I’ve been a member of Spectropop, the 60’s music forum for about four years, and have reunited on line with many of my old friends in the music business. Ron Dante, producer and former lead singer of the Archies, Al Kooper writer and producer, and Artie Butler, Arranger. I’ve also become friendly online with dozens of other songwriters, producers musicians, and disc jockeys I didn’t know before.
For almost a year I’ve been corresponding with Eddie Hodges, former child actor (“The Music Man”, “Come Blow Your Horn”) and recording artist (“I’m Gonna’ Knock On Your Door”, “Girls, Girls, Girls, Were Made To Love”. He sent me an E-mail last week about an honor he received, which I’d like to share with you.
Artissimo,
It was a great evening. I was honored as the first Mississippian to ever receive a Grammy, but the actual Grammy went to the orig. cast album of The Music Man. I just happened to sing a couple of songs on the album, but according to John Hornyak of the Memphis chapter of The Recording Academy, that qualified me for a Grammy commendation.
The performances were fantastic. Jerry Lee Lewis looked a bit frail backstage, but told me he was fine – he did three songs and played and sang well. Marty Stuart was the emcee and performed alone and with the North Mississippi Allstars. It was fun reminiscing backstage with Marty about mutual friends – his performances were absolutely electric – what a talent! The North Mississippi Allstars were incredible, and I got to see them jam at a club later in the evening when they sat in with a local blues group. The legendary James Burton also performed and was great. When the Williams Brothers got up and did an accapella version of”Amazing Grace” with impeccable harmony, there was not a dry eye in the house. The Governor called me up onto the stage to recognize me individually and I was moved to tears. He also recognized the son of the legendary blues man Robert Johnson, who also was there. What a thrill it was to meet him. If they have a DVD of the show, I’ll get a copy for you.
There were people from NARAS, BMI, Malaco Records, AT&T, etc. Hartley Peavey, of Peavey Electronics who co-sponsored the event, gave away two of their guitars to members of the audience. NARAS put together a video of highlights form past Grammy Awards shows in which Mississippians won Grammys. I was glad I decided to go.
Attached are a couple of pics. One is from the The Clarion Ledger newspaper in Jackson and shows the North MS Allstars and me in pics with the Governor. The other is just one I wanted to share with you that is a favorite from my personal collection and shows me sitting on W.C. Handy’s lap when I was a little kid.
I wish you could have been there. It was a humbling experience for me and my shyness was kickin’ my butt the entire time. But it was an honor and a privilege I will never forget.
God bless,
Eddie
Considering all of the talented people who are from from Mississippi, including Elvis Presley, B.B. King, Faith Hill, and dozens of other artists, for you to have been the first mississippian to receive a Grammy is quite an honor! First I want to congratulate you as an artist, then as a humanitarian for earning your B.A. in psychology and becoming a mental health counselor!
You could have taken the dark road, as many former child stars have, but you chose a path of light. May you continue to inspire everyone you meet.
Thanks for sharing your joy with me and that picture of you and the father of the blues, W.C.Handy ( “St.Louis Blues”). I was about the same age as you were in that picture when I met Mr. Handy. His son was my music teacher.
Regards, Artissimo
Copyright 2007 by Artie Wayne
Pictured at top Frank Sinatra and Eddie Hodges in “A Hole In The Head “, featuring the song that won the academy award, “High Hopes”
For more about Eddie Hodges http://www.meekermuseum.com/ehodges.html
For Spectropop http://spectropop.com
A Tribute To The King…Elvis Presley!
January 8, 2007
Elvis on his 1968 NBC Comeback Special
I can’t think of person in Modern History who has had a greater influence on music and the pop culture than Elvis Presley! I was 14 when I first heard one of his records…and I haven’t been the same ever since!
As an African-American, I was laughed at in my neighborhood for liking and trying to emulate him. It angered the Black community that he allegedly said,”All “Colored” people can do for me is shine my shoes and buy my records.” I never believed that someone who loved the Blues, R+B and Gospel music as much as he did would ever say such a horrible thing. Although he never confirmed or denied the statement, when he recorded, “In the Ghetto” in 1969, that was enough to convince me where his heart was really at!
Although I never met him, I got as close to him as I could, I became friendly with some of the writers who created some of his biggest hits; Otis Blackwell, ( “Don’t Be Cruel”, ” All Shook Up”, “Return To Sender”), Doc Pomus and Morty Shuman ( “Viva Las Vegas”, “Surrender”, ” HIs Latest Flame” ) Aaron Schroeder and Wally Gold ( “It’s Now Or Never”), Sid Wyche ( ” Big Hunk O’ Love” ) and Spectropopper Paul Evans ( “I Gotta’ Know”.)
