Come On Down To Coverville!

February 3, 2007

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I was bitching to Joe Klein of Podcast voice guys, about how few cover records I’ve gotten on my songs in recent years, and he told me about Brian Ibbott, the creator and host of COVERVILLE, who has one of the hottest podcasts around, with 40,000 subscribers, who ONLY plays cover records!

I’ve always been proud of the multi-million selling cover records I’ve been involved with over the years, which include “You’re 16” which I gave to Ringo Starr, “Rock And Roll Heaven” by the Righteous Brothers, and “Daydreamer” by David Cassidy. So needless to say, as a songwriter/ publisher who’s still running hot and heavy in the street, this program is very inspiring to me! As well as providing information on who’s doing cover records these days, I was surprised how many new versions of my favorite songs from the the 60’s to the present are spotlighted on the show. I heard covers of Elvis Presley songs I’d never heard before by the Pet Shop Boys, Cheap Trick, John Mellencamp and Bruce Springsteen. There were covers of Beach Boy songs by the Troggs, Elvis Costello, and the Brian Setzer Orchestra, John Lennon songs done by Eva Cassidy, Dream Academy and Roxy Music. Surprising covers of James Brown songs from The Who and Concrete Blonde. Even artists like Metallica, and Pink Floyd, had covers as well as hundreds of others!

COVERVILLE was the first place I heard Johnny Cash’s “I Walk The Line”, recorded by Fuel…whose arrangement was at the center of a controversy on “American Idol” last year. Chris Daughtry, a finalist in the competition, who currently has the number one album on the Billboard charts, performed Fuel’s version without crediting them for the arrangement. What The Fuck! When has anybody ever credited anybody for doing their arrangement on TV?

Before I got all worked up about it…I thought wait a second, all this controversy is over a cover? Maybe doing somebody else’s song is cool again?

It’s been a bitch trying to get a song recorded by a group who writes their own material, since artists and managers have long realized that song writing and publishing royalties are sometimes the only source of income from their”Multi-Platinum” CDs. Remember, the poor artist is usually charged with everything a company can get away including outrageous studio costs, touring expenses, promotion, and the making of million dollar videos!

I remember hearing stories about Beatle manager, Brian Epstein, sitting down with John Lennon and Paul McCartney and forcing them to start writing more original songs for economic reasons. I heard that Andrew Loog Oldham, The Rolling Stones manager, convinced Mick Jagger and Keith Richards to do the same, which changed the musical direction of two of the greatest “cover” groups of all time!

I was there with “Papa” Joe Jackson, the day that Michael and the Jackson 5 escaped from Motown, weary of being forced to do “covers” on their albums and”other peoples songs” on their singles. I was able to help Joe get a $25,000 dollar advance, within 48 hours for their sub-publishing around the world based on songs that were yet to be written by unproven writers.The deal ultimately included “Beat it”, “Billy Jean” and most of the compositions on the 65 million selling,”Thriller” album!!.

Okay…Okay, The world’s a better place because of these self-generating artists…but how many artists today are capable of really writing “Great” songs today? I asked Brian Ibbott, why do cover records seem to be coming back?

“I think because the reasons people cover songs have broadened. It used to be a purely financial decision to cover a song, but these days, many do it because it’s an honor, and a tribute to a band that helped shape their own music. At least, in an ideal world, that would be the most prominent reason.”

“Brian, you seem very committed to your podcasts and to cover records?”

“Second to my family, Coverville has turned out to be the joy of my life. I look forward to new episodes, email feedback from listeners, and the music they introduce me to. I can’t imagine what I’d be doing, if it weren’t for the show!”

Personally, I’d be happy as a music lover and consumer to have a couple of familiar songs, I could sing along with, on every CD that I buy. Am I wrong? Wouldn’t all of you like to hear more of your favorite songs performed by more of your favorite artists?

Copyright by Artie Wayne 2007

Check out Brian Ibbot’s “Coverville”, he’s got an archive of over 250 podcasts you can download. Hear what all the buzz is about! http://coverville.com

For Artie Wayne’s website and complete discography http://artiewayne.com

To see Sebastian Prooth’s inspiring video of Alan O’Day’s brilliant update of he and the late Johnny Stevenson’s classic, “Rock and Roll Heaven” https://artiewayne.wordpress.com/2006/08/20/rock-and-roll-heaven/

For Joe Klein http://podcastvoiceguys.com

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After a domestic dispute with Streaker, Whoppy runs away from home. A neighbor brings him back after finding him stuck in his doggie door!

Did you hear that after Madonna bought a little boy in Africa, she stopped off in Mexico to buy a nanny?

Congratulations to Triumph, the insult comic dog, who just became spokesman for Grey Poopon mustard!

Last night, rapper 50 Cents was arrested outside of a Manhattan dance club for allegedly beating his own ass!

