown.
I know at this point that the only way I could have a chance for a hit and escape the wrath of Ed, is to get a cover by the Jackson 5 or little Michael. There was only one staff writer at Warner Brothers music who could write in a classic R+B style, George S. Clinton, Jr.
I go to the two producers who love George’s writing the most, Jerry Marcellino and Mel Larson, who just had big hits with 12 year old Michael on “Rockin’ Robin” and “Little Bitty Pretty One” (which was my suggestion). They tell me that “Ben”, from the movie of the same name, is racing up the charts and Berry Gordy wants each of his producers to start recording new sides with him.
It’s the middle of summer, about 90 degrees, but we have to get in a Christmas Mood. As I tell George about my break up with my girlfriend last Christmas, I start to throw Ivory Snowflakes around the room. Soon, we have the first verse and chorus of “Little Christmas Tree”
I’m almost in tears when I hear the finished record the following week with the news that it’s being considered for the follow-up to “Ben”, which had just hit number one! You can imagine how I feel a few weeks later when Berry Gordy, Jr. decides not put out any follow up to the Oscar nominated “Ben”, until the Academy Awards are given out…which is after Christmas! A few days later I come up with a plan and present it to Motown. I suggest that the company puts a double albums worth of previously recorded Christmas songs by each of their hit artists, along with “Little Christmas Tree”.and included cuts by Stevie Wonder, The Supremes, The Temptations, Smokey Robinson and the Miracles, Diana Ross. They love the idea and release the two disk set in time for the holidays.”
MICHAEL JACKSON”S “LITTLE CHRISTMAS TREE” IS AVAILABLE AT http://over50music.com
I stayed in touch with “Papa” Joe Jackson after the Tokyo music festival and when The Jackson Five abruptly left Motown and was short on cash, I helped get him a $25,000 advance for his world wide subpublishing rights…even though Michael and his brothers weren’t writing very much at the time…then a few years later Michael releases his first solo album…”Off The Wall”
ROCK WITH YOU http://www.youtube.com/watch?v=7hK3Y1Ehv9c&feature=channel
OFF THE WALL http://www.youtube.com/watch?v=Lq3aWW9hcVk&feature=related
DON’T STOP ‘TIL YOU GET ENOUGH http://www.youtube.com/watch?v=4_hz2am90Hk&feature=related
SHE’S OUT OF MY LIFE http://www.youtube.com/watch?v=qF0o-W5uu8o
Publicist, Bobbi Cowan remembers, “I worked with him during the period just before his first solo album, “Off The Wall” was released. I was out at the Jackson family compound several times with magazine writers. It was the first time he was allowed to give interviews without a Motown person being thee to direct both the questions and answers, so what came out were the thoughtful musings of this boy/child. He was feeling creative stirrings, as he began to be more involved with his music, the writing, the production, the business. My daughter Lori had a massive crush on Michael, so I brought her with me to the house for a couple of those interviews…He was very sweet, gracious, even shot some hoops with her, then the photographer took a photo of her with Michael…she still has the photo and cherishes it to this day.”
Up until now the world-wide subpublishing agreement I helped get “Papa” Joe Jackson get hasn’t paid off for the subpublisher and he blames me for wasting his $25,000. Then when Michael explodes he claims all of the mega-songs that Michael is currently writing falls under his contract!
Now I had “Papa” Joe mad at me for helping him get “a paltry $25,000.advance” for the subpublishing of one of the greatest catalogs in the world.
BILLIE JEAN (ORIGINAL VIDEO) http://www.youtube.com/watch?v=En-cHBv7UpA
BILLIE JEAN ON MOTOWN 25th ANNIVERSARY SPECIAL http://www.youtube.com/watch?v=En-cHBv7UpA&feature=channel
BEAT IT (ORIGINAL VIDEO) http://www.youtube.com/watch?v=Uqxo1SKB0z8&feature=channel
HUMAN NATURE http://www.youtube.com/watch?v=ALOLaZ5oY5g&feature=related
THRILLER http://www.youtube.com/watch?v=AtyJbIOZjS8&feature=ch
In 1984 I was hosting Allan Rinde’s Genghis Cohen, a hot Hollywood Chinese restaurant, when then Motown A&R man Benny Medina, came in one night for dinner and told me that Motown was releasing some Michael Jackson masters from the vault to capitalize on the success of “Thriller”. You can imagine how I felt when he said that, “Touch The One You Love”, another song I’d written with George Clinton, Jr., which had been in the can for 10 years, was coming out in the “Farewell My Summer Love” love album!
FAREWELL MY SUMMER LOVE http://www.youtube.com/watch?v=YFoLya5qt1w
In 1983, my friend Allan Rinde, backed a 6 week seminar called the Artie Wayne Songwriter motivation course. My flyers say that, “I’ll help make your package so strong, that only a fool would turn you down!’. Then I add at the bottom, “Not responsible for all the fools in the industry.”