When my songwriting partner at the time, Ben Raleigh (“Tell Laura I Love Her”, ” Love is a Hurtin’ Thing” ) got us a shot at writing for some his movies, “It Happened At The World’s Fair”, “Kid Galahad”, “Fun In Acapulco”, Kissin’ Cousins”…I was in Heaven! Unfortunately, none of our songs were used but I treasured the advance checks we would receive from Gladys music with Elvis’ picture on them!
I never gave up on Elvis covering one of my songs, however, and in 1977 a song I co-wrote with Deanie Hofheinz, Nancy Barry ( Jeff’s ex-wife ) and Brad Berg called “Perfect Strangers”, made it to his last recording session but was never finished due to his untimely death.
About 10 years ago, I ran into Deanie in Nashville with her husband Ron Anton, a Senior VP with BMI. She said that she was trying to get a copy of the track and hinted that there might’ve been a scratch vocal by Elvis that went along with it. I’m still waiting to hear it!
Copyright 2006 by Artie Wayne
After the “English Invasion” of the U.S. in 1964, at the urging of my friends, Paul Simon and Jackie DeShannon, I decided to go to London to promote my songs and productions. Bess Coleman, one of the Beatles press officers, with whom I was writing songs , brought me into the groups inner circle and I traveled with them on several stops of their, “Beatles For Sale” promotional tour.
Backstage at a venue in White City, George and Paul were playing guitar and singing to relax in with a handful of their old mates and confidantes. Bess introduced me to them, and just as Paul smiled and handed me the guitar for me to take a turn…John majestically strode into the room. Bess introduced me to him as the American who wrote the recent top ten UK hit by Helen Shapiro, “Queen For Tonight” (Raleigh/ Wayne) John, with a wide grin, shook my hand and in a deep voice sang a parody of my song, ” I am a Queen For Tonight…but will I be a King tomorrow?”…which had the room in hysterics! Unfortunately, I didn’t know they were laughing at John, who was poking fun at the husky voiced 16 year old Shapiro’s sexuality, which had recently been questioned by the press…I thought they were laughing at me! I was embarrassed, but managed a smile as I passed on playing one of my songs and handed the guitar over to John, who sat down and sang, ” I’m A Loser”.
Although that was my only personal encounter with John Lennon, it wasn’t the only connection I had. The first was in 1968, when I found a song, “John You Went Too Far This Time”, a reaction to the John and Yoko naked “Two Virgins” album cover, recorded by Sissy Spacek, whom I discovered and renamed “Rainbo”.
The second was concerning the original artwork of “Clouds” used on the “Imagine” album cover, which I was given as security from a friend who needed a fast $100.00 loan! I never asked my friend how he got it, but I knew I had to enjoy the painting in “secrecy” for as long as it was in my possession! Then one day, about three years after John’s assasination, my now well-heeled friend who gave me this treasure in trust, offered to buy it back. Although I knew it must be worth upwards of a $100,000 dollars, I just asked him to return the hundred dollar loan I made him originally. To this day I wonder was that the right choice?
Anyway, here’s a glimpse of this beautiful piece of art that hung for years in my office at Warner Brothers music. You can see it in the upper right half of the photo.
Artie Wayne with Singer and Songwriter Patti Dahlstrom
Copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/+
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My Discography From 1961 To The Present
September 17, 2006
For those of you who have asked me about the records I wrote, sang, produced or placed as a publisher, here is a nearly complete discography. just click onto http://artiewayne.com/discs.html Since Allan Rinde updated this list about a year ago my cyber-friends at Spectropop, one of the best music forums on the net, have discovered about 20 more songs of mine I never knew had even been recorded.
Although I’m physically limited, from a spinal operation, and can no longer form chords on the piano and guitar, I’m still writing! I put my latest song accapella (without music) on an mp3 and sent it to my friend Alan O’Day (“Undercover Angel”, “Angie Baby”) for an opinion. He surprised me by putting chords behind it. If you’d like to hear “I’m At My Best When I’m Down” (Wayne) just click onto http://artiewayne.com/best.html
You can reach Alan O’Day at http://alanoday.com
Spectropop at http://spectropop.com
You e-mail Artie Wayne at artie_wayne@yahoo.com
JANIS JOPLIN R.I.P. ROCK N PERPETUITY!
August 27, 2006
JANIS JOPLIN 1/19/43 – 10/4/70
“I met Janis Joplin through some friends at Columbia Records The four of us were sitting in a booth at the Whiskey opening night for Pollution ,a new group that featured Dobie Gray, Tata Vega and my long time friend, guitarist James “Smitty” Smith.It was a great night…Janis turned me on to Southern Comfort for the first time…and I tried to pitch her an old Ashford /Simpson/Armstead, song “Let’s Go Get Stoned” that had been a hit for Ray Charles.
She laughed and said, “I don’t do that anymore”….Ironically four days later she died of an overdose.”
From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
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BACK TO THE R.I.P. ROCK N PERPETUITY ARCHIVES https://artiewayne.wordpress.com/2008/08/20/rip-rock-in-perpetuity-archives/
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