Condoleeza Rice and Hilary Clinton are racing up the pop music charts with their first duet, “You Ain’t Woman Enough To Run This Land!” To hear it just click onto http://i.euniverse.com/funpages/cms_content/13180/HillaryCondi_HoDown.swf

Mel Gibson, still repenting for his drunken anti-semetic remarks, is sending out invitations to his own bris! I guess nothing shows sincerity like a circumcision!

Jessica Simpson, reportedly was an hour late for her doctors appointment because she was studying for her blood test!

Construction worker Dick Hertz, tried to return a monkey’s paw he allegedly found in a bowl of chili at a fast food restaurant. He was promptly arrested for fraud when it was discovered that he used up all three wishes that come with the monkey’s paw.

Simon Cowell, has been named as the new host of “The Price is Right” to replace Bob Barker, who is starting to crumble into dust.

Kelly Clarkson is alive and well although she appears in the video, “Rock and Roll Heaven” which is a tribute to dead rock stars. just click onto https://artiewayne.wordpress.com/2006/08/20/rock-and-roll-heaven/

Copyright 2006- by Artie Wayne

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Whoppy and Streaker in a reflective mood.

It’s been ten years since Alex, the lovely hostess at Genghis Cohen, gave her boss Allan Rinde, a little calico cat by the name of Streaker. I watched Allan, who had little experience with pets, proceed to spoil her over the next 6 months. I remember going to visit him once and he answered the door with Streaker dangling by her claws, casually, from the bottom of his shirt. That little booger would always manage to do something that would keep me in stiches. She knew how to use the remote control on the TV and would change channels just as a program was starting to get good. Allan thought he had the problem solved when he started using two remotes. Then I remember one night, we were all watching “Buffy the Vampire Slayer”, just as Sarah Michelle Geller was about to drive her point across…Streaker changes the channel! I quickly change it back…and Streaker changes it again! This “duel” goes on for a while until I chase her into the other room where she ducks under the bed. If I didn’t know better, I’d swear I could heard her laughing.

This was about the time that Allan and songwriter Toni Wine ( “Groovy Kind Of Love”, “Candida”), who I introduced, were starting to get serious about each other. Allan was spending more and more time in Nashville where Toni lived, so Alex suggested that he should consider getting another cat to keep Streaker company. That’s when she brought a chubby, but dashing little white tomcat over, recently rescued from a crack house fire, whose name was Whoppy.

Allan let me stay in his apartment, after my spinal operation, where I fed and looked after my two little friends. Whoppy, who was now tipping the scales at 25 pounds, would lie on my right hand which, was partially paralyzed until it opened up! Streaker remained aloof with me, but fell in love with “Whop”. When I moved into my own place in Silver Lake, Allan gave me Whoppy as a present. A few weeks later, when he and Toni decided to marry, he asked me if I would take Streaker as well, because Toni was allergic to cats!

It’s been almost four years since the three of us moved here to the desert. Although I hate air conditioning, I turn it on for my little pals when it hits a hundred degrees or when they start sweating…whichever comes first!

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This morning I was in a reflective mood myself and I took a look at the guest book on my website. I was amazed at many of the old and new friends who signed and some of the incredible stories they tell! If you’d like to see it just click onto http://www.artiewayne.com/Guestbook/

After the “English Invasion” of the U.S. in 1964, at the urging of my friends, Paul Simon and Jackie DeShannon, I decided to go to London to promote my songs and productions. Bess Coleman, one of the Beatles press officers, with whom I was writing songs , brought me into the groups inner circle and I traveled with them on several stops of their, “Beatles For Sale” promotional tour.

Backstage at a venue in White City, George and Paul were playing guitar and singing to relax in with a handful of their old mates and confidantes. Bess introduced me to them, and just as Paul smiled and handed me the guitar for me to take a turn…John majestically strode into the room. Bess introduced me to him as the American who wrote the recent top ten UK hit by Helen Shapiro, “Queen For Tonight” (Raleigh/ Wayne) John, with a wide grin, shook my hand and in a deep voice sang a parody of my song, ” I am a Queen For Tonight…but will I be a King tomorrow?”…which had the room in hysterics! Unfortunately, I didn’t know they were laughing at John, who was poking fun at the husky voiced 16 year old Shapiro’s sexuality, which had recently been questioned by the press…I thought they were laughing at me! I was embarrassed, but managed a smile as I passed on playing one of my songs and handed the guitar over to John, who sat down and sang, ” I’m A Loser”.