I can’t take credit for teaching anybody how to write songs, but I’m proud of creating an environment, where novices could rub shoulders with the top artists, writers, and producers in the business.
My friend, Alan O’Day (“Undercover Angel”, “Rock and Roll Heaven”), is musical director for the sold out event. He also brings in, as his guests, several new writers, which includes Diane Warren (who eventually is considered one of the greatest songwriters of our generation) and John Barnes, who goes on to write half of the “Bad” album with Michael Jackson.
BAD http://www.youtube.com/watch?v=uG5NhkxQJQc&feature=channel
I JUST CAN’T STOP LOVING YOU http://www.youtube.com/watch?v=4Uy2A610trg&feature=related
MAN IN THE MIRROR http://www.youtube.com/watch?v=kBos1XjcDg0
DIRTY DIANA http://www.youtube.com/watch?v=7Hg-IRZk4D0&feature=related
LIBERIAN GIRL http://www.youtube.com/watch?v=PjtI2WZTZ9k
THE WAY YOU MAKE ME FEEL http://www.youtube.com/watch?v=sEU9Q8NlOiY
SMOOTH CRIMINAL http://www.youtube.com/watch?v=2WjOn5TNjBM
LEAVE ME ALONE http://www.youtube.com/watch?v=So-kNWU02QY
JAM http://www.dailymotion.com/video/x4h58j_michael-jackson-jam_music
WILL YOU BE THERE? http://www.youtube.com/watch?v=PvYygjcMDdQ&feature=related
REMEMBER THE TIME http://www.youtube.com/watch?v=nDxsM5jLNxM&feature=channel
BLACK AND WHITE http://www.youtube.com/watch?v=ZI9OYMRwN1Q&feature=channel
SCREAM with JANET JACKSON http://www.youtube.com/watch?v=vNl2Pm9-7Vk&feature=channel
Producer Quincy Jones who worked with Michael Jackson on numerous music and film projects, issued the following statement about the passing of the King of Pop:
“I am absolutely devastated at this tragic and unexpected news. For Michael to be taken away from us so suddenly at such a young age, I just don’t have the words. Divinity brought our souls together on ‘The Wiz’ and allowed us to do what we were able to throughout the ’80s. To this day, the music we created together on “Off The Wall”, “Thriller”,“Bad“, and “We Are The World” is played in every corner of the world and the reason for that is because he had it all…talent, grace, professionalism and dedication. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I’ve lost my little brother today, and part of my soul has gone with him.”
Although I didn’t play much of a part in Michael Jackson’s life, he’s played a major part in mine. From now until the end of time millions of words will be written about him and his influence in music, dance, and fashion, but the most important gift he has given the world is everlasting hope and inspiration.
Photo by Sam Emerson
Thank you Michael and R.I.P. ROCK IN PERPETUITY! https://artiewayne.wordpress.com/2009/06/25/michael-jackson-r-i-p-rock-in-perpetuity/
Respectfully, Artie
Copyright 2009 by Artie Wayne from the forthcoming autobiography “I Did It For A Song” https://artiewayne.wordpress.com/about-artie-wayne/
EXCLUSIVE! MORE NEW MICHAEL JACKSON TRACKS FOUND! http://www.associatedcontent.com/article/2172551/new_michael_jackson_recordings_to_be.html
To reach Skip Miller skip@pandaentertainment.com
Bobbi Cowan http://bobbicowan.com
Quincy Jones http://www.myspace.com/quincyjones
For Alan O’Day http://alanoday.com
Allan Rinde http://allanrinde.com
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MICHAEL JACKSON R.I.P ROCK IN PERPETUITY!
June 25, 2009
It isn’t very often that I’m shocked at the passing of one of our musical heroes, but when I heard about Michael Jackson I was devastated. I’ve known Michael since he was 12 years old and he recorded a song I co-wrote, “Little Christmas Tree” (Clinton/Wayne)
I met him and his family at the Tokyo Music Festival in 1974, and had a chance to tell him how much I liked his recording of my song. I also told him that he was one of my biggest dance influences, which made him smile considering I was three times his age.
When I told Michael that I was a songplugger and I couldn’t go out dancing late at night like I once did, he said in that high little voice of his, “Artie…why don’t you build a dance floor in your office?”.
As soon as I got back to Hollywood, Warner Brothers Music built me a four foot circular plywood dance floor, but a few months later when I went to run A&Ms publishing company they constructed a six foot mahogany one for me! To this day I’m proud to tell everyone that it was Michael Jackson’s idea.
The last time I was in touch with him was when he was about to do the “Thriller” album. He was holding onto one of my songs for over a year, and even made a few suggestions to improve the bridge, but in the end he didn’t record it. I was still grateful for the opportunity.