Although that was my only personal encounter with John Lennon, it wasn’t the only connection I had. The first was in 1968, when I found a song, “John You Went Too Far This Time”, a reaction to the John and Yoko naked “Two Virgins” album cover, recorded by Sissy Spacek, whom I discovered and renamed “Rainbo”.
The second was concerning the original artwork of “Clouds” used on the “Imagine” album cover, which I was given as security from a friend who needed a fast $100.00 loan! I never asked my friend how he got it, but I knew I had to enjoy the painting in “secrecy” for as long as it was in my possession! Then one day, about three years after John’s assasination, my now well-heeled friend who gave me this treasure in trust, offered to buy it back. Although I knew it must be worth upwards of a $100,000 dollars, I just asked him to return the hundred dollar loan I made him originally. To this day I wonder was that the right choice?

Anyway, here’s a glimpse of this beautiful piece of art that hung for years in my office at Warner Brothers music. You can see it in the upper right half of the photo.

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Artie Wayne with Singer and Songwriter Patti Dahlstrom

Copyright 2011 by Artie Wayne https://artiewayne.wordpress.com/about-artie-wayne/+

EXTRA! EXTRA! NOW YOU CAN BUY MY NEW BOOK ,“I DID IT FOR A SONG” DIRECTLY FROM ME FOR $9.99 THROUGH PAYPAL. JUST SEND  TO artiewayne@gmail.com

TO READ A CHAPTER OR TWO FOR FREE CLICK  HERE

TO READ SOME OF THE COMMENTS  CLICK  HERE

BACK TO ARTIE WAYNE ON THE WEB! https://artiewayne.wordpress.com

“If you believe in forever…Life is just a one night stand.

If there’s a Rock and Roll Heaven…You know they’ve got a hell of a band!”

Director and producer, Sebastian Prooth’s inspiring video of Alan O’Day’s brilliant update of his classic number one song, “Rock and Roll Heaven” (O’Day/ Stevenson) continues to rock the Internet. Just click on to hear Ronnie Kimball’s amazing demo! https://artiewayne.wordpress.com/2006/08/20/rock-and-roll-heaven/

You can reach Sebastian Prooth at http://sebrt.com

Alan O’Day at http://alanoday.com

Artie Wayne at http://artiewayne.com

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JANIS JOPLIN 1/19/43 – 10/4/70

“I met Janis Joplin through some friends at Columbia Records The four of us were sitting in a booth at the Whiskey opening night for Pollution ,a new group that featured Dobie Gray, Tata Vega and my long time friend, guitarist James “Smitty” Smith.It was a great night…Janis turned me on to Southern Comfort for the first time…and I tried to pitch her an old Ashford /Simpson/Armstead,  song “Let’s Go Get Stoned” that had been a hit for Ray Charles.

She laughed and said, “I don’t do that anymore”….Ironically four days later she died of an overdose.”

From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
https://artiewayne.wordpress.com

BACK TO THE R.I.P. ROCK N PERPETUITY ARCHIVES https://artiewayne.wordpress.com/2008/08/20/rip-rock-in-perpetuity-archives/

BACK TO ARTIE WAYNE ON THE WEB https://artiewayne.wordpress.com

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RICK JAMES  2/1/48 – 8/6/04

When I was running Irving/Almo music in the early 70s, a young Black man walked into my office, dressed from head to toe in a Psychedelic leather outfit and dreadlocks. His name was Rick James, I didn’t know him, but he had been so engaging on the phone that I agreed to listen to his music. He flashed a confident smile as he handed me a demo of a new song he had just recorded.

I put the needle on the steel acetate…and when the intro started I leaped out of my seat onto the dance floor, I had built in my office upon a 12 year old Michael Jackson’s suggestion. I’ve never been one to conceal my enthusiasm in front of a writer or singer. I was so excited by what I’d heard I could have danced on the ceiling!!

I thought the demo Rick made of “I Love my Mama” was good enough to be a master …and so did Kip Cohen, head of A+R at A+M, when I brought it in to him. They signed him to a record deal while I signed him to an exclusive songwriters contract for 5 years.

It was always a pleasure to hang out with him or see him working around
the A+M studios. He was still developing the fusion of Rock and Funk, he became famous for a few years down the line, and I would really look forward to everything he wanted to play me. He was hardworking and dedicated…the kind of a guy who would do anything it takes to make him a Rock star.

Unfortunately, it didn’t happen for Rick James at A+M. It took a few more years of development and the Power of Motown to put him up where he belonged. Through the years when I’d run into him, he’d tell whoever he was with that I was the guy who discovered him and gave him a chance. I’m proud to have played a small part in his career…but I’m even prouder to have been his friend.”

From my forthcoming book, “I Did It For A Song”
Copyright 2009 by Artie Wayne
https://artiewayne.wordpress.com


BACK TO THE R.I.P. ROCK N PERPETUITY ARCHIVES https://artiewayne.wordpress.com/2008/08/20/rip-rock-in-perpetuity-archives/

BACK TO ARTIE WAYNE ON THE WEB https://artiewayne.wordpress.com