From now until the end of time millions of words will be written about him and his influence in music, dance, and fashion, but the most important gift he has given the world is everlasting hope and inspiration.
Thank you Michael and R.I.P. may you ROCK IN PERPETUITY!
Respectfully, Artie https://artiewayne.wordpress.com/about-artie-wayne/
THE LIFE…AND DEATH OF MTV!
June 24, 2009
One day in 1982 I was invited to the launch of a new 24 hour cable music network, called MTV…and that’s when I saw the future of the music business! I saw it not as just a new way to promote music, but having the potential to become the primary means of delivering music to the masses!
In less than 25 years, MTV not only fulfilled the prophecy, but actually helped to change the music itself. In the first few years the networks played the ubiquitous videos of English artists, Duran Duran, David Bowie and Phil Collins. They played clips by Australian artists Men at Work and whet the appetite of the American public for more of the same! In addition to music, fashion and slang started to travel around the world at the speed of a TV signal, but it took Michael Jackson’s “Thriller” album and a near boycott by CBS Records to break the color barrier at the network! Soon Lionel Ritchie and Billy Ocean were being played as much as Blondie and became regular staples of MTV.
For years, the network thrived on its legitimate pop content, and then something odd happened. There were fewer and fewer music shows aired in favor of reality shows. After the success of “The Real World” ten years ago, the “Reality” floodgates opened. Today when we watch MTV and its sister network VHI, we see endless episodes of “The Hills”, where horny teens F#@k with each others heads, and “I Love New York”, “Daisy of Love”, and”Ricki Lakes’ Charm School”, which rewards the biggest bitches and ho’s with their own reality series.
The most obnoxious show has been cancelled. It’s a series that’s an argument for an official sanction of corporal punishment! “Sweet Sixteen”, which featured rich little bitches-in-training conning their parents out of expensive sweet sixteen parties and lavish presents.
As far as the music goes, when you can find it (between four and eleven AM), most of the groups have a sameness about them. If you don’t look at the lower left hand corner of the screen you might mistake Panic at the Disco for the Killers, or All American Rejects. It’s just about impossible to tell what rap video you’re watching, since Kanye West, “Diddy”, Lil’ Wayne and “Snoop” Dogg appear in almost all of them, as either a guest or a featured artist!
It seems like most of the artists today are consciously making music to please corporations and music directors who have narrow taste and program for an audience who prefers not to think too far outside their electronic boxes. I’ve read studies on how too much TV eventually overwhelms the viewer and diminishes productivity. I don’t want to be lulled into complacency, so I’ve decided never to watch MTV again…after I see the finale of “The Hills!”
Copyright 2009 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/
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QUICK BEFORE YOUTUBE STRIKES AGAIN!
June 18, 2009
Two days ago YouTube disabled EVERY BEATLE VIDEO EVERY MADE FOR FREE, which Forgotten Hits and I had up on our sites. Now there’s a danger of that happening to ELVIS, Summer Oldies, OSCAR, and GRAMMY videos!
But don’t get bent out of shape, if you go http://youtubecapture.com you can learn how to save those special videos like the ones listed below…absolutely FREE!!
ELVIS PRESLEY TOP 20 MUSIC VIDEOS! https://artiewayne.wordpress.com/2008/08/11/top-20-elvis-music-videos-of-all-time/
69 SIZZLING OLD AND NEW SUMMER MUSIC VIDEOS https://artiewayne.wordpress.com/2008/07/02/69-sizzling-summer-videos/
OSCAR WINNING SONG VIDEOS https://artiewayne.wordpress.com/2009/02/20/30-videos-of-oscar-winning-songs-boss-wins-for-the-wrestler/
GRAMMY WINNING SONG VIDEOS https://artiewayne.wordpress.com/2009/02/08/videos-of-2009-grammy-winners/
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MY JIMI HENDRIX EXPERIENCE!
June 17, 2009
“In 1968, I let my Friend, Ann Tansey, Mercury records A+R director, stay in my New York apartment while I was on the west coast. I didn’t know she had invited her sometime boyfriend, Jimi Hendrix, to stay with her. When I arrived home, I found a nasty note from my neighbor, about my loud guitar playing at three in the morning!. The note also said something about people going in and out of my apartment, by way of the fire escape. To this day I don’t know what really happened, but I do admit I was flattered, that she thought it was me playing guitar!”
copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/
This and other stories about Jimi are featured in my new book ,“I DID IT FOR A SONG” available now at amazon.com , Barnes & Noble and from Smashwords.com
Pictured above is the, Jimi Hendrix “Glowarium”, which I finally finished. If you haven’t seen my new wearable art, please stop by my website http://artiewayne.com/art.html
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